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The Julian Assange Media Blackout Must End

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The Julian Assange Media Blackout Must End

Stunning revelations have emerged overseas about the reckless and duplicitous methods used by US law enforcement against Julian Assange. But in the US, the story has been subject to an almost total media blackout.

Protesters seen holding a banner at a Free Julian Assange protest at Grand Central Terminal in New York on July 8, 2021. (Erik McGregor / LightRocket via Getty Images)

A couple weeks back, the US government’s attempt to prosecute Julian Assange for publishing classified material was dealt a major blow. You probably didn’t even hear about it.

Two weeks ago, the Icelandic newspaper Stundin published a bombshell report revealing that Sigurdur Thordarson, a former WikiLeaks volunteer from Iceland whose testimony was key to the US case against Assange, admitted to fabricating accusations against Assange. Those accusations had been featured in the US indictment against the organization’s founder, and they were cited by the British judge who narrowly ruled against Assange’s extradition at the start of this year.

The crux of the situation is this: the indictment charges, among other things, that Assange instructed Thordarson “to commit computer intrusions” and secretly record high-ranking Icelandic officials, including members of parliament; that they tried to decrypt a “stolen” file from an Icelandic bank; that Assange tried to use “the unauthorized access given to him by a source” to make use of a government website that tracked police vehicles; and that he had ordered and encouraged Thordarson to set up a relationship with a hacking group, who would hack and illegally obtain documents to pass on to WikiLeaks. All of these claims, Thordarson has now admitted to Stundin, are either highly misleading or outright false, the paper reports.

But it gets much worse. Thordarson is a clinically diagnosed sociopath with a history of criminal activity, including stealing documents and embezzling funds from WikiLeaks itself, which he did shortly before contacting the FBI offering to be an informant on the organization. While he was collaborating with the FBI, Thordarson was racking up an impressive rap sheet, featuring fraud, forgeries, and serious sexual misconduct involving underage boys, landing him in prison for a time.

This didn’t stop the Trump administration, with its bias toward the national security state and hostility to press freedoms, from jumping at the chance to make an immunity deal with Thordarson in 2019, made in writing and viewed by Stundin.

According to the newspaper, in exchange for helping the US government build a case that Assange was a criminal rather than a news publisher worthy of First Amendment protections, the Trump Justice Department guaranteed Thordarson both immunity from prosecution over any of his law-breaking that they happened to know about, and that they wouldn’t share information with Icelandic or any other authorities about his criminal activities. As a result, states the report, Thordarson “started to fleece individuals and companies on a grander scale than ever,” including forging his lawyer’s signature for a fraudulent real estate scheme, criminal activity that was going on right up to the day the report was published.

It’s hard to know where to begin here. For one, it’s a vivid illustration of just how sordid Washington’s yearslong pursuit of Assange has been. To punish Assange for embarrassing the US government, successive administrations not only got in bed with a criminal, they effectively facilitated his crimes, which included forcing and tricking boys into sex. The fact that accusations of sexual misconduct against Assange proved central to the case for his extradition to the United States adds an extra layer of hypocrisy.

That’s far from the only one, though. As Stundin reports, when the FBI first tried to use Thordarson as an informant, under Barack Obama, they “took material he had gathered, including data he had stolen from WikiLeaks employees and even planned to send him to England with a wire.” In other words, they took stolen documents and planned to secretly record a group of people, the very things the US Justice Department has (in the latter case, falsely) accused Assange of doing while charging that it made him a vile criminal.

In fact, as Stundin points out, when the hackers Thordarson had been in touch with carried out a DDoS (distributed denial-of-service) attack on several Icelandic government websites — thereby giving the FBI the pretext to enter Iceland and set up contact with Thordarson — one of those involved had already become an informant for the Bureau. That means that, before falsely accusing Assange of carrying out hacking operations against the Icelandic government, it’s likely the US government gave, at the very least, its blessing to an actual hacking operation against the Icelandic government.

It’s abundantly clear, from this report alone, that at no point in this saga did Washington have a genuine and principled opposition to any of the transgressions involved here, from hacking and stealing secrets to general criminality. Rather, it was all about punishing Assange for exposing US war crimes and the backroom dealings of the powerful, sending a message to any other whistleblowers or leakers who would try to do the same and, as a nice bonus, maybe scaring journalists and press outlets into thinking twice before reporting on such information.

All of this has become particularly relevant this week, with the UK courts agreeing to hear the US government’s appeal of the rejection of Assange’s extradition, as reported by Shadowproof. Happily piggybacking on Donald Trump’s seedy deal with Thordarson, the Biden administration has now offered several “assurances” in an effort to reverse the January decision, including that they would allow Assange to apply for transfer to a prison in his home country of Australia to serve out his time.

With Thordarson recanting on his allegations, however, this puts the Biden administration in a bit of an awkward position. Secretary of state Antony Blinken has previously acknowledged the danger to press freedoms from prosecuting Assange, noting quite accurately in 2017 that “if he is simply publishing information that happened to come his way . . . that doesn’t make him a whole heck of a lot different, perhaps, than the New York Times.” He had then added the caveat that “if, on the other hand, he is actually instructing people to try to steal classified information that he can publish, that might be different.”

No one should be under any illusion that Blinken or Joe Biden is actually concerned about press freedoms, of course, as the administration’s actions in the first six months in office plainly show — just with assuring liberal voters this presidency is different from Trump’s. But that’s a lot harder to do when a key part of the case that Assange wasn’t merely a publisher of official secrets, but a criminal directing global hacking operations, turns out to have been fabricated.

But there’s always a solution. As organizations like FAIR and Media Lens have documented, the establishment press — which, since the campaign period, have adopted a tone of unabashed cheerleading toward the new president that has been measurably more favorable than for Trump — has decided to simply ignore the story.

Nearly two weeks after the Stundin report came out, the only mainstream news outlet that’s so much as acknowledged its existence is the Washington Post, which on Thursday buried a brief reference to it halfway down a story on Biden’s magnanimous offer to let Assange rot in an Australian prison, playing down the story’s significance to the case. Of course, last year, before Thordarson had been discredited, the paper had devoted nearly eight hundred words to his falsified allegations when they were included in the Justice Department’s updated indictment, arguing that it “adds evidence to the government’s assertions that Assange is not a publisher or journalist but a hacker” and that it “seem[s] to strengthen the prosecution’s case.”

We will see how long Biden continues to pursue his extradition and whether it will prove successful, particularly in light of these recent revelations. But one thing’s for sure: however you might feel about his various alleged wrongdoings, it is hard to argue that Assange, who turned fifty last week in solitary confinement, hasn’t been sufficiently punished already.

Assange spent seven years locked in an embassy, unable to set foot outside, a far more extreme version of the pandemic lockdowns we were all forced to briefly endure and which sent rates of mental health problems soaring. Following that, since April 2019, Assange has been held in near-total isolation, with the UN special rapporteur on torture declaring that his “rights have been severely violated for more than a decade.” The prolonged solitary confinement left Assange unable to “think properly” and suicidal, ironically the chief reason given for denying his extradition.

This level of suffering should be enough to consider the matter closed, and the message sent to any other potential leaker of state secrets. The fact that this administration is continuing this wretched crusade speaks to the carceral sadism that has long been a bipartisan project in Washington, and which Joe Biden made his area of expertise for decades. Let’s hope it fails, for the sake of the very “decency” the establishment press loves to wax poetic about when it talks about this president.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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