TrepanierBaer offers glimpse of the 1980s work of 'Alberta art royalty' Carroll Taylor Lindoe - SaltWire Network | Canada News Media
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TrepanierBaer offers glimpse of the 1980s work of 'Alberta art royalty' Carroll Taylor Lindoe – SaltWire Network

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4 years ago

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Inspiration works in mysterious ways.

Roughly two years ago, an art collector contacted Yves Trepanier inquiring about a series of large-scale charcoal drawings by Carroll Taylor Lindoe, an artist his gallery represents. It turns out, the piece of art he was after wasn’t available. But it prompted Trepanier to look at his inventory of Taylor Lindoe’s work at TrepanierBaer. Eventually, a small exhibition was launched in April 2019 to introduce the artist to a new generation of art enthusiasts and collectors.

“People went crazy,” says Trepanier. “It was like ‘Wow, this is great: Carroll is back.’”

Still, few thought that the modest exhibition would prompt Taylor Lindoe to start creating again, including the artist herself. She had been retired from both teaching and her artistic practice since the early 2000s, when she moved with her husband to Denman Island off the coast of Vancouver Island.

On the phone with Postmedia earlier this week, the 72-year-old artist is taking a rare break from the fall harvesting of fruit and vegetables on her island home, where she has lived a somewhat reclusive life since 2003. She built a studio on the property not long after moving there, but over the years it had mostly been used for storage.

“This sort of life that we have here is something that I’ve always wanted,” Taylor Lindoe says. “It wasn’t that I was running away from my art practice so much as going to something that was close to my heart. But while I left my practice behind, it didn’t take much for the interest to open up that door into my mind again and get my mind thinking about art again and about the pleasure of making it.”

Taylor Lindoe, whose practice includes drawing, sculpture and painting, will not reveal specific details about what she has been creating this past year. Nor will Calgarians get a chance to see new pieces as part of Carroll Taylor Lindoe: Inch, Foot, Yard, Mile, her first solo show in two decades that runs until Oct. 10 at the TrepanierBaer. The works on display are mostly from the 1980s, a wildly productive period for the artist that found her immersed in a number of disciplines. That allowed her an eclectic approach, demonstrating a great sense of “geometry, architecture and abstraction with allusions to figure and landscape,” Trepanier says.

It’s a reminder of the place of prominence the artist held in Calgary’s art scene, which made her sudden disappearance from it nearly two decades ago all the more jarring, he says. Her family roots go back to early pioneers of Alberta and the pioneering western Canadian culture has always been “very much a part of my being,” she says. Her parents were also pioneers of sorts. Her father Luke Lindoe was a prominent ceramic artist, painter, sculptor and businessman. Her mother Vivian Lindoe was also a painter, printmaker and ceramist. The couple became part of a small, tight-knit group of post-war artists practising in Calgary.

“The artist’s community in the ’40s and ’50s was very much a pioneering community,” Taylor Lindoe says. “It was a small group of people. They were all very tied together, they all knew each other. There were no artist-run galleries until the 1970s. People showed where they could. Really it was a social group.”

Taylor Lindoe eventually studied at the Alberta College of Art and Design and taught there until she moved to B.C., inspiring generations of Calgary artists. She was married to Ron Moppett, a prominent Calgary painter. Their son, Damian, is also an artist currently living in Vancouver. In short, she is a part of “Alberta art royalty,” Trepanier says.

The exhibit at TrepanierBaer, while focused on a relatively brief period in Taylor Lindoe’s 40-year-career, showcases her versatility in sculpture, painting and drawings. They include everything from the 16-work Image Poem, a collection of ink on mylar and watercolour pieces inspired by an eye-opening trip to Macedonia in the 1980s, to Figure in Landscape with Black Stairs, a painted wood sculpture inspired by her walks through Calgary, to Untitled #4, a 1987 abstract charcoal drawing.

“She was moving around from one medium to another and was ahead of her time,” says Trepanier. “If you think back to how artists were 20, 30 years ago, if you were a painter you were a painter. You might fool around with something else, make some drawings or prints, but she really moved and there’s a cross-disciplinary interest, a flexibility in her work approach. It’s just the way she is. I think she gets bored if she just does one thing and plateaus there. She wants to get off and go onto the next thing.”

As for her next thing, Taylor Lindoe does not reveal too many details. This is not because she is being secretive, but because she has a hard time planning or predicting what will happen.

“It’s coming from the subconscious,” she says. “That part of a person is not very directable … There will always be a sense of place and there will always be a physicality and there will be a psychic reality to it. So whatever it is, however it gathers in on the work I’m doing, whether it’s drawing or paintings or sculptures, those elements will always be there.”

Carroll Taylor Lindoe: Inch, Foot, Yard, Mile runs until Oct. 11 at TrepanierBaer. Visit trepanierbaer.com

Copyright Postmedia Network Inc., 2020

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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4 days ago

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September 13, 2024

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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2 weeks ago

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September 2, 2024

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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1 month ago

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August 18, 2024

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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