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The Mystery Behind ‘A Wrinkle in Time’ Cover Art Is Solved

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Sleuths have wondered for years who made a striking cover for Madeleine L’Engle’s novel. A podcast host and a blog writer who contacted hundreds of people figured it out.

For certain corners of the internet, a 1976 paperback edition of Madeleine L’Engle’s novel “A Wrinkle in Time” has been the source of an enduring mystery: Who was the artist behind its spooky, glowing-green cover art?

After a few hours of research, the podcast host Amory Sivertson thought she had found the answer. She had emailed a gallery to ask if an artist it represented had made the cover and a worker said yes.

She was wrong: A day later, the gallery worker apologized for the miscommunication. It would be two months, hundreds of emails and a number of awkward cold calls before she actually found the correct name.

The mystery cover art shows a strapping centaur with delicate wings flying above a menacing green face with bright red eyes. Craggy mountains and fluffy dark clouds surround the haunting figures. The website Book Riot called the art “nightmare fuel.” The artist’s name isn’t mentioned anywhere in the book.

Ms. Sivertson thought that finding the artist’s name and giving the person credit were important for a work that is “on people’s bookshelves and in their hearts and in their memories.”

“This is one of the pieces that outlives him,” Ms. Sivertson said of the cover. “It’s just — you have to know. We have to find out who is behind it.”

The mystery reached Ms. Sivertson because she is the co-host and senior producer of the podcast “Endless Thread,” which sometimes delves into mysteries. On the show — produced by Boston’s NPR station WBUR — Ms. Sivertson and her co-host, Ben Brock Johnson, find explanations for quandaries such as Geedis, a warthog-like character that dazzled the internet, and a pile of plates dumped in the woods in Pennsylvania.

For the book art mystery, the podcast picked up where S. Elizabeth, who writes the blog Unquiet Things, had left off.

Ms. Elizabeth said she had first developed an “idle curiosity” about the artist behind the “Wrinkle in Time” cover art in 2019. In 2021 and 2022, her curiosity increased as she worked on her latest book, “The Art of Fantasy,” a compendium that comes out on Thursday.

In May, she described her search for the artist in a blog post, hoping it would generate new leads. She said that she had contacted people online who were connected to the novel, the fantasy art world and Ms. L’Engle. Ms. Elizabeth reached out to Ms. L’Engle’s granddaughter on the social media platform X to ask if she knew who created the cover, but the account responded with a shrug emoji.

Ms. Elizabeth posted about the search on Reddit, and a commenter there said the mystery would be a good fit for “Endless Thread,” so Ms. Elizabeth shared her request for help on the podcast’s subreddit.

Ms. Elizabeth didn’t have an especially deep connection to the book. When she first started looking for the cover artist, her primary memory of the novel was that the plot involved a liverwurst sandwich — “I’m a foodie,” she said — but she cares deeply about artists getting their due.

The search for an answer resonated online with many, who sent Ms. Elizabeth guesses about the artist’s identity and tips for her search.

“I think realizing that the artist was not so easily found — that just lit a fire under a lot of folks, because this book was so formative to so many people,” Ms. Elizabeth said.

People had guesses (spoiler: Some were correct), but Ms. Sivertson’s hundreds of calls ultimately led to an answer. “I really was sustained by people who would write back and say, ‘I have a few ideas, let me make a few calls,’” she said.

Ms. Sivertson said these calls were “an industry coming back together,” with people who worked in publishing and illustration in the 1970s speaking with each other for the first time in decades.

In late June, she was given the correct name: Richard Bober. Mr. Bober died last year, but Ms. Sivertson was able to speak with his relatives in early July, and she said they found proof that he had made the cover art.

Ms. Elizabeth said that she wanted to burst into tears when the mystery was solved because even though Ms. Sivertson was tenacious, finding the answer had seemed like a long shot.

Ms. Elizabeth had actually seen a work by Mr. Bober before, “Lady Vampire,” which she said depicts a vampire girl who looks “like a snotty, mean girl,” with a dog looking at her adoringly. “At the time I thought, ‘This artist is so cool,’” Ms. Elizabeth recalled.

This cover art mystery appears to be solved, but Ms. Elizabeth has a long list of queries she would still like answers to, including who made a cover for the next book in Ms. L’Engle’s series: “A Wind in the Door.” Each year on social media, Ms. Elizabeth also posts a photo of a topless woman in an enormous headdress taken during what appears to be the 1920s, hoping someone will know who it is.

“Everyone has tons of guesses,” she said. “And some people are like, ‘Definitively, yes, this is that person.’ But show me the proof of it.”

 

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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