This Holocaust survivor left a trove of artwork when she died. It's now on display in London, Ont. - CBC.ca | Canada News Media
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This Holocaust survivor left a trove of artwork when she died. It's now on display in London, Ont. – CBC.ca

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Halina Czajkowska Robinson of London, Ont., lived a remarkable life.

Born in Poland, the Holocaust survivor played a key role in discovering a cure to childhood leukemia. But she also left other treasures behind when she died at 94 — nearly 1,000 pieces of her artwork.

Now, her art collection is on display at an exhibit called LIFE/FORMS at London’s Satellite Project Space on Dundas Street until Aug. 19. 

“It’s unlike anything I’ve ever seen before,” said Moira McKee, an art appraiser and curator of the exhibit. 

“Many of her peers and loved ones were quite unaware that she was producing to this extent.”

Moira McKee is a an appraiser who curated Robinson’s LIFE/FORMS exhibit, running at the Satellite Project Space at 121 Dundas St. until Aug. 19. (Michelle Both/CBC)

Robinson’s friends discovered the vast collection of watercolour paintings, pastel drawings, linocut and woodcut prints when they went to handle her estate as executors, said McKee, who was invited to help sort the work and get it into the public eye. 

“As we were beginning to unpack the pieces that were stored, we really discovered the immense volume of this collection.”

A rich but challenging life

The daughter of a Polish military officer, Robinson fled her home to Warsaw in 1940 during the Second World War. She attended an underground school, was arrested during the Warsaw Uprising in 1944 with her mother, and survived the Auschwitz and Bergen-Belsen concentration camps, according to her obituary.

After the liberation of Bergen-Belsen in 1945, she fled to Sweden, where she eventually became a chemical engineer. 

“Helena lived this incredibly rich but also very challenging life,” said McKee. “She has quite an incredible history.”

This watercolour piece, called Enchanted Forest, was painted by Robinson in 1984. Relationships and nature were some of the biggest inspirations in her artwork, says art curator Moira McKee. (Submitted by Moira McKee)

She moved to Canada in 1951, joining a cancer research lab at Western University, where she played a key role in discovering a plant extract’s effectiveness in treating cancer and childhood leukemia — which is still used in cancer treatment today. That’s also where she met her husband, Dr. James Russell Robinson, Western’s first PhD in chemistry. 

In her retirement, Robinson spent time volunteering at Museum London and taking art courses at Western University.

WATCH | Art curator Moira McKee on the discovery of the artwork:

Art curator Moira McKee on the discovery of the artwork

3 hours ago

Duration 0:57

Art curator Moira McKee explains the ‘immense volume’ of hand framed art by Halina Czajkowska Robinson her executors found, to the surprise of her peers

Throughout her time in Canada while she was making incredible contributions, she was also producing a vast assortment of artwork in her home studio, McKee said. 

“This was a lifelong pursuit for her,” she said. “What she truly wished was for her work to outlive her.”

Relationships, nature were inspirations

McKee believes interpersonal relationships and nature were her biggest inspirations in her art, and she explored them in varying ways through the decades, she said. 

“There’s a real focus on family. For Helena, family mattered a great deal because she nearly lost everything at a particularly challenging period in her life,” she said, noting woodcuts of family seated at the dinner table. 

Robinson’s woodcut print Three Graces was created in 1981. (Michelle Both/CBC)

The theme of children also runs through her work, said Marianna Krol, 80, who was friends with Robinson for about three decades.

“If you know Halina’s life — the history of her life, you can find in the pictures, pieces of her life, ” she said. 

Because Nazis sterilized her in Auschwitz, Robinson could not have children, although she wanted them, Krol said. 

“She suffered very much about this,” she said, and Krol believes that loss is weaved through her artwork. “In her paintings, in her pictures, there are a lot of children in different stages of life.”

Robinson detailed her story in a book called Heaven, Hell and Purgatory: A Canadian Memoir of a Happy Polish Childhood, Nazi Horror and Swedish Refuge. (Michelle Both/CBC)

Robinson penned her story in a memoir, Heaven, Hell, and Purgatory: A Canadian Memoir of a Happy Polish Childhood, Nazi Horror, and Swedish Refuge, which is available at the gallery.

The LIFE/FORMS exhibit runs at 121 Dundas St. from Wednesday to Friday, 2 p.m. to 7 p.m., and Saturday from 2 p.m. to 5 p.m., or by appointment until Aug. 19. 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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