The Vancouver Art Gallery Launches New Simplified Membership and Admissions Program - Business Wire | Canada News Media
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The Vancouver Art Gallery Launches New Simplified Membership and Admissions Program – Business Wire

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VANCOUVER, British Columbia–(BUSINESS WIRE)–Traditional Coast Salish Lands, including the Musqueam (xwməθkwəy’əm), Squamish (Swxwú7mesh Úxwumixw) and Tsleil-Waututh (səl’ilw’ətaʔɬ) Nations.

Today, the Vancouver Art Gallery announces that on July 1, 2022, it will be launching a new and simplified membership and admissions program, which will offer the public more access to more art, more often. This new program will give audiences the flexibility to enjoy the benefits that are most important to them.

The Vancouver Art Gallery’s streamlined membership program will have three levels to choose from:

  • Art Opens Access, which offers unlimited visits to the Gallery for a full 12 months;
  • Art Opens Ideas, which, in addition to unlimited visits to the Gallery for the next 12 months, provides a range of benefits designed to enhance your experience at the Gallery;
  • Art Opens Experiences, which not only provides unlimited visits to the Gallery but allows you to enjoy a greater range of perks, including discounts on ticketed public programs and events, as well as access to a national museum reciprocal program, giving you access to museums across Canada.

Recently, the Gallery announced that all children and youth aged 18 and under will be able to visit for free over the next five years, thanks to a generous donation of $1 million from the April 1 Foundation of Vancouver. Caregivers to persons with disabilities will also continue to receive free entry. As such, general admission to the Gallery will become the single price of $29.

The Gallery continues to work with many community partners to make art accessible to all. Some examples include the Institute of Canadian Citizenship’s Canoo pass, which offers complimentary admission to new Canadian Citizens, Permanent Residents and their immediate families; Access 2 cardholders, which provides complimentary admission to a support person for people of all ages and types of permanent disabilities; and discounted admission for post-secondary students through the Gallery’s School Programs.

This summer, starting July 1, the Gallery will also be extending its hours on Thursday evenings, staying open late from 10 AM to 8 PM until September 5, 2022. These extended hours will come in addition to the Gallery’s 12 to 8 PM hours on Tuesdays and Fridays.

Founded in 1931, the Vancouver Art Gallery is known for its innovative exhibitions, extensive public programs and emphasis on advancing research on historical and contemporary art from British Columbia and around the world. As the Gallery prepares to move to a new building, planned to open in 2027, it continues to strive to make art more accessible across the province. Since November 2021, the Gallery has raised more than $20 million in private fundraising and over $29 million in federal funding to support development of the new building.

For more information on the Gallery’s new membership and admissions program, visit vanartgallery.bc.ca.

About Vancouver Art Gallery

Founded in 1931, the Vancouver Art Gallery is recognized as one of North America’s most innovative visual arts institutions. The Gallery’s adventurous exhibitions, extensive public programs, and emphasis on advancing research all focus on historical and contemporary art from British Columbia and around the world. Special attention is given to the accomplishments of Indigenous artists, as well as to those of the Asia Pacific region. The Gallery’s exhibitions also explore the impact of images in the larger sphere of visual culture, design, and architecture.

The Vancouver Art Gallery is a charitable not-for-profit organization supported by its members, individual donors, corporate funders, foundations, the City of Vancouver, the Province of British Columbia through the BC Arts Council and the Canada Council for the Arts.

The Vancouver Art Gallery is situated on the ancestral and unceded territories of the xʷməθkʷəy’əm (Musqueam), Sḵwxwú7mesh (Squamish), and səlilwətaɬ (Tsleil-Waututh) Nations, and is respectful of the Indigenous stewards of the land it occupies, whose rich cultures are fundamental to artistic life in Vancouver and the work of the Gallery. Learn more at vanartgallery.bc.ca.

Facebook: @VancouverArtGallery

Twitter: @VanArtGallery

Instagram: @VanArtGallery

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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