The Other Art Fair: Fall Edition - greenpointers.com

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The Other Art Fair: Fall Edition – greenpointers.com

Published

2 years ago

November 1, 2021

Harry Miller

The Other Art Fair is back at The Brooklyn Expo Center this weekend!

What is The Other Art Fair?

Ten years and running, The Other Art Fair bridges the gap between talented artists and art lovers alike. An international success, The Other Art Fair plans annual visits in Chicago, London, Dallas, Melbourne, Los Angeles, Sydney, Toronto, and of course, Brooklyn.

This year, the Brooklyn edition of The Other Art Fair will take place at The Brooklyn Expo Center from November 4th-7th with 130 artists selected to showcase their works. With such a wide variety of styles, prices, and interdisciplinary talents, there truly is something for everyone.

Photos courtesy of The Other Art Fair

The Inspiration

Ever thought about wanting to start your own art collection? Ever wished you knew where to look? When Ryan Stainer founded The Other Art Fair, he did so with the intention of creating a community in which a younger generation of art buyers could feel in touch with art and artists that inspire them. The Other Art Fair makes unique, distinguished art accessible, and gives those artists the opportunity to grow within their community.

Guest & Featured Artists

This year’s guest artist is none other than Hatecopy!

“From themes of pre-pandemic nostalgia and spaces that once brought us joy and closeness, emerges Hatecopy’s Saathi Arcade; a fully interactive experience fusing South Asian pop art, 80’s arcades, underground carrom clubs, digital media and more.”

The Other Art Fair website

The artist’s name, Hatecopy, was created out of her hate for being a copywriter. After leaving a copywriting job in advertisement, Maria Qamar’s art has gained massive popularity for its bright, lively colors, its commentary on topics related to social justice, and South Asian culture, and its comic book style design.

Photos courtesy of Hatecopy’s Instagram

This year’s featured artist is Anna Marie Tendler!

“Following her success at the Los Angeles edition of The Other Art Fair, multidisciplinary artist Anna Marie Tendler will showcase her latest photography series entitled “Rooms in the First House,” offering framed master works, editioned fine art prints, small posters, as well as her handmade vintage lamps.”

The Other Art Fair website

In addition to being a photographer and textile artist, Anna Marie Tendler is also an illustrator, a painter, and an interior designer. Plus, she received a Masters degree in fashion and textile history. Most of her work involves a combination of these talents, and select works will be available at The Other Art Fair.

Photos courtesy of Anna Marie Tendler’s website

The Local Artists

In addition to being a local event, there are also a number of Brooklyn-based artists involved. Some of those names include Tali Margolin, Evan Ishmael, Elisa Valenti, Edna Carty, Tucker Eason, Allison Harrell, AJ Springer, Heather Abshire, Xan Pardon, Ana Marie Velasco, Francis Minien, Alejandro Aboli, Patrick Keefe, and Jacyln Mottola, just to name a few.

For the full list of local artists and images of their work, click here.

New Futures

In an effort to support new artists, the New Futures Class of 2021 features up and coming artists and awards each the opportunity to sell their work with the assistance of exhibition space sponsorship and mentorship.

The Brooklyn New Futures are Caroline Boreri, Watson Mere, and Wenlu Bao.

Click here to discover the entire New Futures Class of 2021.

Photos courtesy of The Other Art Fair

Other Artists To Look For

In addition to the guest & featured artists, the local artists, and the new futures, there are a few handpicked artists that curators and panelists suggest you keep your eye on.

These include: Jessica Alazraki, Jean Rim, Sasha Yosselani, David Rockwell, Twig Lips, Allison Harrell, and Jenna Cable.

Plus, Director Sophie Lucas is especially excited about the work of Giovanni Martins.

Interactive Art

Bluestone Babe Hand Poke Tattoos: Flash tattoos by Rosa Bluestone Perr will be available on a first-come, first-serve basis.

The Draw on the Way: Portraits of patrons will be drawn spontaneously by illustrator Sarah Nisbett to showcase the evolving nature and inspiring presence of art, everywhere we go.

8 Ball Radio: Entertainment will be provided by 8 Ball Radio, with music selected from a variety of in-house DJs.

Curator Tours: If you’d like a guide for your The Other Art Fair experience, Saatchi Art has your back. Art curator India Balyejusa has a different agenda for each day of the exhibit to focus on different aspects of the artists and your interests.

Thursday, November 4: ‘Ones To Watch’ from 7pm-7.30pm
Friday, November 5: ‘Focus on Photography’ from 7pm-7.30pm
Saturday, November 6: ‘Focus on Prints’ from 2pm-2.30pm
Sunday, November 7: ‘Focus on Originals’ from 2pm-2.30pm

Additional Exhibitions

Photos courtesy of The Other Art Fair

Other art friend organizations will be showcasing pop-up experiences. This includes the New Futures exhibition, plus ‘Gowanus — In Perspective/In the Abstract’ and ‘ArTech Collective.’

“Arts Gowanus has curated a small sampling of the amazing work made in Gowanus and divided artists into two categories; those who work figuratively and those who work abstractly. Arts Gowanus is a not-for-profit organization working to support, promote, and advocate for local artists and a sustainable arts community in Brooklyn.”

Gowanus — In Perspective

“Founded by AHRC NYC, ArTech Collective provides opportunities for artists with intellectual and developmental disabilities to develop and express themselves through inclusive, innovative and accessible approaches to traditional and new media.”

ArTech Collective

Plan Your Visit

Tickets are on sale now ranging from $18-$35. For guests 21 years or older, each ticket also comes with two complimentary Bombay Sapphire drink tickets.

Visitors must show proof of vaccination. Masks are encouraged, though not required, unless you’ve only had one shot of the COVID vaccine in which case masks are required at all times.

Hours of operation are as follows:

Thursday, November 4 (private viewing): 6pm-10pm
Friday, November 5: 3pm-10pm
Saturday, November 6: 11am-7pm
Sunday, November 7: 11am-6pm

And Yes, There’s Food!

The Bombay Sapphire bar will be providing the signature event cocktail, and will also be serving beer, wine, and soft drinks. Nadas NYC will be selling their specialty Columbian empanadas.

Virtual Editions

If you cannot make it in person, there will be a global virtual fair November 8th-29th. Click here to register.

How To Join The Community

If you’re an aspiring artist and would like to get involved in The Other Art Fair community, keep an eye out for the 2022 application openings. For all Brooklynites, click here to stay in the loop.

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Art and Ephemera Once Owned by Pioneering Artist Mary Beth Edelson Discarded on the Street in SoHo – artnet News

Published

6 hours ago

April 19, 2024

Harry Miller

This afternoon in Manhattan’s SoHo neighborhood, people walking along Mercer Street were surprised to find a trove of materials that once belonged to the late feminist artist Mary Beth Edelson, all free for the taking.

Outside of Edelson’s old studio at 110 Mercer Street, drawings, prints, and cut-out figures were sitting in cardboard boxes alongside posters from her exhibitions, monographs, and other ephemera. One box included cards that the artist’s children had given her for birthdays and mother’s days. Passersby competed with trash collectors who were loading the items into bags and throwing them into a U-Haul.

“It’s her last show,” joked her son, Nick Edelson, who had arranged for the junk guys to come and pick up what was on the street. He has been living in her former studio since the artist died in 2021 at the age of 88.

Naturally, neighbors speculated that he was clearing out his mother’s belongings in order to sell her old loft. “As you can see, we’re just clearing the basement” is all he would say.

Cardboard boxes in the street filled with an artist's book.

Photo by Annie Armstrong.

Some in the crowd criticized the disposal of the material. Alessandra Pohlmann, an artist who works next door at the Judd Foundation, pulled out a drawing from the scraps that she plans to frame. “It’s deeply disrespectful,” she said. “This should not be happening.” A colleague from the foundation who was rifling through a nearby pile said, “We have to save them. If I had more space, I’d take more.”

Edelson’s estate, which is controlled by her son and represented by New York’s David Lewis Gallery, holds a significant portion of her artwork. “I’m shocked and surprised by the sudden discovery,” Lewis said over the phone. “The gallery has, of course, taken great care to preserve and champion Mary Beth’s legacy for nearly a decade now. We immediately sent a team up there to try to locate the work, but it was gone.”

Sources close to the family said that other artwork remains in storage. Museums such as the Guggenheim, Tate Modern, the Museum of Modern Art, the Brooklyn Museum, and the Whitney currently hold her work in their private collections. New York University’s Fales Library has her papers.

Edelson rose to prominence in the 1970s as one of the early voices in the feminist art movement. She is most known for her collaged works, which reimagine famed tableaux to narrate women’s history. For instance, her piece Some Living American Women Artists (1972) appropriates Leonardo da Vinci’s The Last Supper (1494–98) to include the faces of Faith Ringgold, Agnes Martin, Yoko Ono, and Alice Neel, and others as the apostles; Georgia O’Keeffe’s face covers that of Jesus.

Someone on the streets holds paper cut-outs of women.

A lucky passerby collecting a couple of figurative cut-outs by Mary Beth Edelson. Photo by Annie Armstrong.

In all, it took about 45 minutes for the pioneering artist’s material to be removed by the trash collectors and those lucky enough to hear about what was happening.

Dealer Jordan Barse, who runs Theta Gallery, biked by and took a poster from Edelson’s 1977 show at A.I.R. gallery, “Memorials to the 9,000,000 Women Burned as Witches in the Christian Era.” Artist Keely Angel picked up handwritten notes, and said, “They smell like mouse poop. I’m glad someone got these before they did,” gesturing to the men pushing papers into trash bags.

A neighbor told one person who picked up some cut-out pieces, “Those could be worth a fortune. Don’t put it on eBay! Look into her work, and you’ll be into it.”

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Biggest Indigenous art collection – CTV News Barrie

Published

6 hours ago

April 19, 2024

Harry Miller

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Biggest Indigenous art collection CTV News Barrie

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Why Are Art Resale Prices Plummeting? – artnet News

Published

10 hours ago

April 19, 2024

Harry Miller

Welcome to the Art Angle, a podcast from Artnet News that delves into the places where the art world meets the real world, bringing each week’s biggest story down to earth. Join us every week for an in-depth look at what matters most in museums, the art market, and much more, with input from our own writers and editors, as well as artists, curators, and other top experts in the field.

The art press is filled with headlines about trophy works trading for huge sums: $195 million for an Andy Warhol, $110 million for a Jean-Michel Basquiat, $91 million for a Jeff Koons. In the popular imagination, pricy art just keeps climbing in value—up, up, and up. The truth is more complicated, as those in the industry know. Tastes change, and demand shifts. The reputations of artists rise and fall, as do their prices. Reselling art for profit is often quite difficult—it’s the exception rather than the norm. This is “the art market’s dirty secret,” Artnet senior reporter Katya Kazakina wrote last month in her weekly Art Detective column.

In her recent columns, Katya has been reporting on that very thorny topic, which has grown even thornier amid what appears to be a severe market correction. As one collector told her: “There’s a bit of a carnage in the market at the moment. Many things are not selling at all or selling for a fraction of what they used to.”

For instance, a painting by Dan Colen that was purchased fresh from a gallery a decade ago for probably around $450,000 went for only about $15,000 at auction. And Colen is not the only once-hot figure floundering. As Katya wrote: “Right now, you can often find a painting, a drawing, or a sculpture at auction for a fraction of what it would cost at a gallery. Still, art dealers keep asking—and buyers keep paying—steep prices for new works.” In the parlance of the art world, primary prices are outstripping secondary ones.

Why is this happening? And why do seemingly sophisticated collectors continue to pay immense sums for art from galleries, knowing full well that they may never recoup their investment? This week, Katya joins Artnet Pro editor Andrew Russeth on the podcast to make sense of these questions—and to cover a whole lot more.

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