Art

The Art of Making Art About a Plague – Vanity Fair

Published

4 years ago

April 10, 2020

Take, for instance, the danse macabre genre of art developed in Europe in the early 1400s. In these didactic images, skeletons dance both with each other and with living people, offering two lessons: life is brief, so be pious; and life is brief, so dance. “Those metaphorical skeletons exist in our minds now,” Wright said. And that’s a good thing. Awareness of mortality “motivates people to live accordingly. And that seeps into art.”

The end of the superhero’s reign

We may see a resurgence of smaller, human stories about relationships as well. It’s often posited that the popularity of superhero movies grew out of September 11: “People wanted to feel like America was invincible, could take on terrorism, and could win,” Wright argued. Today, though, we see viral videos of Italians singing to each other from balconies and New Yorkers shouting thanks from their windows to health care workers. “We are realizing that nobody is invincible when it comes to illness, and also how important it is to be surrounded by people you love.”

The previously invisible

Underrepresented communities tend to be made visible by pandemics. “Even if you lived in a small town and wanted to pretend that nobody you’d ever met was gay, you couldn’t really ignore that after AIDS,” Wright said. After the worst of the crisis, there was a spike in media and films about the gay experience in America. Years later, as the gay-marriage debate raged, then vice president Joe Biden told Meet the Press, “I think Will & Grace did more to educate the American public more than almost anything anybody has done so far.”

Today, Wright said, people are starting to understand that “society really requires the skills of people who work in grocery stores and pharmacies, nurses, groups of people that we’ve been underpaying for a really long time.” Expect to see more protagonists who wear uniforms or aprons. Will that kind of visibility eventually help such workers earn a livable wage?

Wright was hopeful but doubtful, guessing that many Americans will want to forget about this scary, sad time as soon as possible. (Among them, of course, is our current president.) “Americans only like stories where they emerge as the victors,” Wright said. “Americans don’t like to think about things like the Spanish Flu”—one of the only pandemics in history that didn’t produce a spate of art representing the national or international psyche, Wright said. For that, we can probably blame the suppression of press reports of the disease by officials determined to boost morale—and governments that kept attention focused on World War I. Only years later did the average person understand the severity of the disease and its spread.

In Angels in America, Wright noted, playwright Tony Kushner “touches on how America is not a good country for sick people. He writes that Ronald Reagan ‘takes a slug in his chest, and two days later, he’s out West riding ponies in his PJs.’”

Today, most Americans are staying home in their PJs. Only time will tell how victorious we ultimately will be, and whether the coronavirus will inspire true social change. Until then, we can turn to art from plagues past to remind ourselves that our ancestors have faced times like these. “Know that you’re not alone. Humanity survived,” Wright said. “We’re still here, and we keep going.”

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

22 hours ago

September 13, 2024

Harry Miller

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

2 weeks ago

September 2, 2024

Harry Miller

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Ukrainian sells art in Essex while stuck in a warzone BBC.com

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Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

4 weeks ago

August 18, 2024

Harry Miller

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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