Former teacher Chris Higgins is calling on the City of Toronto to turn the underside of Dundas Bridge into a communal work of inclusive graffiti art.
The idea came to him on one of his many sojurns down by the Humber River. He told blogTO he’s always been taken by the cathedral-like columns of the bridge and saw how much potential they had.
“If you look under the Dundas Bridge it’s a blank canvas,” he said.
Graffiti on Dundas Bridge.
And it’s not only Higgins who saw the potential of the space — graffiti artists saw its potential too. Mostly under the cover of darkness, artists have been putting up their work.
Unfortunately, as Higgins told blogTO, a lot of the art is becoming completely decimated with tagging.
“There’s a fine line between art and could be perceived as vandalism,” he said.
But as Higgins points out, he’s just one person with one opinion, so he took to Facebook to see what other people thought of the graffiti that’s painted all over the underside of the Dundas Bridge.
A poll posted by Chris Higgins on Facebook.
He posted polls on both the Humber River Community Board and Toronto Graffiti and the response was overwhelming. He found that the majority of people are all for graffiti art under the bridge — emphasis on the art part.
Storyz graffitied on a wall beside Humber River.
The poll got Higgins thinking that while the graffiti on the walls is a subject for reflection and graffiti art is definitely an art form, a lot of the tagging doesn’t represent a collective sense of the community.
Now, Higgins wants to create a mural of sorts that reflects the history of the area as well as stories of the community at large.
Graffiti around Humber River.
“What I’d really love to see is a collective project that’s something that has input from all sides. Residents, young people, aspiring artists, and diverse groups, starting with Indigenous people,” he said.
Higgins is now trying to get the project off the ground and in turn make the neighbourhood more beautiful.
“I encourage our leaders to put our community and artists to work. Give them this space, funding, time and permission to create something beautiful here, something that displays the stories, dreams and aspirations of all Torontonians,” he wrote in the petition he posted on Change.org on Thursday.
“If we were to team up local residents and artists, it could be a win-win for pedestrians, cyclists, tourists, art lovers and historians who want to get out and enjoy the city.”
Graffiti pictured under a bridge.
He also told blogTO he’s contacted some influential members of the Humber River community like Sarah Doucette and former Toronto Mayor David Miller in hopes of getting the ball rolling.
“Graffiti art is a legitimate art form,” Higgins said. “[The artists] should be doing something not under the cover of darkness but born in the light.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.
Alleged Fraud Scheme
Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.
Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.
Massive Seizure of Artworks
In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.
Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.
Artwork Returned, but Some Remain Unclaimed
In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.
Court Proceedings Ongoing
The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.
Impact on the Local Art Community
The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.
For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.
As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.
While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.
Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.
As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.
