Art
The art of science – Nature.com
They say a picture tells a thousand words, so by that accounting, the visual word count of a Nature Physics paper doubles that of its text. So how best to use that budget?
The German painter Margaret Leiteritz made a name for herself a century ago by turning scientific data into works of art1. As long-time Leiteritz fans, we at Nature Physics are firm believers in the idea that information carries an intrinsic beauty. When we select images for the cover of our issue each month, we always prioritize those featuring real data. And those data that don’t make it to the cover are lovingly curated in our Instagram account (www.instagram.com/nature.physics/). But aesthetics is only a small part of what makes a figure beautiful — and effective.
The message a paper tells in its figures can be more persuasive than that of its text. And like the written word, scientific images benefit from a certain economy. Great scientific figures are self-contained and self-evident, conveying only the information necessary to support a paper’s claims.
That’s not to say that brevity should give way to misinformation. We are committed to reproducibility in scientific research, and encourage authors to provide all the data necessary to allow others to understand and replicate their findings. But for this we allocate up to ten extended data files that are integrated into the online version of the paper, in addition to a separate document containing supplementary information. This way, specialists can easily access exhaustive imaging data, for example, leaving the authors free to convey clear, uncluttered information in the figures accompanying the main text of the paper.
Effective figures are also coherent. The caption of each figure published in a Nature Physics paper begins with a single unifying title, regardless of how many parts it has. So ideally, each figure should convey a single message. Think of it as a built-in structure: each paper relays the findings of a study in four (or six) chapters, each with its own illustration.
A look back at the history of scientific figures reveals how easily excellent figures capture key findings. For example, James Watson and Francis Crick’s 1953 report of the structure of DNA famously included only a schematic in support of their revolutionary claim (pictured, far left) — perhaps because the data underpinning the discovery weren’t theirs to publish2.
Heike Kamerlingh Onnes offered more information when he presented his discovery of superconducting mercury at the first Solvay conference in 1911 — but the unmistakable jump in resistance (top left) was just as minimal, and as clear, as the double helix. The quantized nature of the Hall voltage of a two-dimensional electron gas was similarly clear in the plot that earned Klaus von Klitzing the 1985 Nobel Prize in Physics (top centre).
The existence of the charm quark was writ large in the signal of what later became known as the J/ψ meson (top right), and the news that neutral charm mesons oscillate — or mix — was similarly effective in a 2013 Large Hadron Collider beauty (LHCb) result (bottom left). Another triumph of data fitting came two decades earlier, when the cosmic microwave background measured on the Cosmic Background Explorer (COBE) satellite was shown to be consistent with the blackbody spectrum, lending crucial support to the Big Bang hypothesis (bottom right).
These plots may not be the masterworks of Margaret Leiteritz, but with a bit of thought and care, figures can be an essential tool for conveying the central conclusions of a scientific paper. And for those discoveries that really do make a difference, in time we can also learn to appreciate them as iconic representations of human enquiry.
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Kemp, M. Nature 430, 508 (2004).
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Franklin, R. E. & Gosling, R. G. Nature 171, 740–741 (1953).
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Watson, J. D. & Crick, F. H. C. Nature 171, 737–738 (1953).
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van Delft, D. & Kes, P. Phys. Today 63, 38 (2010).
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von Klitzing, K. et al. Phys. Rev. Lett. 45, 494–467 (1980).
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Mather, J. C. et al. Astrophys. J. Lett. 354, L37 (1990).
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The art of science.
Nat. Phys. 17, 869–870 (2021). https://doi.org/10.1038/s41567-021-01332-x
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Published: 09 August 2021
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Issue Date: August 2021
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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”
On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.
Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”
The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.
Blaze in the West Wing
The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.
About Somerset House
Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.
Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.
Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.
Sudbury’s annual art and music festival is marking a significant milestone this year, celebrating its long-standing impact on the local cultural scene. The festival, which has grown from a small community event to a major celebration of creativity, brings together artists, musicians, and visitors from across the region for a weekend of vibrant performances and exhibitions.
The event features a diverse range of activities, from live music performances to art installations, workshops, and interactive exhibits that highlight both emerging and established talent. This year’s milestone celebration will also honor the festival’s history by showcasing some of the artists and performers who have contributed to its success over the years.
Organizers are excited to see how the festival has evolved, becoming a cornerstone of Sudbury’s cultural landscape. “This festival is a celebration of creativity, community, and the incredible talent we have here in Sudbury,” said one of the event’s coordinators. “It’s amazing to see how it has grown and the impact it continues to have on the arts community.”
With this year’s milestone celebration, the festival promises to be bigger and better than ever, with a full lineup of exciting events, workshops, and performances that will inspire and engage attendees of all ages.
The festival’s milestone is not just a reflection of its past success but a celebration of the continued vibrancy of Sudbury’s arts scene.
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