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Three proposed designs for new Art Gallery of Nova Scotia released (3 photos) – HalifaxToday.ca

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NEWS RELEASE
COMMUNITIES/CULTURE/HERITAGE/ART GALLERY OF NOVA SCOTIA/DEVELOP NOVA SCOTIA/TRANSPORTATION INFRASTRUCTURE RENEWAL
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Nova Scotians can now see and provide feedback on the three final conceptual designs for the planned new art gallery and waterfront arts district in Halifax.

Today, Sept. 21, the Art Gallery of Nova Scotia launched the Design Competition Exhibition, which runs until late October and features 3D models, renderings and detailed submissions by three shortlisted design teams. As part of the public engagement process, Nova Scotians will have an opportunity to share their feedback on each of the design approaches and concepts.

“A new gallery and waterfront arts district reflects the importance of art and culture to our communities and our lives,” said Leo Glavine, Minister of Communities, Culture and Heritage. “This gallery belongs to all Nova Scotians, and I encourage everyone to visit the exhibit in person or online and share their feedback.”

Public feedback gathered during the exhibition will be considered in the development of the project. Following the selection of the winning team, further community engagement will take place across the province.

The public can also view and comment on the submissions online at https://artgalleryofnovascotia.ca/artsdistrict . The submissions will be posted later today. On Sept. 24 at 6 p.m., the three final teams will present their designs through a livestream on the gallery YouTube Channel and on the website.

Quotes:
“The Art Gallery of Nova Scotia has a history that dates back to 1908, yet Nova Scotia has never had a purpose-built provincial art gallery. Today marks a major milestone for the arts and cultural sector in Nova Scotia. The three design teams have delivered concepts that reinvent the idea of an art gallery and arts district. We hope that all Nova Scotians will engage with us throughout this process to ensure that we have a space that is reflective of all communities in our province.” 
     – Nancy Noble, director and CEO, Art Gallery of Nova Scotia

“Community participation in the work to create a new arts district is critical to ensure what we build reflects us all and is a place where everyone can belong. We encourage Nova Scotians to engage in these early concepts over the next few weeks, to share their ideas big and small, and to help shape this inclusive place for art and community. Once the successful design team is selected, we’ll look forward to engaging with the community again.”
     – Jennifer Angel, president and CEO, Develop Nova Scotia

Quick Facts:
— the three finalist designs are the result of a six-month, international design competition – the first of its magnitude in Nova Scotia
— the three teams participating in stage two of the design competition are Architecture49 with Diller Scofidio + Renfro and Hargreaves Jones; DIALOG, Acre Architects, Brackish Design Studio and Shannon Webb-Campbell; KPMB Architects with Omar Gandhi Architect, Jordan Bennett Studio, Elder Lorraine Whitman (NWAC), Public Work and Transsolar
— the winning submission will be chosen in October by a qualified jury of professionals, including architects, a landscape architect, artists and museum professionals
— the successful design team will carry out a provincewide public engagement process
— in April 2019, the Government of Canada announced an investment of $30 million in the new Art Gallery of Nova Scotia project through the New Building Canada Fund-Provincial-Territorial Infrastructure Component, National and Regional Projects
— the Province of Nova Scotia has committed $70 million towards this project

Additional Resources:
Art Gallery of Nova Scotia building website: https://artgalleryofnovascotia.ca/artsdistrict

Nova Scotia’s Culture Action Plan https://novascotia.ca/culture/

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Southern Alberta Art Gallery Is Honoured With A Blackfoot Naming Ceremony

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(Lethbridge) – A Blackfoot Naming Ceremony was held at the Southern Alberta Art Gallery (SAAG) on Friday, October 23, 2020.

The event began with a Treaty and Metis land acknowledgment. “We would like to acknowledge that the Southern Alberta Art Gallery is located on Treaty 7, as well as Métis Region 3, the traditional territory of the Blackfoot Confederacy, a historic collective name of the four bands that make up the Blackfoot or Blackfeet people: Siksika (Blackfoot), Kainai (Blood), Northern Piegan (Piikani), and Southern Piegan (Blackfeet, Montana). We also acknowledge the Stoney Nakota, Tsuu’tina, Inuit and Métis peoples of this area.”

The ceremony was then led by Elder Bruce Wolf Child and First Nations Education, Language & Cultural Consultant and Elder Mary Fox, and the SAAG was greatly honoured to receive the Blackfoot name Maansiksikaitsitapiitsinikssin.

“The SAAG Board of Directors and Staff are extremely grateful that the gallery was gifted with a Blackfoot name by local Kainai Elders, and we are committed to our journey of living into this name,” stated SAAG Executive Director Kristy Trinier. “We are honoured to share the Blackfoot name and its meaning with our community.”

The name Maansiksikaitsitapiitsinikssin connects the Blackfoot language words: maan it is new, siksikaitsitapii (of) our Blackfoot people, tsinikssin relating stories through the process of images and writings.

Bryce Singer, Niipáítapiiyssin (Life), 2019. Mixed media, limited edition print.

On the occasion of receiving Maansiksikaitsitapiitsinikssin, local Kainai artist Bryce Singer was commissioned to create a limited series of commemorative artwork prints.

 

Maansiksikaitsitapiitsinikssin can be interpreted as the new making of images, related to the telling of the Blackfoot peoples’ stories.

The name is well suited to SAAG and its leaders are honoured by the ceremony.

Maansiksikaitsitapiitsinikssin describes contemporary art as the new process of making images and writings, related to the telling of ancient stories by Blackfoot people within Blackfoot territory: a continuation across time in the sharing of knowledge, culture, and history across southern Alberta.

“In prioritizing the health and safety of our community,” explained Trinier, “the Blackfoot Naming Ceremony took place with limited invitation-only capacity and precautionary measures, to prevent the transmission of COVID-19.

“We plan to have a celebration with the greater community in the future when it is safe to do so.”

 

For more information and to view current and upcoming exhibits, visit saag.ca

Source: – WellandTribune.ca

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Ingersoll Creative Arts Centre to host annual Christmas art show – Hanna Herald

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The Ingersoll Creative Arts Centre is encouraging people to shop local this holiday season and is hosting a craft show next month featuring local artists.

The Ingersoll Creative Arts Centre is hosting a Christmas arts sale in November, with attendance by ticketed appointment to control crowds. (Ingersoll Creative Arts Centre)

The Ingersoll Creative Arts Centre is encouraging people to shop local this holiday season so is hosting a craft show next month featuring local artists.

The Deck the Halls craft sale will feature original paintings, pottery, photography, jewelry and quilted items, and run for three days from Nov. 20 to Nov. 22.

To accommodate crowd size limits and safe social distancing, people are asked to register for a ticket and attend during a designated 45-minute time slot. Tickets are free, and masks are mandatory.

After the three-day sale, many goods will be available in the gallery during regular hours.

Find more information and tickets at creativeartscentre.com.

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Red Deer city council opts to leave public art selection to a commission – Red Deer Advocate

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Red Deer city council quadrupled the size of municipal projects that would trigger the one-per-cent budget spending on public art — raising the threshold from $250,000 to $1 million.

But most councillors refused to takeover decision-making authority on public art installations from the public art commission.

This last suggestion was floated by Coun. Vesna Higham, who mentioned two controversial Calgary public artworks that were largely derided by taxpayers as a waste of money. One of them was a large metal hoop, costing $400,000.

Higham said she didn’t feel right allowing non-elected officials on a commission to have the authority to spend taxpayer money. People elect city council for that purpose, added Higham, who wanted an art committee to make recommendations to council, who would have final authority.

But other councillors refused to wade into the thorny area of second-guessing what a group made up of art experts, as well as general citizens, decides.

Coun. Tanya Handley said art is subjective. Contradicting a committee’s opinion would not only be awkward but would indicate little respect for the group members’ time or expertise, she added.

Three years ago, council decided to upgrade a former art committee to the present art commission specifically to give it the authority to adjudicate art without having to get council’s approval.

Two un-elected citizens are appointed to serve on the Municipal Planning Commission, entrusted with making major development decisions — so why not trust un-elected citizens with the selection of public art, a councillor noted.

Coun. Lawrence Lee said having an art selection commission has worked well, with few people taking issue with installations such as the bronze statues of young hockey players and a referee in front of Servus Arena. “We have to trust in the process.”

Coun. Dianne Wyntjes did not favour raising the threshold for when one per cent of a municipal construction project’s budget would need to be put aside for public art. It used to be when projects hit $250,000. Administration had recommended this be raised to $500,000.

But most councillors eventually voted to raise the threshold to $1 million after hearing that only once in the last decade had a project worth less than $1 million triggered a public art component.

While the regional economic slump was one rationalization given for this change, Lee also reasoned that a certain amount of money would be needed to pay the artist for a quality artwork that was substantive and meaningful.

Wyntjes believes that public art adds so much to a community’s public spaces that it’s one of the most important legacies for any city council.

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