The news media is blowing Trump coverage again | Canada News Media
Connect with us

Media

The news media is blowing Trump coverage again

Published

 on

When Donald Trump descended a golden escalator in June of 2015 and announced his plans to run for president, the news media covered it. But, from that moment, it wasn’t entirely sure how to do it. Was Trump’s announcement absurd? Comical? Serious? Was this entertainment or a new form of politics?

Despite being confused by Trump’s political persona, one thing was clear in those early days: The media might not have known how to cover Trump, but it was going to do it endlessly anyway. From then, going forward throughout his 2016 run and his first term in office, the media effectively used the same playbook. Cover every single thing Trump did, whether idiotic, terrifying, disruptive, disgusting or dangerous. Cover empty podiums awaiting him at rallies. Cover every tweet. Cover every outrageous comment. Cover it all. Cover it all the time.

The disproportionate news coverage of Trump catapulted him, without question, into being taken more seriously as a viable presidential candidate and likely played a significant role in his election. Thomas E. Patterson at Harvard Kennedy School found that Trump received far more coverage than any of his rival candidates during the 2016 primary, despite the fact that he raised less money and had no political experience. According to Patterson, the unequal coverage of Trump was due to the fact that Trump delivered spectacle and controversy, a combination designed to increase ratings. As one network executive put it, “[Trump] may not be good for America, but [he’s] damn good for [us].”

But that’s not all. Patterson showed that the media’s obsession with Trump didn’t end with the election. His data shows that the news media coverage of Trump’s first 100 days exceeded any coverage of any president in media history: “On national television, Trump was the topic of 41 percent of all news stories—three times the usual amount.” What’s more, he found that Trump was the featured speaker in 65 percent of that coverage.

The media gets a Trump hangover 

Shortly after the election, however, there was regret. Perhaps the media had made a mistake by covering Trump endlessly, yet thinking he wasn’t going to win. In the early post-election days, the media clearly had a Trump hangover. And it was nasty. But soon, it revealed that it still didn’t understand its Trump problem. Rather than cover Trump with a combination of shock and awe and the occasional giggle, the dominant mode of coverage would now be outrage and overblown concern.

How many times could the media express surprise that Trump did and said the exact things he always did and said?

In hindsight, the post-2016 election phase of media coverage may be one of the most perplexing. Still, it was Trump all the time. The only difference was the media now adopted a tone of sincerity and gravitas combined with consternation. Story after story covered the ways that the administration was dismantling our democracy and core institutions — all important to report — but with an endlessly repeated element of shock. The problem was exactly how many times could the media express surprise that Trump did and said the exact things he always did and said? The more the media covered Trump this way, the more they messed up their coverage. Trump continued to be a spectacle, while the media continued to act surprised that he was one.

The media tries to quit Trump, or does it?

Rather than adjust the tone and tenor of its coverage, the media moved to just reduce it. Finally seeming to recognize that one of the mistakes it made early on was overcovering Trump, the post-2020 election response was to just cover him less. This is the context we find ourselves in now, where some outlets deliberately avoid giving Trump endless air time. Even Rupert Murdoch announced that his right-wing media empire was over Trump and would no longer be offering free media for the “has been.”

The overall concept of reducing the amount of time that Trump is on air isn’t a terrible one. But there are two flaws to this plan. First, while Trump is a loser with less support than ever, he is still the Republican frontrunner. Totally ignoring him is a dumb idea because it strips voters of potentially important insight into Trump as a candidate.

But, perhaps the biggest flaw with the cover-Trump-less plan is whether it is actually happening. Is there really less Trump coverage? Or is it more that the media is making a big deal out of occasionally not covering every little thing he does? Despite deliberately turning the cameras off of him when he announced his campaign, the news media still likes to offer audiences a heaping dose of Trump crazy when it can. Think of the excited media coverage yearning for a perp walk when Trump was indicted. Or the stunning spectacle of the Trump CNN town hall that aired on May 10.

But it’s the second flaw in Trump coverage that is the real issue, because covering Trump less still doesn’t solve the media’s real Trump problem. The problem has never only been whether or not they covered him; it has always been how it covered him

Trump has confounded media coverage because his persona and his platform are unlike anything they have ever seen. Currently, much news media seems convinced that fact-checking Trump will help its coverage. But we have years of evidence that shows that strategy is useless.Yet, it’s not just that the news media doesn’t get that fact-checking Trump doesn’t solve its coverage problem; it is that they don’t recognize that the spectacle of fact-checking Trump, endlessly, again and again, just makes them look ridiculous.

It’s hard to know what’s worse. Trump’s circus act or the media’s.

This gets us to the core of the news media challenge of covering Trump: more than any other candidate, the spectacle of Trump exposes the ways that the news media itself is increasingly more hype than information. The problem, then, is that the news media is its own form of spectacle, but, unlike Trump who openly brags about his media performances, the news media refuses to admit it.

Let’s face it. CNN held the town hall with Trump to generate their own form of media attention. And what happened at the town hall was entirely predictable. Trump was classic Trump, his supporters stayed on script, and the moderator acted as expected, valiantly attempting to correct falsehoods as Trump interrupted and ignored her. There was nothing new whatsoever to see.

Yet, watch the post-town hall coverage act like there is surprise that he wasn’t more measured, that he repeated lies, that he disrespected the moderator, and that his supporters acted like craven cult members. Seriously?

It’s hard to know what’s worse. Trump’s circus act or the media’s.

As Siva Vaidhyanathan pointed out in a post-townhall piece for The Guardian criticizing CNN for its coverage, “It’s as if they have learned nothing.”

The media still doesn’t know how to cover Trump, but the comedians do

In September of 2015, when Stephen Colbert first took over as host of “The Late Show” on CBS, he did a bit where he promised viewers he wouldn’t obsessively cover everything Trump. But then, he explains that he can’t resist. Likening covering Trump to bingeing on Oreos, Colbert ends the bit having stuffed a bag of the cookies down his mouth, covered in crumbs.  The joke was that a comedian did a better job of pointing out the media’s obsession with Trump than the media itself could.

From the start, as I explain in my new book Trump Was a Joke: How Satire Made Sense of a President Who Didn’tsatire has been more effective at covering Trump than the traditional news media.

Trump is the most unusual political figure our nation has ever seen. Equal parts buffoon and autocrat, bully and effective strategist, absurd and scary. The news media still hasn’t figured out whether to take him seriously, mock him, analyze him, or debate him. Satirists, in contrast, know that one answer to covering Trump is to fight his destructive spectacle with insightful spectacle.

While the news media continues to offer what seems like performative outrage over Trump — a deceptive spectacle in its own right — satire has exposed the Trump spectacle for exactly what it is: mesmerizing and manipulative. Rather than waste time shocked by Trump’s lies, bluster, bigotry, and bullying, comedians have focused on Trump’s flaws as a statesman, his twisted logic, his narcissistic, enigmatic persona and his complete disregard for democratic norms. This is why comedians like Seth Meyers, who schooled Trump in 2017 for not understanding the job of the president after his “both sides” remarks following the Nazi rally in Charlottesville, have been able to destabilize Trump better than most news media.

Comedians also get that the issue isn’t whether or not to cover Trump, it is how to do it, a lesson we still aren’t seeing taken to heart in mainstream news. Instead, audiences get what seems like an act, where the news media worries it shouldn’t cover Trump, does so anyway, then creates a scandal out of classic Trump behavior.

So, as long as the news media continues to cover Trump with its characteristic combination of feigned outrage, overblown shock, and performative concern, it’ll be the comedians who get the story straight.

 

Source link

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

Source link

Continue Reading

Media

Arizona man accused of social media threats to Trump is arrested

Published

 on

Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

Continue Reading

Trending

Exit mobile version