'Tiny Treasures,' big show: Art club launches annual fundraiser at BACS - Alberta Daily Herald Tribune | Canada News Media
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'Tiny Treasures,' big show: Art club launches annual fundraiser at BACS – Alberta Daily Herald Tribune

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Get your name in the draw box for local artist Joy Kuechle’s “Chirpy Chums” that will go home with one lucky person attending the opening reception on March 1 for the Beaverlodge Art Club’s 28th annual Miniature Art Show at BACS. The show and sale is the yearly fundraiser for the Club that was founded close to 30 years ago by pioneer artist, Euphemia McNaught.

The perennially-popular Beaverlodge Art Club’s miniature art show and sale is once again returning to our crimson-walled Main Gallery at the Beaverlodge Art and Culture Centre March 1.

“Tiny Treasures,” this year’s theme, will feature small, affordable artwork by local artists. Even the most art-filled home has room for a pint-sized piece of original art!

Coralie Rycroft, President of the Art Society, explains, “This show and sale is our primary annual fundraiser for the Art Club and helps us promote art in our community and support our local artists.”

The art pieces on display – no larger than 12 x 12 inches – will include a variety of media: watercolour, oil, acrylic, prints, photographs, jewelry and more, all ready to hang, display, or wear.

This year represents the 28th annual Miniature Show that the Beaverlodge Art and Culture Centre has hosted on behalf of the fundraising activities of the Art Club.

Each year there is a tiny treasure offered by one of the participating artists for the opening day draw – “Chirpy Chums” by local artist Joy Kuechle’s (chickadees are her favourite bird to paint) will be going to a new home with a lucky attendee at the end of opening day, March 1. Get your name in the draw box!

An acrylic painting class got Joy hooked and she’s been painting ever since, with inspiration coming from nature, farm life, and the beautiful skies of the peace country.

The Sky’s The Limit

Josh Bourget is fascinated by clouds.

“We tend to think of geographical features to be permanent, but we wrestle to chart the ever-changing skyscapes above us. The sky is full of landscapes; no two are the same.”

And so was born Josh’s first solo exhibit at BACS. “Skyscapes – Forgotten Lands” is an artistic photographic exploration of landscapes created by the constantly shifting veils of vapours above us.

“Many early mornings and late evenings have been spent chasing the light with my camera.”

Having spent his childhood years in Rankin Inlet, Nunavut, Josh was introduced to art forms as a young boy in the Matchbox Gallery which he could observe from his bedroom window across the street.

“The owners taught me the basics of watercolour and pottery, and I spent as much time there as possible. The smell of clay and kilns became the fragrance of acceptance and escape.”


Sexsmith photographer Josh Bourget explores the ever-changing clouds above us with his first solo exhibit in the Art and Culture Centre’s Mini Gallery. “Skyscapes – Forgotten Lands” will be on display, free to the public, until March 26.

When he was 11 his family moved to Yellowknife and when in high school his love of the artistic process was reignited.

Again, he was drawn to the smell of clay and kilns. However, it wasn’t until he was married and settled in Sexsmith that Josh picked up the camera in earnest and dove into photography as his chosen art form. Since then he’s developed his art to be purposeful in its composition and expression.

About “Skyscapes – Forgotten Lands,” Josh explains, “In this series of photographs I explore the reinterpretation of the sky as landforms. These are fleeting moments which fade and are forgotten.”

Josh’s photographs won’t be forgotten. All pieces are printed on matte cotton rag archival paper using UV inks, giving longer life to the art, as they are much less likely to fade over time. The pieces are presentable with or without the extra protection of UV glass.

The opening reception for both shows takes place at 2 p.m., Sunday, March 1 (doors open at 1 p.m.) with the galleries open for viewing free of charge until March 26. Finger foods will be served in the centre’s tea room and we’re grateful to have freshly roasted coffee generously supplied and served by locally-operated Rustic Woods Coffee Roasters.

Submitted by Cathrine Gabriel

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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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