The Mad Muslimah: Using Art to Challenge the Stigma of Mental Illness - Muslim Link | Canada News Media
Connect with us

Art

The Mad Muslimah: Using Art to Challenge the Stigma of Mental Illness – Muslim Link

Published

 on


In 2019, her conceptual art series “Labels”, printed on satin fabric, was showcased at the annual Workman Arts’ Rendezvous with Madness Festival, the largest arts festival exploring themes of mental health and addiction in the world. “Labels” is made up of three pieces “East vs. West”, “Femininity” and “Psyho” where Hanan explores the ways she is labelled by the world as a Lebanese Muslim, as a woman, and as someone living with mental illness.

As an arts educator, Hanan also had the opportunity to teach patients at the Mood and Anxiety Unit and the Integrated Rehab Unit of the Centre for Addiction and Mental Health in Toronto, to use everything from watercolours, pastels, and acrylic paints to create mixed media art pieces from collages to found poetry to express themselves.

How to resolve AdBlock issue?

Action 1: You are using adblocker please support us by whitelisting this domain – https://muslimlink.ca/

Muslim Link interviewed Hanan Hazime about her experiences as a visibly Muslim female artist who faces both the challenge of living with a mental illness but also of coping with the sometimes violent forms of Islamophobia visibly Muslim women are often exposed to daily, and which ultimately has an impact on our mental health.

How did you feel when you first were diagnosed with a mental illness? What has been the impact of this diagnosis on your life, visual art and writing?

I felt relieved because (ironically) the diagnosis meant I wasn’t “crazy” or “losing my mind” after all —it was like “oh, I guess there are actual physiological and neurological causes for what I’ve been experiencing”.

“What’s wrong with me?” is a question that had been haunting me since adolescence. The diagnosis made me see that nothing is “wrong” with me: my brain functions differently than a neurotypical brain and that’s okay. Everything I’d been through made so much more sense when I was able to think about it in terms of biology and neuroscience. Sometimes, the neurons in my brain misfire and my serotonin/dopamine levels are out of wack and there is far too much cortisol in my body but at least, I know what’s going on now.

The diagnosis allows me to put my lived experiences into words. It’s much easier to write and make art about mental health challenges like intrusive thoughts and disassociation when you have concrete words to describe such experiences. The biggest impact the diagnosis has had is it that it has allowed me to connect with other people (especially other artists) who have also faced mental health challenges. At first, I felt like I had to hide the diagnosis but the more people I encountered who were also psychiatric consumers/survivors, the less alone I felt and eventually, it became easier to rip the sanity mask off.

What issues around mental illness are you trying to explore in your art (visual and written)?

Some of the biggest issues around mental illness are stigmatization, and sanism/ableism There’s a lot of misinformation and misunderstandings surrounding the topic. Through my art, I’m hoping to question binaries, dispel stigmas and stereotypes, and empower folks with mental health challenges. Mental illness isn’t some boogey man hiding in the dark. According to the Canadian Mental Health Association (CMHA), 1 in 5 people in Canada have personally experienced a mental health problem or illness. Mental illness can affect anyone regardless of age, gender, ethnicity, socio-economic class, education level or religion. It’s time we stop brushing mental health issues under the rug. Through my art, I want to show the world that folks with mental illness are humans like everyone else. We have families, we have careers, we have interests, passions, and hobbies, we have dreams and goals, we fall in love, we get our hearts broken. Our mental health does not define us.

Your work was exhibited through Workman Arts in 2018. Could you tell us about how this opportunity arose and what you have taken away from the experience?

Workman Arts is a wonderful organization that supports artists with lived experience of mental health and/or addiction issues. They provide professional art classes, artistic development workshops, exhibition opportunities, and much more. I’ve been an active member of Workman Arts since 2016; I was their 2017-2018 Writer-In-Residence during which I facilitated a year long Experimental Literature course. My visual artwork has been exhibited at their annual Being Scene art show since 2017.

How to resolve AdBlock issue?

Action 1: You are using adblocker please support us by whitelisting this domain – https://muslimlink.ca/

Every year in the Fall, Workman Arts hosts the Rendezvous with Madness Festival and in 2018, I had the opportunity to exhibit my art during the festival at the Bursting Bubbles Exhibition which was curated by Claudette Abrams. It was an amazing experience because all the feedback I received about my art was incredibly positive. The three pieces from the “Labels” series that were showcased are 42” x 60” self-portraits printed on fabric. When I saw them hanging at the Toronto Media Arts Centre, I got a bit nervous. I am an introvert so I don’t like being the centre of attention, yet, here were three enormous blown-up images of my face overlaid with what some might consider controversial texts. One of the portraits had words like “psycho” and “insane” literally emblazoned on my body. However, there was no need to worry because everyone I spoke to loved the pieces and had lots of great things to say about my work. The pieces really resonated with folks. The experience encouraged me to be my authentic self.

I will continue creating art that will shatter binaries and dispel stigmas/stereotypes.

How do you feel your experiences of Islamophobia have impacted your mental health given that you have a mental illness, and/or has your experiences of Islamophobia also intersected with your experiences of sanism (discrimination against people living with mental illness) ?

The violence enacted towards me by Islamophobes has definitely impacted my mental health. On more than one occasion, I have been nearly run over by Islamophobic drivers while crossing the street. After yelling obscenities at me, one of these bigots said he wanted to kill me because I’m a “terrorist.” Another just sat in his SUV and maniacally laughed after hurling racist insults at me. I’ve had liquids thrown at me from moving vehicles. I’ve been verbally harassed on countless occasions as well. A man actually came up behind me on the escalator in the Eaton Centre and threatened to kill me because I’m Muslim. These types of incidents exacerbate my anxiety and make me feel unsafe in public.

I spoke to a therapist about my encounters with Islamophobia once. I had said that in addition to my own lived experiences, after hearing of hijabi women being pushed off of subway platforms or being brutally beaten up on public transit, I felt anxious commuting by myself (especially at night time) because I was afraid I could get hurt. We were doing cognitive behavioural therapy (CBT) and the therapist kept telling me to “challenge my thoughts”. She claimed that I was just being paranoid and that I wasn’t in any danger. You cannot “challenge” thoughts when those thoughts are rooted in reality. I wasn’t having delusions. It’s unfortunate that the anxiety cause by the trauma I’ve endured from Islamophobia is often dismissed as just irrational fears by non-Muslim mental health professionals. Commuting by myself isn’t always safe, especially when there’s a major surge of Islamophobia in the media. This is a fact, not an unfounded fear. If an individual who claims to be “Muslim” commits an act of mass violence then there’s immediate backlash and it’s taken out on visibly Muslim woman because we’re a clear target.

If the individual isn’t Muslim or otherwise racialized, they are automatically labelled as “mentally ill” even if they are not and that further perpetuates the stereotype that mentally ill people are violent. In fact, many studies have shown that people with mental illness are more likely to be victims of violence. There’s a reason we use the term psychiatric survivor. The mental health system is full of abusive professionals and predators. Also, society in general is quite sanist — especially if you have a less palatable (less socially acceptable and easy to relate to) diagnosis like schizophrenia or bipolar disorder. Living as a mentally ill Muslim means you have to deal with both Islamophobia and sanism. Beyond the daily harassments and microaggressions I’ve experienced from individuals, the intersectionality of my two marginalized identities have translated into difficulty securing employment, housing, and other important resources on a systemic scale.

How to resolve AdBlock issue?

Action 1: You are using adblocker please support us by whitelisting this domain – https://muslimlink.ca/

Currently, although there is talk about the impact of Islamophobia on mental health, these conversations often exclude those of us who lived with diagnosed mental illnesses. What work needs to be done by both Muslim and non-Muslim organizations to support Muslims with mental illnesses who experience Islamophobia?

The main course of action that both Muslim and non-Muslims organizations should take to support Muslims with mental illnesses who experience Islamophobia would be to INCLUDE these folks in their organizations. Representation is vital. Invite Muslims with mental illness to sit on boards and committees, have them be actively involved in the organization. Listen to what they have to say and what their needs are. If you do invite us to speak to your organization, make sure we are receiving adequate compensation for our time – whether it is monetary or through an energy/service exchange, we deserve to be paid for our labour. I cannot speak for all Muslims with diagnoses of mental illnesses who have experienced Islamophobia but I believe that the bulk of the work lies in giving us a voice and allowing us to freely express our concerns.

There is a growing movement among those of us who live with diagnosed mental illnesses to reclaim the world “mad”. You have used the word “mad” in reference to your art work on this subject. Why?

Terms like “mad” or “psycho” or “insane” can conjure a lot of negative connotations or even be weaponized to hurt people who have a mental illness so I am actively reclaiming these labels to give them a more neutral or even positive meaning. I personally dislike using the term “mentally ill” to describe my lived experiences as I feel like that term is much too pathological. Ultimately, despite what labels or “diagnoses” I have been given by physicians/psychiatrists, those clinical terms which are so neatly packaged and at times abbreviated aren’t enough to encompass the full breadth of my struggles, my suffering, my resilience, and my journey towards wellness and healing. I am proud to be mad/neurodivergent!

What would you like to do next with your exploration of “madness” in your visual art?

I would like to create an artwork series that explores PMDD (premenstrual dysphoric disorder). Many people have heard of PMS (premenstrual syndrome) but PMDD is not well known. In fact, researchers don’t know for sure what causes PMDD. It is believed that hormonal changes throughout the menstrual cycle may play a role in altering brain chemicals like serotonin levels. It is astonishing to me that an illness which affects “up to 8% of women” (according to the Mood Disorders Association of Ontario) is lacking in research. The condition is predominately associated with severe psychological symptoms as well as physical ones. The symptoms which usually start seven to 10 days before menstruation and decrease within a few days of the onset of menstrual flow can include anxiety, suicidal ideation (suicidal thoughts), extreme mood shifts, depression, difficulty concentrating, fatigue, insomnia, feeling out of control, increased irritability as well as breast tenderness, headaches, joint/muscle pain, and bloating. Many females endure this condition in silence because of the stigma around menstruation. I’m hoping to create some visual art that will bring awareness to those of us who are suffering though PMDD every month.

Visit Hanan Hazime’s Website

Follow Hanan Hazime on Instagram, Facebook

How to resolve AdBlock issue?

Action 1: You are using adblocker please support us by whitelisting this domain – https://muslimlink.ca/

Let’s block ads! (Why?)



Source link

Continue Reading

Art

Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

Published

 on

In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

Continue Reading

Art

Ukrainian sells art in Essex while stuck in a warzone – BBC.com

Published

 on


[unable to retrieve full-text content]

Ukrainian sells art in Essex while stuck in a warzone  BBC.com



Source link

Continue Reading

Art

Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

Published

 on

The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

Source link

Continue Reading

Trending

Exit mobile version