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The Art of Skincare with La Prairie – Vanity Fair

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La Prairie has always been a skincare brand that has art at its core, but a new partnership with Fondation Beyeler strengthens this keen cultural connection.

Think high-performance luxury skincare and immediately La Prairie, the revered Swiss brand, comes to mind. The two are synonymous. Delve a little deeper under the skin of the lauded house, however, and you uncover something its loyal following has always known—the world of contemporary art courses through La Prairie’s veins.

The unconvinced need only take one look at the evidence. The brand’s founder, Dr. Paul Niehans, took inspiration from Bauhaus, the art movement steeped in an “art in everything” ethos, hence this sensibility is clear in everything La Prairie does. The unmistakable rich cobalt blue glass skincare jars and bottles designed by French-American sculptor Niki de Saint Phalle; the collaborations with world-class art fairs such as Art Basel in Basel, Hong Kong and Miami, where the brand supports and commissions up-and-coming as well as established artists, raising their profile on a global scale while also previewing their latest exquisite technologically driven skincare.

This time, however, its latest launch is not a bottle of serum targeting fine lines or a depuffing eye cream. In fact, there are no products to speak of. Rather, La Prairie has joined forces with Fondation Beyeler, one of the most prestigious art institutions in Switzerland, on a two-year partnership to support the Piet Mondrian Conservation Project. This collaboration, explains Greg Prodromides, La Prairie’s Chief Marketing Officer, not only highlights the importance of conserving art for posterity, “it takes our cultural engagement to another level”.

Three-fold thinking behind the collaboration, says Prodromides, made this union a no-brainer. “Fondation Beyeler is another Swiss House like us that shares the same values of perfection and the quest for very high quality. It is also in line with the vision that we have: to build luxury with a higher meaning. Also, it is Piet Mondrian, an artist who has deeply influenced the expression of the house of La Prairie.” Mondrian, famed for his abstract geometric paintings, is widely considered one of the greatest artists of the 20th Century; when you consider his influence across the world of design, culture and fashion, it’s an accolade that cannot be argued with. Fondation Beyeler, the museum founded by Ernst Beyeler—the art collector and dealer behind Art Basel—holds one of the most prestigious collections of Mondrians in Switzerland.

Fondation Beyeler

MARK NIEDERMANN

A paean to modern and contemporary art, it carries more than 400 Post-Impressionist, classical modern and contemporary works. This is why the temporary exhibitions, held three to four times a year—think pioneering artists such as Louise Bourgeois, Henri Matisse, Jeff Koons, Jean-Michel Basquiat and Pablo Picasso—see art lovers flock in from far and wide.

In 2022, the highly anticipated subject of choice will be Mondrian, and the institution is tasked with conserving four of his minimalist artworks—Tableau No 1; Composition with Yellow and Blue; Composition with Double Line and Blue; and Lozenge Composition with Eight Lines and Red. It is a task Marcus Gross, the Head of Conservation at Fondation Beyeler, sees not simply as a vocation, but as a calling and responsibility. “Our mission is the long-term preservation of art, hence we do very deep research on the technique and materials used by the artist and the condition of the artwork.”

Piet Mondrian, Composition with Yellow and Blue, 1932. Fondation Beyeler, Riehen/Basel.

Robert Bayer

A remarkable commitment to conserving inimitable artworks is something the conservators at Fondation Beyeler are famed for. It is an intensive, holistic approach, which involves studying, documenting, analysing and, essentially, going beyond the perfunctory in order to display the original intention of the artist. Just like the technologically advanced, groundbreaking skincare formulas that La Prairie has built its reputation on, science, explains Gross, “plays a very important role. By using various scientific techniques and equipment, we are able to decide exactly how to preserve artworks in the future”.

It is impossible to detach the role of conservation from the future of art, hence, explains Ulrike Erbsloh, Managing Director at Foundation Beyeler, the significance of La Prairie’s patronage. “Through this partnership,” he says, “we are able to communicate to the wider public that art conservation is absolutely crucial to artworks being preserved for future generations.”

Prodromides echoes Erbsloh’s sentiments adding, “Art is part of who we are. Our attitude, our DNA, a prism through which we look at the world. So this project is our way of contributing back to our communities and doing our part to make the world a little more beautiful, not just for today but also for the generations to come.”

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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