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The Heart of Community and Art: A Tribute to Joe Blades

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Joe Blades was a devoted friend and talented artist, whose legacy will live on gracefully. Blades was a poet based in Fredericton, NB, who impacted the community of UNB and the greater Fredericton area.

Originally from Halifax, Blades eventually attended the Nova Scotia College of Art and Design to realize his various artistic talents. Blades was an artist, “an everyman.” He wore many hats, much for the benefit of surrounding artists.

Broken Jaw Press, Blades’ independent publishing company, gave many local artists their first opportunity to publish their work. The company ran from 1984, until his death in 2020. Writers like RM Vaughn and David Adams Richards were first published by Broken Jaw and have gone on to have substantial careers in the arts. In UNB’s collection alone, there are over 170 Broken Jaw books, including Blades’ own work.

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Kim Vose Jones, a colleague and friend of Blades, spearheaded the university-wide tribute to the late poet, which has included detailed displays of his art and readings of his poetry by his family and friends. Blades is remembered for his interactions and observations with those around him.

“He would collect every little bit of his life everywhere he went. A lot of his poems are about observation, just watching. People go by on the streets and he would sit, observing life and observing his own interactions with the world around him,” says Jones.

These everyday observations were transformed into poetry that he would keep in his loyal notebooks with very strong spines.

“They’re known as the books that don’t close because they physically can’t close. And they’re works of art, each one of them individually. They’re full of little interesting things,” Jones points specifically at a notebook that cradled a tiny sardine in the binding. Blades himself may as well be on display, considering the number of his experiences were within the pages of the notebooks. Not just of his own life, but as the witness of others’ experiences.

While he was primarily a poet, his love for visual arts is also apparent. Blades’ love for props and detailed design is also highlighted in the display. He would dedicate so much time and effort to the most specific props for certain plays or films he was in. From a cigarette box with the words, Life will Kill you, to newspapers, to milk cartons and alcohol bottles, Blades proved to be a jack of all trades. He took great pride in his work and wanted his collaborations to benefit everyone involved.

“I keep saying this, but Joe would always show up for other people. Even other artists and other events. He was always trying to help other people and he was just very generous to people. And he had his little hand and everything. He was a union organizer here on campus and even in the greater community, so it was never a surprise to see Joe at an event. You could be at a union event and Joe’s still there holding a sign, or you’re at a poetry reading. Oh, there’s Joe. And there’s someone’s art opening and there’s Joe.”

Just like during his life, UNB students, faculty, and staff can turn a corner, and there’s Joe, still all around.

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Collaborative art project highlights the artistic and healing properties of trees – GuelphToday

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Combining nature, art and science came to fruition with a collaborative stick weaving project today.

At the How To Draw A Tree Wellness Circle on Johnston Green at the University of Guelph, people were welcomed to join artists Dawn Matheson and Agnes Niewiadomski to create a sculpture made out of sticks. 

Trees saved Matheson’s life. She has her own challenges with mental health but being with trees in nature relaxes her and calms her mind.

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“It’s just a practice I’ve developed. It grounds me,” she said. 

She wanted to bring a bit about what fuels her creativity and helps her mental health to the public with this art project.

The process of the sculpture will continue to unravel in the next couple of weeks as people add sticks to it. About 50 people came out to the event on Wednesday.

Eventually the sculpture will be used as a set piece for a play put on by Guelph Collegiate Vocational Institute (GCVI) students. 

“Our idea is always like, challenge yourself to try something that you’re not used to,” said Gerard Gouchro, teacher and minor head of arts at GCVI. Students came to help create pieces of art as part of the sculpture. 

The project stemmed from an idea to get people engaged with the wellness circle. An art project called How To Draw A Tree was created by Matheson four years ago. Although the project is finished she hopes people will still engage with it. 

The team behind the project is a mix of artists, sound composers, students, poets, ecopsychologists and more. They created sound walks. People can go through a guided tour in the Arboretum while listening to artists talk about their relationship to trees.

There are four guided sound walks onsite and each person has a tree planted at the wellness circle that they connected with while working on the project.

The stick sculpture will be a work in progress. There will be a sign that reads anyone is welcome to add a stick to the sculpture. “It’ll become a true process based community sculpture, maybe it’ll get destroyed, which is fine by me. I’m a process based artist, there’s no final product,” said Matheson.

Most of the materials used for stick weaving are sticks from trees in the Arboretum that were pruned in the winter. Instead of the material being put into a chipper “this was a great opportunity to share it here for this project,” said Justine Richardson, director of the Arboretum. 

Matheson hoped with minimal instruction people felt free to add sticks to the sculpture wherever they saw fit.

“It’s just kind of come alive to see everyone’s contributions. I’m really impressed,” said Niewiadomski.

Trees are the ultimate improvisers; they move wherever the sun is, said Matheson. Trees are good listeners and you can’t experience a lot of rejection from them.

“There’s two parallel crises that are the biggest crisis in the world right now. And that’s mental illness and climate crisis,” she said. This is what the project is about.

There will be researchers from the U of G who will be studying the art project and will give feedback to see how beneficial creating a connection between people and the earth is.

The question that runs through Matheson’s mind is; how do we glean life and creativity from trees but also give back to nature?

The art piece will be up for the next couple of weeks on Johnston Green and people can contribute by adding in their own sticks.

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PHOTOS: 'Urban art advocates' brighten up London with public murals – The London Free Press

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Subscribe now to read the latest news in your city and across Canada.

  • Exclusive articles from Ryan Pyette, Dale Carruthers, Jane Sims, Norman De Bono and others. Plus, the Noon News Roundup newsletter on weekdays and the LFP Weekender newsletter on weekends.
  • Unlimited online access to London Free Press and 15 news sites with one account.
  • London Free Press ePaper, an electronic replica of the print edition to view on any device, share and comment on.
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  • Support local journalism.

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Squatters at Gordon Ramsay's Pub Have 'Left the Building' After Turning It Into an Art Café – PEOPLE

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Squatters occupying one of Gordon Ramsay’s London pubs have vacated the property, one week after police were made aware of their activity.

The Camden Art Cafe, an “autonomous cafe” who had identified themselves as the occupants of the celebrity chef’s York & Albany pub, shared the news in an Instagram post.

“We are sad to announce Camden art collective have left the building after being served papers yesterday,” the post read. “We wish those left in the building the best of luck in their endeavours. We hope to be a part of the community again soon, watch this space!!”

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The account did not specify who is left in the building, and London’s Metropolitan Police could not immediately be reached by PEOPLE for comment.

On April 13, BBC reported that the Central London pub had been occupied by at least six people, who allegedly boarded the windows. PEOPLE confirmed on April 15 that Ramsay’s pub had been occupied by squatters. 

York & Albany pub.

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The building where York & Albany was located and rented by Ramsay was listed on the market for £13 million, or about $16 million U.S. dollars, in December.

The Camden Art Cafe spoke about the price when they shared an official statement on April 15 about occupying the building.

“We aim to open our doors regularly to anyone and everyone, particularly the people of Camden who have been victims of gentrification and parasitic projects like HS2,” the statement said, adding that they will provide free food and “space to display their art without the ridiculous red-tape that galleries require people to jump over.”

The post continued, talking about how the wealth disparities in Camden made it “fitting that £13 million properties that most locals would never be able to afford to visit should be opened up to all.” 

On April 15, the Metropolitan Police told PEOPLE that they were made aware of the squatters at a “disused property” near London’s Regent’s Park on April 10.

“This is a civil matter and so police did not attend as an emergency call out,” the statement continued. 

In the statement, the police said they would get involved if necessary: “We [are] in the process of identifying if any subsequent offences [sic] have occurred, and will take action where appropriate.”

Ramsay’s team declined to comment on the situation since it is being handled legally.

According to the U.K.’s official squatter rules on the government website, “Simply being on another person’s non-residential property without their permission is not usually a crime.”

But the website lists vandalization, not leaving when ordered by the court and using utilities as crimes that would permit police involvement.

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