The self-preservation of the media - Salon | Canada News Media
Connect with us

Media

The self-preservation of the media – Salon

Published

 on


The American news media, as an institution, has mostly failed to rise to the challenge of the Age of Trump – even after more than 8 years of experience. But, there are some bold and brave voices who stand out for their truth-telling and role-modeling of pro-democracy journalism and how their peers in the media should be responding to the crisis.

For example, in an excellent critical review and essay at The Philadelphia Inquirer about Alex Garland’s new film “Civil War,” Will Bunch highlights how its main characters are emblematic of the failures of the American news media:

The zeitgeist underlying Civil War reminded me of how the five leading TV news networks recently put aside their competitive rivalries to write a rare open letter that revealed the one thing newsroom leaders care passionately about: begging Trump and President Joe Biden to stage televised debates in the fall. That’s because even with Garland’s vision of dystopia too close for comfort, TV bosses still only care about ratings and a showcase for “both sides,” even when one side is a lying, three-term-president-in-waiting. Like Civil War’s Joel, they just want to get that quote, nothing more.

While the major news outlets continue to obsess on “both-sidesing” a five-alarm fire for the American Experiment, aided by reporters seeking to find “the fun” in politics even when our politics feel like 1861, there are some folks who do get it.

In a much-discussed new essay in his newsletter, Chris Quinn, Editor of the Cleveland Plain Dealer, declared his unapologetic and unqualified commitment to pro-democracy journalism and the truth, an approach that does not engage in false equivalency or fake balance between Donald Trump and President Joe Biden. In a subsequent interview with Dan Froomkin at his site Press Watch, Quinn elaborated on why he is not afraid to make the historically accurate comparison between the MAGA movement and the rise of Nazism and the Third Reich:

But you know, I spent most of my life wondering how a country could go down the path Germany went down. It just seemed unfathomable growing up when I did that a country could do that. And then came Donald Trump. And you realize: “Wow! That’s exactly how it happens.”

You demonize the media. You create these phony divisions. You dehumanize groups of people. With Donald Trump it’s not Jewish people, it’s immigrants. He’s basically treating them like they’re nonhuman. We’re following the exact path. And I think a lot of people see that but they’re afraid to say it because they don’t want to be vilified for using the suffering of millions of people to push a cause.

But the reaction I got to that was a whole lot of people that said: “I’m so grateful you’re doing this. I’ve long studied what happened in Germany. That’s exactly what’s happening now.” We are on the edge. If he gets elected, he’s not even being secretive about what he wants to do. I don’t think we can draw those parallels enough, because I think right now in America we are on that edge. And a whole lot of people seem to agree.

Quinn offered these insights into why his fellow editors and other senior decision-makers all too often default to obsolete norms of “bothsideism” and so-called balance when covering Trump’s dangerous and aberrant behavior – behavior that is without equal in American history: “I think they’re afraid of that pushback. I think that the same reason that you’ll see a half dozen stories about Joe Biden’s mental state in the Washington Post and New York Times is it bleeds in, and they’re not setting their own agenda. I wish they would.”

His advice for other editors: “I think the false equivalence has got to go, because that’s not what this is anymore.”

I have been publicly chronicling the Age of Trump on an almost daily basis since 2015. I was also one of the first public voices to warn about Trump’s likely victory in 2016. For months, I also tried to desperately warn the American public about the increasing likelihood that Trump would attempt a coup instead of leaving office after his defeat in the 2020 election. I too have some hard-earned insights and suggestions about the American mainstream news media in the Age of Trump – and beyond —  that I have been meditating on for some time.

We must use accurate and direct language to describe the democracy crisis, its historical antecedents and origins, global connections, and what may happen next based on the evidence. To fail to do so is to aid and abet right-wing authoritarianism and other enemies of real “we the people” democracy.

The American news media needs to dedicate itself to pro-democracy journalism not out of idealism but out of self-interest and self-preservation.

We should not assume that “everyone knows” that Donald Trump, the MAGA movement, and other right-wing malign actors are an existential threat to American democracy, freedom, and society. Most Americans are disengaged, uninterested, ignorant, largely uninvolved, with and unsophisticated in their knowledge of politics and current events. Thus the demand to repeatedly, with examples and explanations, show and demonstrate what Trump and his forces believe and plan to do if they take power. 

The Fourth Estate are supposed to be the guardians of democracy. This responsibility is even greater in the Age of Trump. Reporters, journalists, and others with a public platform must proceed from a position of moral clarity, a commitment to the truth, and not be afraid to take a stand on questions of right and wrong. We should seek out real experts and quote them, interview them in long-form, and more generally provide them with a platform. 

Don’t forget the basics and common sense and what should be standing order number one for reporters and journalists: “If someone says it’s raining and another person says it’s dry, it’s not your job to quote them both. Your job is to look out of the window and find out which is true.” To reiterate what New York University journalism professor Jay Rosen has so wisely commanded, it is the stakes not the horserace. We must consistently tell the public why this all matters.

Courage is not the absence of fear. Courage is the ability to follow through, persist, and succeed in the face of fear. The Age of Trump and what it has wrought and unleashed upon the country and world are very frightening, if not terrifying.

Donald Trump and the other American neofascists have repeatedly called reporters, journalists, and the news media as a whole (if they are not sufficiently compliant and quislings) “enemies of the people” (Hitler and the Nazis used the slur “lugenpresse”). The American news media needs to dedicate itself to pro-democracy journalism not out of idealism but out of self-interest and self-preservation.

Journalist Masha Gessen wisely told us to “Believe the autocrat.The best predictors of autocrats’ and aspiring autocrats’ behavior are their own public statements because these statements brought them to power in the first place.” America’s mainstream news media needs to stop seeking alternate explanations for Trump’s words and those of his propagandists, allies, and followers. There is little there to be translated. The ugliness is raw, plain and in its own foul way, refreshingly honest.  

Read more

about this topic

Adblock test (Why?)



Source link

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

Source link

Continue Reading

Media

Arizona man accused of social media threats to Trump is arrested

Published

 on

Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

Continue Reading

Trending

Exit mobile version