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The art of picking the perfect colour

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Sometimes I fret for days about what to ask an interview subject. But when I heard that I had time with Amy Hoban, who headed design teams for Ralph Lauren and Shabby Chic before becoming Chief Creative Officer for California-based lifestyle brand Parachute, I knew we would talk about colour.
That’s because I’ve been struck by Ms. Hoban’s unerring, uncanny knack for colour across all those brands. It seemed a home décor crime not to ask her about how to choose, mix, and compliment hues and textures.

Already familiar — and a fan of — the line’s loamy browns and friendly, versatile blues, and pitch-perfect stone, bone, and creamy neutrals, I started with a question about a new Melon shade — a departure for the brand but a delight for those who of us love peachy pinks.

“Melon is a bit riskier because it’s farther out of our own identity,” Amy Hoban says. “But we wanted to speak to the warmer side of the palette that would work (with existing colours) like Clay, which is a really strong performer.”

There’s a mid-tone Wave blue that’s also new, and which can make a moody anchor or crisp accent, and compliment other blue-greys in the line.

In adding to the palette, Hoban considered the cheerful postmodernist colour blocking that’s gaining popularity, whimsical curved furniture, and Memphis movement elements that blend Art Deco and Pop Art.

A little Rococo design, she suggests, may be a natural reaction to hard times and humorless spaces. “The concept for 2023 was about being fun, playful —the feeling of lightness. As a collective mass, we were ready for optimism.”

That meant reviewing a palette grounded in saturated tones like the earthy Terra, and Coal. “We wanted to lighten ourselves up, so to add buoyancy we Introduced two new colours that work with what we already have,” she says. “For example, Wave was a friend to Dusk, which was a hugely successful colour for us.”

Ms. Hoban is in the lucky position of constantly testing and trying new products. “Right now I have our new Bone brushed cotton and fresh cotton sheeting in Bone. Then Bone linen top of bed and shams. It’s all one colour but different fabrication, so it’s a sophisticated, layered look. And working with different colours and patterns all day, it’s nice to come home to something that’s just a little quieter but isn’t white,” she explains.

Bone can also “cross-pollinate” with colour, she says, suggesting perhaps a woven quilt in Haze — a soft violet that’s just a little lighter than Clover (think purple clover) — or other textured elements in the same family. I’d also like to see the new Wave blue against those gentle purple shades.

Homeowners can immediately refresh a space by switching out even small pieces like pillowcases, Amy Hoban says, advising contrasting colours for drama, or using the same tone in different textures and weaves to exude calm.

For extra comfort and colour, consider a plump body pillow with a Vintage Linen pillowcase in bold Cobalt blue. New colours in velvet covers coming this fall promise to be equally dreamy.

Consumers are ready to invest in bedding as the idea of responsible indulgence takes hold, suggests Ms. Hoban. “Self-care is a huge trend, as it should be. People are more educated about which fabrics and construction will provide a good night’s sleep,” she says, adding that consumers also care that the brand doesn’t use harmful chemicals, pays fair wages, and uses sustainable, traceable sources for flax and cotton.

Amy Hoban hopes customers experience and enjoy the positivity new colours are meant to express. In the meantime, she says she’s “just grateful to have fun along the way, and to show customers it doesn’t have to be too serious.”

Vicky Sanderson is the editor of Around the House. Check her out on Instagram@athwithvicky, Twitter ATHwithVicky and Facebook.com/ATHVicky.ca

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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