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The CERB art boom: How government cash is helping many creatives win the pandemic – National Post

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“I even built a website so I’d have something proper to send in. It’s great that the pandemic has given me the time to work harder and smarter on my new EP than ever before, but I play music because I love doing live shows and it feels … really bad not being able to do that.”

In July, Kelsey Verzotti and Jacob Sheffield, two Toronto-based musical theatre performers, launched an online store to market the offstage talents of their peers who, like them, lost their livelihoods due to COVID-19.

Called SideBiz, the site boasts an eclectic catalogue, including vintage clothing, handmade soaps, intuitive line art, clay and leather earrings, as well as intangibles like “love coaching” and hypnosis recordings for actors.

“The idea definitely came out of the pandemic,” Verzotti said. “The pandemic gave us the opportunity to just go for this and spend a lot of time on it, which I don’t think would have happened with our old go, go, go busy lifestyle.”

The pandemic gave us the opportunity to just go for this and spend a lot of time on it

Derrick Chua, a theatre producer, lawyer and director of the Actors Fund of America, said COVID has been an “unmitigated disaster” for people dependent on now-shuttered theatres and concert venues. For them, CRB will have “a huge impact,” he said.

But that impact, he said, wouldn’t necessarily be on creative output.

“An individual artist would be able to receive a maximum $13,000 in CRB payments. It’s certainly not chump change, but is it going to allow for a lot of impossible work to be created? Maybe, but I wouldn’t want to suggest that any artist who receives CRB but does not create anything in this time is somehow less than another who was able to write a play or record an album.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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