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The Moonlight Gala and the LOOK Gala raise money in the name of art

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Contemporary Calgary LOOK Gala, June 3, Calgary

Contemporary Calgary, Western Canada’s buzziest public contemporary art gallery located in the city’s former Centennial Planetarium, opened its doors after hours for their annual fundraiser, LOOK. More than $1-million was raised, a record-breaking sum for the event, which raises money for the gallery’s operations, public programs and exhibitions. New this year was Rogers Communications, which signed on as presenting sponsor (chairman Edward Rogers was there with his wife Suzanne, who served as an honorary chair). Nothing else for the event’s 2023 edition felt particularly new, and that’s great news, as this gathering is one of the most fun on the spring social calendar. There’s a lengthy cocktail hour to preview an impressive lineup of works to be auctioned, a zippy dinner, complete with a fashion show and drag performances orchestrated by LOOK maestro Kelly Streit, who returned as chair of the gala and serves on the organization’s board. Later, the auction (helmed by Brett Sherlock of Christie’s, sponsored by Heather Bala Edwards and supported by Ryan Green) got under way and with paddles flying, raised a princely sum for the cause. John Lacey, an oil and gas entrepreneur and philanthropist, made an unprecedented donation, not of funds but rather a work on canvas by Jean-Paul Riopelle titled Vespérales, which sold for $250,000 at the auction. Later, young patrons joined in the festivities, flooding the gallery’s spaces for the after party, where DJs spun and more art-full fun was on offer. There among those at LOOK: vice-chairs Kim Berjian and Elizabeth Middleton; guest of honour Jean Grand-Maître, artistic director of Alberta Ballet; honorary chairs including artist Robert Houle, filmmakers Wendy Tilby and Amanda Forbis, and makeup artist Hung Vanngo; model and actor Tricia Helfer; Calgary Mayor Jyoti Gondek; Kanika Anand, the gallery’s associate curator, and of course, David Leinster, CEO, Contemporary Calgary.

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Amanda Forbis and Wendy Tilby.Valeria Mitsubata/Handout

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Lois Mitchell and Chris Cran.Valeria Mitsubata/Handout

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Kanika Anand, Stacey Mercury, Margaret-Jean Mannix and Nura Ali.Phil Crozier/Handout

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Phil Lind and Erik Olson.Valeria Mitsubata/The Globe and Mail

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Peter Tertzakian, Kelly Streit, David Leinster and Suzanne Rogers.Valeria Mitsubata/Handout

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Louise Rokosh and John Lacey.Valeria Mitsubata/Handout

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Look Gala.Valeria Mitsubata/Handout

McMichael Canadian Art Collection Moonlight Gala, Kleinburg, Ont., May 27

By night’s end, $630,000 had been raised at the latest edition of Moonlight Gala, the annual summer-timed fundraiser for the McMichael Canadian Art Collection. Located north of Toronto in the town of Kleinburg, the gallery is home to works by Canadian artists, with a 7,000-piece permanent collection including works by historic and contemporary Canadian artists, including Tom Thomson and the Group of Seven. As of late, a slew of exciting blockbuster exhibitions have placed historic works in dialogue with those more contemporary, and also solo shows of contemporary works such as Sandra Meigs: Sublime Rage, featuring work inspired by the wilds of Ontario, which guests at the gala previewed. The Moonlight Gala is timed to highlight the gallery’s new summer exhibitions and its environment, some 100 lush acres, when it’s looking its best. More than 600 attended this year, and in lieu of a formal seated dinner, there was food passed, drinks and a chance to wander through the gardens and gallery after hours. Funds raised from the gathering will support the gallery’s permanent collection and the development of educational programs for children and youth. Philanthropists Joan and Martin Goldfarb served as honorary chairs for the evening, and among those out under the stars were gala co-chairs Debra Fenwick and Laura Mirabella (who both serve on McMichael boards); honorary patron Steven Del Duca, Mayor of Vaughan; Andrew W. Dunn, Canadian Shield Capital founder and chair of the McMichael Canadian Art Foundation, with his wife Christine; arts patron W. Bruce C. Bailey; First Nations chef and author David Wolfman; and, of course, the gallery’s chief curator Sarah Milroy and its executive director Ian A.C. Dejardin.

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Christine and Andrew W. Dunn, Kathryn Minard.Valeria Mitsubata/Handout

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Shelley Charles.Valeria Mitsubata/Handout

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Isaac Rashty, Jennifer Coletta-Rashty.Valeria Mitsubata/Handout

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Ian A.C. Dejardin, Steven Del Duca.Valeria Mitsubata/Handout

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Devan and Mayur Patel.Valeria Mitsubata/Handout

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Glenn and Beverly Sakaki, Mark and Tina Marie Bellino.Valeria Mitsubata/Handout

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Suzanne Janke, Joanne Wang, Leslie Edwards, Nakazzi Mulindwa.Valeria Mitsubata/Handout

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Valerie and Andy Pringle.Bryant/Handout

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Adriana de Gregorio, Joyce Frustaglio.Bryant/Handout

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Sarah Milroy.Valeria Mitsubata/Handout

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Debra Fenwick, Laura Mirabella.Valeria Mitsubata/Handout

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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