Toronto Symphony Orchestra’s 100th anniversary gala
Abuzz on the evening of Nov. 16 was Roy Thomson Hall, the Toronto home of the city’s symphony orchestra, TSO, which this year celebrates its 100th anniversary. Yo-Yo Ma, the American cellist of international renown, who made his TSO debut in 1979 and is a longtime friend of the organization, helped mark the milestone. Ma’s performance was preceded by drinks, served adjacent to the hall’s grand staircase, ahead of dinner for some 250 of TSO’s greatest supporters.
To my right at the table, was Sydney Davloor, marketing pro and the daughter of Rags Davloor, past vice-chair of the TSO board of directors (he was seated at a table close by with his wife Indra). At the table too was another gen-next TSO supporter Michael Lockhart, digital strategist at the Ontario Pension Board by day, arts supporter by night, and a recent addition to the TSO board. Violinist James Wallenberg, who joined the TSO in 1978, was close by too. Board chair Catherine Beck was there, with her husband Dr. Laurence Rubin and dotting the room were other key givers to the symphony among them: John and Amanda Sherrington; Earlaine Collins; and Jim Fleck and Georgina Steinsky.
At the centre of it all was Mark Williams, who took office this past April as CEO of the organization. After dinner, it was TSO music director Gustavo Gimeno’s moment, as he lead the orchestra through the program, which featured a performance of George Paul’s Honour Song by the fantastic Jeremy Dutcher ahead of Ma’s passionate performance of Dvořák Cello Concerto in B Minor. Following a series of well deserved ovations, Ma returned to the stage for an unexpected encore, borrowing TSO principal Joseph Johnson’s cello to play Pablo Casals’s Song of the Birds.
The Writer’s Trust Storytellers Ball
The following evening, the ballroom at the Park Hyatt hotel was the site of the Storytellers Ball, a gala to benefit of the The Writer’s Trust, a charity that supports Canada’s literary community through annual awards, programs including writers retreats and an emergency fund for writers in crisis. Margaret Atwood, who founded the organization in 1976 alongside Pierre Berton, Graeme Gibson, Margaret Laurence, and David Young, served as an honorary patron of the gathering. On co-chair duties at this latest was PR pro Amy Burstyn-Fritz and gallerist Lucia Graca Remedios, and there at each table, to speak to the important work the trust does, was an author, among them: Ian Williams, Vincent Lam, Tanya Talaga and Dan Werb, who won the 2022 Hilary Weston Prize for non-fiction. Also there to support the trust, which raised north of $300,000 during the evening: real estate investor Tyler MacNamara and his wife and Claire; architects Donald Schmitt and Cheryl Atkinson; philanthropist Janelle Lassonde; theatre producer and arts patron Elly Barlin-Daniels; and businessman Jim Balsillie.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.