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The CRA is watching you: Auditors scouring social media for unreported income from influencers – National Post

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‘If Canadians could figure out how to get paid to play Call of Duty, the CRA needs to figure out how to tax that’

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OTTAWA – Every time Kylie Jenner — a massively popular American social media influencer and member of the Kardashian family — posts an advertisement for a product on her online accounts, she reportedly earns over $1 million from the brand.

Canada also has its fair share of social media influencers. Take Evan Fong, a Toronto area videogame commentator and streamer better known as VanossGaming, who reportedly raked in US$17 million in 2018 by attracting eyeballs to his social media channels such as YouTube.

Another influencer, Laval-raised video game streamer Félix “xQc” Lengyel, reportedly earned nearly US$2 million in 2020 on Twitch, an extremely popular live streaming service online. His job? Playing video games in front of tens of thousands of fans, who often pay money to subscribe to his channel and can even donate money to him.

Fong and Lengyel (who is now based in the U.S.) are just two random examples of the breathtaking revenues that some Canadians are earning through online platforms. And numbers like those have caught the Canada Revenue Agency’s attention.

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If somebody’s declaring less than $5,000, and they have a Mercedes Benz in their Instagram posts, it’s clear that there’s a question to be answered

The CRA is jumping on hundreds of Canada’s top social media influencer’s pages, parsing their content to spot any obvious signs of wealth or gifts. Then, they open up the individual’s tax filings and compare what they see online with what the person previously declared as earnings.

“If somebody’s declaring less than $5,000, and they have a Mercedes Benz in their Instagram posts, it’s clear that there’s a question to be answered there,” said Ted Gallivan, Assistant Commissioner at the Canada Revenue Agency and head of the agency’s compliance programs branch, in an interview with the National Post.

Scrutinizing social media is only one of the new methods the CRA is using to tackle tax evasion or avoidance by individuals working in the platform economy, a vast and booming sector where Internet or mobile applications serve as the main medium for promoting and selling a product of service.

Though they applaud the CRA’s efforts, some experts wonder about the privacy and ethical issues when tax authorities start going through taxpayers’ social media.

For the CRA, the platform economy is broken down into four categories: the sharing economy (such as AirBnB, Uber or Lyft), the gig economy (Doordash), peer-to-peer sales (eBay or Kijiji vendors) and social media influencers (Twitch, YouTube, Instagram). It’s an economy worth tens of billions of dollars at least in Canada alone.

But the novelty of these platforms, and the fact they operate solely online, is forcing the CRA to innovate in its auditing and verification techniques (such as parsing through people’s online public presence).

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And in some cases, the results of the social media monitoring have been surprising. Gallivan says there has been a small number of “very large discrepancies” detected, meaning that their public life shows they “obviously have multiple sources of income”, but their latest income declaration is… $0.

We come to a social media platform, and we would ask ourselves: who are the power users, the power sellers, or any kind of top tier and then simply consult their tax returns

These influencers can be anything from people who make a living off product placement on their Instagram account with thousands or sometimes millions of followers, entertainers who rake in revenue from ads that play before their YouTube videos or fans who pay monthly subscriptions to watch them play video games online.

“We come to a social media platform, and we would ask ourselves: who are the power users, the power sellers, or any kind of top tier and then simply consult their tax returns,” said Gallivan.

“The social media sites themselves can give a sense of somebody’s popularity and revenue. And then within the posts themselves, prize money or assets they’ve received are right there. So you have the physical evidence that facilitates a conversation with the person about their obligations,” he added.

In addition to surveying social media accounts for Canada’s top influencers, the agency’s auditing division created a new, distinct unit that focuses “exclusively on the platform economy.” The unit currently staffs 60 people drawn from CRA’s more traditional auditing teams.

“They do a mixture of preventing non-compliance through something like e-invoicing, and then education, and then traditional audit,” he said.

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E-invoicing is an automated digital exchange of transaction documents between two parties done directly through their accounting or sales systems. Not only is it more often more convenient for organizations, but it also creates a traceable trail of documents for CRA auditors.

The growth of the platform economy in Canada has been eye-popping in the last decade. According to Statistics Canada, revenues just from short-term accommodation in 2018 were 10 times more than in 2015, jumping from $265 million to $2.8 billion in the span of three years.

An earlier study of the gig economy by the same agency showed that 8.2 per cent of Canadian workers said they were part of the gig economy in 2016, up from 5.5 per cent roughly one decade earlier.

If Canadians could figure out how to get paid to play Call of Duty, the CRA needs to figure out how to tax that

“We know that segment of the economy is going to grow,” Gallivan said. “The gig economy and platform-based sales are definitely the future.”

“If Canadians could figure out how to get paid to play Call of Duty, the CRA needs to figure out how to tax that,” said Gallivan.

To do so, the agency’s new platform economy audit and verification team is conducting a series of “exploratory audits”. The idea is for auditors to test and identify the best techniques to spot any undeclared revenues tied to the platform economy.

To date, the assistant commissioner says the agency has completed 40 such audits and reassessed roughly $500,000 in total suspected unpaid taxes. There are another 200 audits currently underway.

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“Those 40 audits are really almost learning opportunities for the CRA. We’re not yet operating at scale. We’re doing these audits to really understand what’s the most efficient way to get at this, what’s the fine line between where we can nudge by telling people we have information versus a full audit. So I don’t think they represent maturity at all,” Gallivan said.

CRA also uses two software tools called Chainalysis and Cypertrace that help it track cryptocurrency transactions — which can be used as payments on certain digital platforms — as well as detect potential fraud and money laundering.

“The software tools kind of help us estimate what is the actual income flow so that we can compare that to the tax return,” he said.

It’s kind of unusual for the CRA to go spy on taxpayers

But is all of this enough to tackle the emerging risk of aggressive tax avoidance or evasion in such a booming market for Canadians?

Two renowned Canadian tax experts interviewed by National Post applaud the agency’s desire to tackle the issue so early on, noting that it’s interest in the platform economy is “bang on”. But they have concerns as to how it’s being done and even if the CRA is investing enough resources.

“CRA is actually doing a good job with respect to taxing these social media influencers. This is a relatively new space, which is growing very quickly,” said Arthur Cockfield, associate dean of Queen’s University faculty of law and tax law expert. “That’s why I think the CRA is right to do its test audits and monitoring at this stage of the game, and then get ready for the future.”

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He, just like Gallivan, believes that tax evasion or avoidance in the platform economy is still a drop in the water compared to the traditional underground economy (think the construction or hospitality industry, for example), but that is inevitably poised to change.

“It’s going to persist, and it’s only going to get worse,” Cockfield said.

But he admittedly has concerns about how CRA is sniffing around Canadians’ social media accounts, which he feels is possibly overly invasive despite the public nature of such postings.

It prompts a lot of taxpayer privacy concerns on my part

“It’s kind of unusual for the CRA to go spy on taxpayers, which raises interesting policy, ethical and maybe even legal issues. Do they have the legal authority to investigate you when there is no evidence of individual wrongdoing?” he asked.

“It prompts a lot of taxpayer privacy concerns on my part. I’m not disagreeing with the CRA strategy in the sense that it’s a pragmatic strategy that could work. But it does raise privacy issues.”

David Rotfleisch, founding partner at Rotfleisch & Samulovitch, also agrees that the underground platform economy will likely emerge as a “significant” issue for the federal government and that CRA should hone its tools to deal with it as quickly as possible.

Considering that, he thinks the federal government desperately needs to beef up its platform economy verification unit.

“I really have concerns about the ability of 60 people to solve this problem going forward. It’s a whack-a-mole thing, and you need a lot of people to whack all the moles. It keeps growing, and I don’t see how 60 people can keep up with that,” he said.

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But Gallivan says that the team is small for now because the agency is still focused on using the carrot while sharpening the stick. In other words: educating taxpayers involved in the platform economy on their tax obligations instead of jumping straight to audits.


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A lot of undeclared income derived from this emerging industry is due to the fact it is so new — and thus people don’t understand their tax obligations — and because the users are generally younger, Gallivan adds.

“It can be a slipper slope too. You can play a video game just for fun or connection the first time and you might get $50, or a coupon or anything like that. So it starts innocently enough. But then it starts to be tens of thousands of dollars, and in some cases you’ve reported even millions of dollars,” he said.

“I think the newness and that transition from it being something you’re doing for fun to it starting to be business income and your full time job. So we definitely want to lead with a message of education.”

When it comes to methods, Rotfleisch argues that CRA auditors should continue to “think outside of the box” and find “creative audit methods” to help detect when a taxpayer isn’t paying their fair share.

“I have no sympathy for people who have a Mercedes in the driveway and who are reporting zero dollars on their tax filings.”

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But like Cockfield, Rotfleisch warned that methods like parsing through social media posts could present dangerous pitfalls for the CRA. For example, luxury items displayed on social media could have been purchased after receiving a hefty inheritance, which is non-taxable.

“I’m very much afraid CRA may jump the gun in certain cases, and that can create an uphill battle for the taxpayer,” Rotfleisch said.

All that being said, both him and Cockfield thinks the CRA should still focus on the areas it’s regularly been losing court cases lately: large corporations.

“CRA recently lost a case involving a company named Camco, where the present value of the revenue loss is a billion dollars. That’s a lot of money,” Cockfield said.

“In other words, they’re going after thousands of these influencers, who are bringing in as much tax as one corporate taxpayer.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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