ROME – Almost 9,000 people, including artists, curators and museum directors, have signed an online appeal calling for Israel to be excluded from this year’s Venice Biennale art fair and accusing the country of “genocide” in Gaza.
“Any official representation of Israel on the international cultural stage is an endorsement of its policies and of the genocide in Gaza,” said an online statement by the Art Not Genocide Alliance (ANGA) collective, that organized the appeal. “The Biennale is platforming a genocidal apartheid state.”
Israel has been facing mounting international criticism, including in the arts world, over its offensive in the Palestinian enclave, which was triggered by a massive October 7 attack by Palestinian terror group Hamas on southern Israel.
The Hamas raid killed 1,200 people, mostly civilians amid horrific atrocities including widespread gang rape, torture and mutilation of victims. Some 3,000 attackers who burst through the border from the Gaza Strip rampaged murderously through southern areas slaughtering those they found, in some cases butchering entire families as they huddled in their homes. At an outdoor music festival, 364 people were massacred. Terrorists also abducted 253 people of all ages — including the elderly and infants — who were taken hostage in Gaza.
Israel responded to the attack with a military campaign to topple the Hamas regime, destroy the terror group and free the hostages, over half of whom remain in captivity.
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Nearly 30,000 Palestinians have been killed since the war began, according to Hamas-run health authorities, though these figures cannot be independently verified, and are believed to include both civilians and Hamas members killed in Gaza, including as a consequence of terror groups’ own rocket misfires. The IDF says it has killed over 12,000 operatives in Gaza, in addition to some 1,000 terrorists inside Israel on October 7.
Israel strongly rejects any accusation that its actions amount to genocide.
The ANGA statement made no mention of the October 7 Hamas attack or the atrocities terrorists carried out.
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ANGA noted that the Venice Biennale previously banned South Africa over its apartheid policy of white minority rule, and excluded Russia in the wake of the Kremlin’s 2022 invasion of Ukraine.
The Venice Biennale press office did not immediately respond to a request for comment on Tuesday.
Signatories of the appeal include Palestine Museum US director Faisal Saleh, activist US photographer Nan Goldin and British visual artist Jesse Darling, who won last year’s Turner Prize.
Dubbed the “Olympics of the art world,” the Biennale is one of the key events in the international arts calendar. This year’s edition, “Foreigners Everywhere,” is due to host pavilions from 90 countries between April 20-November 24.
Controversies over Israel have roiled the arts ever since the outbreak of the war. Awards have been called into question, speakers have been disinvited and staff at publications and venues have protested their employers’ stances on the conflict. Lately, petitions have circulated calling for Israel’s exclusion from the Eurovision Song Contest.
Israel is also defending itself at the International Court of Justice in the Hague where South Africa brought a case accusing it of genocide in Gaza.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
