These Group of Seven artist's sketches are fake — and that's the point of this Vancouver Art Gallery exhibit | Canada News Media
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These Group of Seven artist’s sketches are fake — and that’s the point of this Vancouver Art Gallery exhibit

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One of 10 oil sketches the Vancouver Art Gallery acquired in 2015 that were thought to be by Group of Seven painter J.E.H. MacDonald. An inquiry lasting nearly a decade determined they were fake. (Rachel Topham, Vancouver Art Gallery – image credit)

The Vancouver Art Gallery has turned a nearly nine-year inquiry into the provenance of 10 oil sketches thought to be by famed Group of Seven painter J.E.H. MacDonald into a new exhibit that details the process that ultimately determined they were fake.

MacDonald, who was born in England but lived in Toronto, founded the Group of Seven, a school of influential Canadian landscape painters active in the 1920s and 1930s who were known for their vibrant colours and dynamic forms.

Members in the group often sketched in oil paint in the field before returning to their studios to turn them into larger paintings.

The sketches are prized pieces of art in their own right and are shown in galleries, including the Vancouver Art Gallery (VAG).

A painted sketch that was found to be from an unknown artist is pictured during a preview of J.E.H. MacDonald?: A Tangled Garden exhibit in Vancouver, British Columbia on Friday, December 15, 2023.

A sketch on display at the exhibit J.E.H. MacDonald?: A Tangled Garden at the Vancouver Art Gallery, which runs until May 2024. (Ben Nelms/CBC News)

In 2015, the VAG announced an acquisition of 10 new oil sketches, previously unknown to be associated with MacDonald.

But soon after the unveiling of the works, questions arose about whether the oil sketches, some of which depicted vibrant garden scenes, were really by MacDonald.

Globe and Mail reporter Marsha Lederman reported extensively on the issue, chronicling a purported narrative that said the sketches were unearthed from a Ontario backyard.

A Tangled Garden

As art experts and others weighed into the debate, the gallery postponed a planned exhibition in order to investigate the authenticity of the 10 works.

“The gallery turned to leading art historians, handwriting experts and the Canadian Conservation Institute (CCI) for in-depth scientific and artistic investigation into these sketches,” said VAG CEO and executive director Anthony Kiendl at a news conference on Friday.

A painted sketch with the incorrect spelling of its purported artist’s name wrong is pictured during a preview of J.E.H. MacDonald?: A Tangled Garden exhibit in Vancouver, British Columbia on Friday, December 15, 2023.

Handwriting on the back of the sketches offered further proof that the sketches were not by J.E.H. MacDonald. (Ben Nelms/CBC News)

Ultimately, the CCI — a federal agency meant to help preserve and validate Canadian heritage, such as art — was able to determine that paint from at least eight of the 10 oil sketches would not have been available to MacDonald during his career. He died in 1932.

“The sketches each contained one or more pigments that were not available during MacDonald’s lifetime, showing he couldn’t have painted these works,” said Kate Helwig, senior conservation scientist at the CCI.

The exhibit also shows discrepancies in the writing on the back of the paintings, which was assessed by handwriting experts.

‘Not embarrassed’ 

Instead of jettisoning the works, however, the gallery chose to create an expansive exhibit around them that chronicles the journey of their acquisition to the eventual realization that they were fakes.

It’s called J.E.H. MacDonald? A Tangled Garden and features the fake works alongside real, authenticated paintings, along with much of the evidence, interviews and Lederman’s reports.

“This exhibition is one that fundamentally tells the story of the Vancouver Art Gallery’s investigation of these sketches in all its forms,” said Richard Hill, the VAG’s Canadian art curator.

Anthony Kiendl, Vancouver Art Gallery CEO & Executive Director is pictured during a preview of J.E.H. MacDonald?: A Tangled Garden exhibit in Vancouver, British Columbia on Friday, December 15, 2023.

Anthony Kiendl, Vancouver Art Gallery CEO and executive director, during a preview of the exhibit J.E.H. MacDonald?: A Tangled Garden on Friday. (Ben Nelms/CBC News)

When asked if the gallery was embarrassed to have been duped over the acquisition of the 10 sketches, its leaders said instances of this type of forgery were rare and they were proud to come up with the exhibit about it.

“The question of embarrassment — it’s a good question, but I think that the important thing is that we’re transparent and … that we move forward in an authentic way, and I’m not embarrassed about that,” said Kiendl.

“I’ve very proud of this exhibit.”

J.E.H. MacDonald? A Tangled Garden runs from Dec. 16 until May 12, 2024.

 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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