Steve Chmilar loved to draw as a child. By the age of six, he was already a perfectionist and his mother often had to remind him not to be so hard on himself. But despite his passion for art, his path veered to music when, after moving from Grande Prairie to Calgary as a young adult, he started a rock band called The Villains. The group released three full-length albums before disbanding in 2007, and Steve was soon inspired to return to his first love.
“I was in my 20s and didn’t have a lot of life experience to inspire my subject matter. I felt the biggest challenge was what to paint,” he said. “I found a Pieter Bruegel book at a used bookstore and finally had the impetus for a lifelong direction. I loved the inventiveness of his work and the way he depicted people and scenes from life. It was clear he was just as much a philosopher as a painter, observing the world around him objectively, without judgement.”
In 2007, Steve moved to an abandoned house in the middle of nowhere near Mabel Lake, BC. He stayed there for a year and started painting his first serious oil painting.
“It was a great place to be in my own thoughts, undistracted by outside influences,” he said.
After a year, Steve moved to Victoria.
“Nobody knew about me at that time. I was still only painting in private,” he said. “In 2009, I did the Moss Street Paint-In. I brought two finished paintings, two unfinished ones and a bunch of sketches. I didn’t know if anyone would care about my work, but they did. I received more responses from my art than I did from playing music, which is what I was doing at the time to make a living. My years as a musician gave me a better perspective on beginning another artistic career from scratch. I had the long game in mind and vowed to always keep the ball in my court with business decisions.”
A year after moving to Victoria, Steve met his partner, Ingrid Hansen.
“She inspired me,” Steve said. “She is artistically creative and an intelligent businessperson as well. When we met, she was doing the theatre scene at full blast. It was a busy time. She was in four productions at once and I was both painting and playing music.”
The couple decided to move to Toronto in 2012 and explore their options.
“We had a few Victoria friends who had recently moved there so it was an easy transition,” he said. “Once there, I painted constantly and learned a great deal about time management.”
His first show was the Toronto Outdoor Art Exhibit, Canada’s largest juried art exhibition.
“I won Best In Show, which allowed me to continue painting full-time with prize money and some artwork sales.”
In 2014, Steve took part in The Artist Project, where he gained more exhibition experience and continued to build up his collector list.
“I had inadvertently fallen into the new art market where artists can represent themselves unlike ever before. There had been a stigma before that independent artists were not on the same level as gallery artists. I am excited to be part of the growing number of artists who are increasing the calibre of art sold outside the gallery system.”
In 2018, Steve and Ingrid moved back to Vancouver Island and found the perfect spot for two artistic people: a home right on the ocean in Sidney.
Being a full-time artist requires great talent and a good business sense, both of which Steve has. “One of my goals has been to have a red dot on everything. My work sells in part because I price it competitively. I’ve spent a great deal of time and many sleepless nights thinking about what to paint and how to sell it.”
Steve also brings his sense of fair play into the business of being an artist. “One day I had three people email me in an hour to buy one of my paintings. If I was one 100 per cent about profit, I would have reproduced it. Instead, I gave it to the first guy who emailed and continued on to new ideas.”
Steve’s oil paintings sell from between $2,500 for a miniature to five figures for the larger ones. His current work in progress is 44×55 inches and was preceded by a smaller 8×10-inch version of the same piece.
“A collector, who found out about me through an Australian gallery, came to my home studio and put down a deposit. An artist has to be as global as they can if it is their only source of income.” To date, Steve has sold his paintings to buyers across North America, Europe, China and Australia.
For those considering a career as an artist, Steve has some advice: “You can create whatever you want if it is for pleasure. If it is your living, be prepared to dedicate every waking moment to figuring out how to make what you want to do profitable. Appealing to a regional market is very different than appealing to an international market. Use social media and get your work in public to see how people react.”
While he doesn’t have any shows planned for Vancouver Island in 2020, he will be teaching at the McTavish Academy of Art in the spring. (mctavishacademy.ca)
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
