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The presidency and the media – The Kingston Whig-Standard

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U.S. President Donald Trump delivers remarks in front of the media in the Rose Garden of the White House in Washington, D.C., on June 1. (Brendan Smialowski/Getty Images)

Donald Trump’s relentless campaign against the American media prompts a reflection on the relations that the media has had with earlier presidents. It is a rather mixed story of support and outright criticism. What is clear is that the media has often had a profound effect on America’s political choices over the years.

The Vietnam War was the first one covered in depth and in detail by the American media. In the early years of the war, the media was by and large supportive of the American military effort. But things began to change in 1968 when the Viet Cong and the North Vietnamese mounted what came to be known as the Tet Offensive, a massive assault on hundreds of cities and villages. While the offensive was eventually beaten back, it gave the lie to the optimistic reports that had been emanating from the American military command in Saigon.

American television viewers were treated to scenes of Viet Cong attacks against fortified American positions, including the U.S. embassy. And shortly after the offensive, the highly respected anchor of the CBS evening news, Walter Cronkite, went on a fact-finding visit to South Vietnam. He returned with a sobering message: “For now it seems more certain than ever that the bloody experience of Vietnam is to end in stalemate.” He went on to advocate a negotiated way out of the quagmire. This judgment had a devastating effect on President Lyndon Johnson, who commented, “If I’ve lost Walter, I’ve lost middle America.” But Cronkite was not alone in concluding that the American military enterprise was doomed. Even such staunchly conservative publications as the Wall Street Journal and Time magazine echoed his sentiments. This turning away of the media was in many ways just as important as the street protests by young Americans in convincing Johnson not to run again for the presidency.

Johnson’s successor, Richard Nixon, had long had a fairly stormy relationship with the press. After one of his electoral defeats, he ended a news conference with the comment that, “You won’t have Richard Nixon to kick around anymore.” His vice-president, Spiro Agnew, no doubt reflecting his boss’s sentiments, once said that journalists were “the nattering nabobs of negativism.” Nixon’s years in the White House saw a long trail of campaigns against the media, culminating in the creation of the so-called “planting unit,” one of whose functions was to mount surveillance operations against journalists. But, of course, it was the media that had the ultimate laugh at Nixon’s expense. The investigative reporting of Bob Woodward and Carl Bernstein of the Washington Post revealed the full extent of the Watergate scandal and of Nixon’s personal involvement in it. It was these revelations that forced Congress to undertake an investigation of the president and to produce reports that would have led to his impeachment. In order to avoid that fate, Nixon resigned in ignominy. The press had done the country a great service.

The arrival of Jimmy Carter in the White House was widely greeted as an opportunity for the United States to put the Watergate scandal behind it. He enjoyed good press during his first three years in office. Two significant foreign policy achievements contributed to this. The first was the conclusion of the Panama Canal treaty, which put an end to decades of disputes over ownership of the canal. Even more important was Carter’s role in persuading the leaders of Egypt and Israel to conclude a peace treaty. This still stands out to this day as the supreme success in all of the diplomatic efforts that have been made to resolve the Arab-Israeli conflict. But the press became somewhat more critical of Carter in 1979. When Iranian students, with the encouragement of the new revolutionary government, seized the American embassy in Tehran and held some 50 diplomats hostage, the response of the American government was somewhat hesitant. When it finally did decide to act, the operation mounted to rescue the hostages turned into a very well-publicized fiasco. When later that year the Soviet Union invaded Afghanistan, the Carter administration slapped it with a series of rather tentative economic sanctions and a boycott of the 1980 Moscow Olympics. These measures had no discernible effect on the Soviet Union, which remained in occupation of Afghanistan for nine more years. As a result of both of these episodes, the American media began to portray Carter as a weak and ineffective leader. That portrayal no doubt contributed greatly to his defeat at the hands of Ronald Reagan.

Reagan came to office in 1980 and enjoyed a prolonged honeymoon with the media. He was portrayed as a strong and charming leader. His decision to provide financial and military support to the mujahedeen fighting the Soviets in Afghanistan met with general approval. The media was prepared to overlook the early signs of the effects of old age on his performance, e.g. when he repeatedly fell asleep at a G7 summit meeting in Venice in 1982. The media was generally supportive of his tough stand on relations with the Soviet Union, as well as on his subsequent opening of diplomatic channels of communication with Soviet leader Mikhail Gorbachev. The only real bad patch the Reagan administration experienced in relations with the media was precipitated by what came to be known as the Iran-Contra affair. In violation of congressional edicts, senior members of Reagan’s national security staff engineered a program to sell weapons to “moderate forces” in Iran and to use the proceeds to support the Contra movement then fighting the Sandinistas in Nicaragua. The illegality of this program drew sharp criticism from the media, but so, too, did the president’s apparent inability to control what went on in the White House. Nevertheless, Reagan left office with a very high approval rating, and nostalgia for the Reagan era continues to be a dominant feature of Republican propaganda.

Reagan’s successor, President George H.W. Bush, had none of his predecessor’s charisma but enjoyed good press as he stickhandled the complex politics of the end of the Cold War and suspended robustly to the Iraqi invasion of Kuwait in 1990. But it was the state of the American economy that was to be his downfall as he was defeated with relative ease by Bill Clinton in his bid for re-election. Clinton brought to the White House a superabundance of charm and youthful energy and managed to launch the United States on a period of unprecedented economic expansion. And yet his two terms in office were constantly overshadowed by media reports of sexual impropriety. Culminating in the Monica Lewinsky affair, in which a young female intern claimed she and Clinton had sex in the Oval Office, Clinton’s reputation was destroyed in an impeachment trial during the course of which he shamelessly prevaricated. The media’s prolonged obsession with the Lewinsky affair certainly undermined his performance as president. (I can well remember a televised news conference that Clinton held with Palestinian leader Yasser Arafat. All of the questions from the media dealt with the Lewinsky imbroglio, as Yasser Arafat sat there with a bemused look on his face.) In retirement, Clinton appears to have salvaged his reputation and is now one of the leading lights of the Democratic party.

Not long after he came into office, President George W. Bush was confronted with the al-Qaida attacks on New York and Washington. His response to these events, a combination of resolve and compassion, was widely hailed by the media. He also initially enjoyed media support for his invasion of Iraq in 2003. That support rapidly dissolved, however, when it became evident that the two main reasons given for the invasion — Iraq’s stockpiles of weapons of mass destruction and links between Saddam Hussein and al-Qaida — were totally bogus. Many media outlets, including the New York Times, came out very publicly in admitting they had been wrong to support the invasion. Thereafter, the media produced a long series of articles highly critical of the way operations were conducted in Iraq. The level of criticism only mounted following the president’s rather muddled response to the flooding caused by hurricane Katrina. Throughout, the president seemed to accept the criticism with equanimity and never chose to go to war against the press, unlike Nixon and Trump.

President Barack Obama had a fairly positive relationship with the media throughout his eight years in office. Even when his policies came under attack, as in the case of his response to the civil war in Syria, he chose to answer his critics with reasoned arguments rather than with venom. The contrast with his successor, Donald Trump, could not have been more stark. Throughout his election campaign and during his three and a half years in office, Trump has been relentless in his attacks on the media, declaring them to be purveyors of “fake news” and enemies of the American people. His attacks against individual news organizations and individual journalists have no precedent in American history. And the media has not been kind to Trump. Various news organizations have launched squads of investigative reporters to look into his personal life and past business dealings. Their revelations have served to further discredit a president who has done so much to discredit himself.

There is always bound to be a certain amount of antagonism in relations between presidents and the media. The former, rightly or wrongly, believe that what they are doing is best for the country. The latter see it as their responsibility to hold leaders accountable for their actions, or to use that old cliche, “to tell truth to power.” In a properly functioning democracy, both have essential roles to play. The extent to which they can carry out those roles in a civilized and mature way is indeed a true test of the vitality of a democracy. Pace Mr. Trump.

Louis A. Delvoie is a retired Canadian diplomat who served abroad as an ambassador and high commissioner.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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