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The President vs. the American Media – The New York Times

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The president has some bones to pick with the American media: about our “bias,” our obsession with racism, our views on terrorism, our reluctance to express solidarity, even for a moment, with his embattled republic.

So President Emmanuel Macron of France called me on Thursday afternoon from his gilded office in the Élysée Palace to drive home a complaint. He argued that the Anglo-American press, as it’s often referred to in his country, has blamed France instead of those who committed a spate of murderous terrorist attacks that began with the beheading on Oct. 16 of a teacher, Samuel Paty, who, in a lesson on free speech, had shown his class cartoons from the satirical magazine Charlie Hebdo mocking the Prophet Muhammad.

“When France was attacked five years ago, every nation in the world supported us,” President Macron said, recalling Nov. 13, 2015, when 130 people were killed in coordinated attacks at a concert hall, outside a soccer stadium and in cafes in and around Paris.

“So when I see, in that context, several newspapers which I believe are from countries that share our values — journalists who write in a country that is the heir to the Enlightenment and the French Revolution — when I see them legitimizing this violence, and saying that the heart of the problem is that France is racist and Islamophobic, then I say the founding principles have been lost.”

Legitimizing violence — that’s as serious a charge as you can make against the media, and the sort of thing we’ve been more used to hearing, and shrugging off, from the American president. And Americans, understandably distracted by the hallucinatory final days of the Trump presidency, may have missed the intensifying conflict between the French elite and the English-language media.

More than 250 people have died in terror attacks in France since 2015, the most in any Western country. Mr. Macron, a centrist modernizer who has been a bulwark against Europe’s Trumpian right-wing populism, said the English-language — and particularly, American — media were imposing their own values on a different society.

In particular, he argued that the foreign media failed to understand “laïcité,” which translates as “secularism” — an active separation of church and state dating back to the early 20th century, when the state wrested control of the school system from the Catholic Church. The subject has become an increasing focus this year, with the approach of the 2022 election in which Mr. Macron appears likely to face the far-right leader Marine Le Pen. Mr. Macron didn’t initially campaign on changing the country’s approach to its Muslim minority, but in a major speech in early October denouncing “Islamist separatism,” he promised action against everything from the foreign training of imams to “imposing menus that accommodate religious restrictions in cafeterias.” He also called for remaking the religion itself into “an Islam of the Enlightenment.” His tough-talking interior minister, meanwhile, is using the inflammatory language of the far right.

When Mr. Paty was murdered, Mr. Macron responded with a crackdown on Muslims accused of extremism, carrying out dozens of raids and vowing to shut down aid groups. He also made a vocal recommitment to secularism. Muslim leaders around the world criticized Mr. Macron’s and his aides’ aggressive response, which they said focused on peaceful Muslim groups. The president of Turkey called for boycotts of French products, as varied as cheese and cosmetics. The next month saw a new wave of attacks, including three murders in a Nice church and an explosion at a French ceremony in Saudi Arabia.

Some French grievances with the U.S. media are familiar from the U.S. culture wars — complaints about short-lived headlines and glib tweets by journalists. But their larger claim is that, after the attacks, English and American outlets immediately focused on failures in France’s policy toward Muslims rather than on the global terror threat. Mr. Macron was particularly enraged by a Financial Times opinion article on Nov. 3, “Macron’s war on Islamic separatism only divides France further,” which argued that he was alienating a Muslim majority that also hates terrorism. The article said he was attacking “Islamic separatism” when, in fact, he had used the word “Islamist.” Mr. Macron’s critics say he conflates religious observance and extremism, and the high-profile misquote — of his attempt to distinguish between the religion of Islam and the ideology of Islamism — infuriated him.

“I hate being pictured with words which are not mine,” Mr. Macron told me, and after a wave of complaints from readers and an angry call from Mr. Macron’s office, The Financial Times took the article off the internet — something a spokeswoman, Kristina Eriksson, said she couldn’t recall the publication ever having done before. The next day, the newspaper published a letter from Mr. Macron attacking the deleted article.

In late October, Politico Europe also deleted an op-ed article, “The dangerous French religion of secularism,” that it had solicited from a French sociologist. The piece set off a firestorm from critics who said the writer was blaming the victims of terrorism. But the hasty deletion prompted the author to complain of “outright censorship.” Politico Europe’s editor in chief, Stephen Brown, said that the article’s timing after the attack was inappropriate, but that he had apologized to the author for taking it down without explanation. He didn’t cite any specific errors. It was also the first time, he said, that Politico had ever taken down an opinion article.

But French complaints go beyond those opinion articles and to careful journalism that questions government policy. A skeptical Washington Post analysis from its Paris correspondent, James McAuley, “Instead of fighting systemic racism, France wants to ‘reform Islam,’” drew heated objections for its raised eyebrow at the idea that “instead of addressing the alienation of French Muslims,” the French government “aims to influence the practice of a 1,400-year-old faith.” The New York Times drew a contrast between Mr. Macron’s ideological response and the Austrian chancellor’s more “conciliatory” address after a terror attack, and noted that the isolated young men carrying out attacks don’t neatly fit into the government’s focus on extremist networks. In the Times opinion pages, an op-ed asked bluntly, “Is France Fueling Muslim Terrorism by Trying to Prevent It?”

And then, of course, there are the tweets. The Associated Press deleted a tweet that asked why France “incites” anger in the Muslim world, saying it was a poor word choice for an article explaining anger at France in the Muslim world. The New York Times was roasted on Twitter and in the pages of Le Monde for a headline — which appeared briefly amid the chaos of the beheading — “French Police Shoot and Kill Man After a Fatal Knife Attack on the Street.” The Times headline quickly changed as French police confirmed details, but the screenshot remained.

“It’s as though we were in the smoking ruins of ground zero and they said we had it coming,” Mr. Macron’s spokeswoman, Anne-Sophie Bradelle, complained to Le Monde.

As any observer of American politics knows, it can be hard to untangle theatrical outrage and Twitter screaming matches from real differences in values. Mr. Macron argues that there are big questions at the heart of the matter.

“There is a sort of misunderstanding about what the European model is, and the French model in particular,” he said. “American society used to be segregationist before it moved to a multiculturalist model, which is essentially about coexistence of different ethnicities and religions next to one another.”

“Our model is universalist, not multiculturalist,” he said, outlining France’s longstanding insistence that its citizens not be categorized by identity. “In our society, I don’t care whether someone is Black, yellow or white, whether they are Catholic or Muslim, a person is first and foremost a citizen.”

Credit…Pool photo by Charles Platiau

Some of the coverage Mr. Macron complains about reflects a genuine difference of values. The French roll their eyes at America’s demonstrative Christianity. And Mr. Macron’s talk of head scarves and menus, along with the interior minister’s complaints about Halal food in supermarkets, clashes with the American emphasis on religious tolerance and the free expression protected by the First Amendment.

Such abstract ideological distinctions can seem distant from the everyday lives of France’s large ethnic minorities, who complain of police abuse, residential segregation and discrimination in the workplace. Mr. Macron’s October speech also acknowledged, unusually for a French leader, the role that the French government’s “ghettoization” of Muslims in the suburbs of Paris and other cities played in creating generations of alienated young Muslims. And some of the coverage that has most offended the French has simply reflected the views of Black and Muslim French people who don’t see the world the way French elites want them to.

Picking fights with American media is also an old sport in France, and it can be hard to know when talk of cultural differences is real and when it is intended to wave away uncomfortable realities. And reactionary French commentators have gone further than Mr. Macron in attacking the U.S. media, drawing energy from the American culture wars. A flame-throwing article in the French magazine Marianne blasted U.S. coverage and then appeared in English in Tablet with an added American flourish denouncing “simplistic woke morality plays.”

But the ideological gaps between French and American points of view can be deceptive. The French commentariat has also harped on the #metoo movement as an example of runaway American ideology. Pascal Bruckner, the well-known public intellectual, called the sexual abuse case against Roman Polanski “neo-feminist McCarthyism.” But perhaps the most prominent American journalism in France this year came from The Times’s Norimitsu Onishi, who played a central role in forcing France to grapple with the well-known pedophilia of a famous writer, Gabriel Matzneff. A recent profile in a French news site described Mr. Onishi and others as “kicking the anthill just by naming things” that had previously gone unspoken. Mr. Matzneff is now facing charges.

And Mr. Macron has his own political context: a desperate fight against a resurgent coronavirus, a weak economy and a political threat from the right. He is also disentangling himself from an early, unsuccessful attempt to build a relationship with President Trump. He had spoken to President-elect Joseph R. Biden Jr. the day before our conversation.

I asked him whether his vocal complaints about the American media weren’t themselves a little Trumpian — advancing his agenda through high-profile attacks on the press.

Mr. Macron said he simply wanted himself and his country to be clearly understood. “My message here is: If you have any question on France, call me,” he said. (He has, in fact, never granted The Times’s Paris bureau an interview, which would be a nice start.)

And he recoiled at the comparison to Mr. Trump.

“I read your newspapers, I’m one of your readers,” he said.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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