The Vancouver Art Gallery's new exhibition asks: Where do we go from here? - Straight.com | Canada News Media
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The Vancouver Art Gallery's new exhibition asks: Where do we go from here? – Straight.com

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A new, multi-media group exhibition at the Vancouver Art Gallery looks to the future and asks: Where do we go from here?

“Where do we go from here? proposes that we think critically about the role of both art and exhibition-making in the production of narratives about our past, present and future,” reads the info on the VAG website. “It encourages us to reconsider our understanding of history (personal, local, national) and progress (artistic, cultural, social), while articulating perspectives that challenge colonial systems of knowledge and methods of representation.

“Acting on the Vancouver Art Gallery’s statement in solidarity with the Black Lives Matter movement this summer, Where do we go from here? developed as an opportunity to consider the Gallery’s own collecting and exhibition history. Reflecting on the 90th anniversary of the founding of the Gallery in 1931, this exhibition both acknowledges the under-representation of African diasporic artists in our collection and exhibitions, which have historically privileged European art traditions, and reimagines how the next 90 years of programming can better represent Canada’s art landscape.”

<span class="picturefill" data-picture data-alt="Cindy Mochizuki, Sue Sada Was Here, 2018, single-channel video, Collection of the Vancouver Art Gallery, Acquisition Fund”>
Cindy Mochizuki, Sue Sada Was Here, 2018, single-channel video, Collection of the Vancouver Art Gallery, Acquisition Fund

Artists taking part in Where do we go from here? include Jessie Addo, Rebecca Bair, Lauren Brevner and James Nexw’Kalus-Xwalacktun Harry, Vanessa Brown, Gabi Dao, Jeneen Frei Njootli, Chantal Gibson, Maureen Gruben, Gabrielle L’Hirondelle Hill, Ocean Hyland, Nanyamka (Nya) Lewis, Cindy Mochizuki, Audie Murray, Gailan Ngan, Tafui, Charlene Vickers, Jan Wade, Tania Willard, Hyung-Min Yoon and Elizabeth Zvonar.

<span class="picturefill" data-picture data-alt="Audie Murray, Bundled Objects, 2019, quartz, cinder, braided fabric Collection of the Vancouver Art Gallery, Purchased with Proceeds from the Audain Emerging Artists Acquisition Fund, Photo: Isaac Forsland, Courtesy of Fazakas Gallery”>
Audie Murray, Bundled Objects, 2019, quartz, cinder, braided fabric Collection of the Vancouver Art Gallery, Purchased with Proceeds from the Audain Emerging Artists Acquisition Fund, Photo: Isaac Forsland, Courtesy of Fazakas Gallery

The exhibition was curated by assistant curators Zoë Chan, Mandy Ginson, and Siobhan McCracken Nixon; interim chief curator Diana Freundl, Indigenous advisor Tarah Hogue, associate curator Stephanie Rebick, and guest curator Nya Lewis of BlackArt Gastown. It runs until May 30, 2021, and you can learn more about it here.

Also currently on exhibit at the Vancouver Art Gallery are Modern in the Making: Post-War Craft and Design in British Columbia, until January 3; Rapture, Rhythm, and the Tree of Life: Emily Carr and Her Female Contemporaries, until January 22; Victor Vasarely, until April 5; Uncommon Language, until April 5; and Op Art in Vancouver, until April 21.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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