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The coronavirus is the first true social-media “infodemic” – MIT Technology Review

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On January 19—a week before the Lunar New Year—Tommy Tang left Shenzhen with his girlfriend to visit her family in Wuhan for the holiday. They had heard of the novel coronavirus (now officially known as COVID-19), but as far as they knew, it was localized to a small area. The local government had assured people that it would only affect those who visited a specific food market and contracted it directly from wild animals.

But on the night of the 20th, Dr. Zhong Nanshan—the same doctor who first revealed the extent of SARS in 2003—went on national TV to correct the record. The virus could spread from person to person, he said. Panic ensued. Overnight, everyone in the city began wearing masks. Tang and his girlfriend realized it was no longer safe to stay. They cancelled their plans and left on a train the next day. Less than 48 hours later, the city went into lockdown.

Back in Shenzhen, they placed themselves in a 14-day quarantine, leaving their apartment only once a day, with masks, to take out the trash. Tang, whose family also lives in Shenzhen, couldn’t join them to celebrate the holiday. He wished his mother Happy New Year through his apartment door peephole. He ordered everything from food to soap and toilet paper through delivery apps like Meituan Waimai and Dada-JD Daojia. On the third day of quarantine, Tang went into a panic when he opened the apps to see everything completely sold out.

“There was nothing there—there were zero vegetables,” he says. “But compared to Wuhan, we have it extremely easy,” he adds.

More than anything, the greatest source of anxiety has been the tortuous process of watching the news unfold on social media. It has mirrored and amplified his fears to levels he’s never experienced before. He and his girlfriend have suffered insomnia and multiple panic attacks. They are terrified of contracting the virus and about her family’s well-being.

“Honestly, it’s really hard to describe what happened during these 14 days,” he says. “There’s nothing to do but read the news, and the news gets worse every day. That’s the hardest part for the people outside.”

On February 2, the World Health Organization dubbed the new coronavirus “a massive ‘infodemic,’” referring to ”an overabundance of information—some accurate and some not—that makes it hard for people to find trustworthy sources and reliable guidance when they need it.” It’s a distinction that sets the coronavirus apart from previous viral outbreaks. While SARS, MERS, and Zika all caused global panic, fears around the coronavirus have been especially amplified by social media. It has allowed disinformation to spread and flourish at unprecedented speeds, creating an environment of heightened uncertainty that has fueled anxiety and racism in person and online.

For its part, the WHO has attempted to address the issue by partnering with Twitter, Facebook, Tencent, and TikTok to clamp down on misinformation. It recently launched a Google SOS alert, for example, to push WHO information to the top of people’s search results for coronavirus-related queries. It has also been working with Facebook to target specific populations and demographics with ads that provide important health information. It has even gone so far as to reach out to influencers in Asia to try to keep disinformation at bay.

Social-media and health organizations have also engaged in efforts of their own. TikTok has tried to remove purposely misleading videos, saying in a statement that it would “not permit misinformation that could cause harm to our community or the larger public.” Facebook has also worked to scrub posts with dubious health advice, and Tencent, the owner of WeChat has used its fact-checking platform to scrutinize coronavirus rumors circulating online.

But the sheer avalanche of content has overwhelmed the coordinated efforts to clear out all the noise. This in turn has created a breeding ground for xenophobic content. Racist memes and slurs have proliferated on TikTok and Facebook. Some teens have even gone about faking a coronavirus diagnosis to earn themselves more social-media clout. This online toxicity has also translated into in-person interactions. Asians have faced outright racism and harassment, and Chinatowns and Chinese restaurants have seen business lag.

Similar levels of discrimination have been reported (link in Chinese) in China against people from Wuhan and the larger Hubei province. In some cases, those who are stranded because they were traveling during the lockdown are being denied hotel rooms once their national IDs reveal their hometowns.

But as much as social media has perpetuated disinformation, it has been an important source of verified information as well. Journalists around the world have used Chinese social media to gain a more accurate picture of the situation and gathered and archived verified reports for posterity. The volume of personal anecdotes and reports that circulate every day about the ground truth in China has also pressured the government to release more accurate information about the crisis.

In the early days, for example, several doctors took to social media to raise alarms about the severity of the situation. Though the government swiftly reprimanded them and moved to control the flow of information, their warnings went viral, likely accelerating the government to be more forthcoming about the reality. Later, when one of the doctors, Li Wenliang died from the sickness, Chinese platforms lit up with an outpouring of anguish and rage, questioning the government’s decision and authority. The discontent was so pervasive that it thwarted censors. 

Such social-media activity could also be mined in the future to catch and track future disease outbreaks. Several services are already using these techniques to help public health officials monitor the coronavirus’s progression. Raina MacIntyre, a biosecurity expert at the University of New South Wales, published an article in January in the journal Epidemiology that found that hot spots of tweets could be good indicators of how a disease spreads. “Especially where there is censorship or lack of resources for disease reporting,” she says, this could help organizations react even earlier during a viral outbreak, stopping them before they become global health emergencies.

In a strange way, social media has also become a space for collective grieving. On Weibo and WeChat, stories of despair and kindness abound. Alongside expressions of fear from people stuck in quarantine and from patients unable to receive treatment are also anecdotes of people donating (link in Chinese), volunteering, and helping one another in unexpected and generous ways.

“Those personal stories—you don’t read them a lot in international coverage of the outbreak,” says Shen Lu, a journalist based in Boston who has been following Chinese social-media activity around the coronavirus closely. But they have become an important way for people to follow the crisis both within and outside China, serving as a form of catharsis and giving people, amid all the panic and toxicity, a small ray of hope.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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