The Vernon Public Art Gallery opens to a brave new world of art-making with its upcoming exhibitions, featuring works by David and Jorden Doody as well as UBC Okanagan printmaking students.
The Doodys’ Electric Sleep is a collaborative sculptural installation that incorporates re-purposed, ready-made objects with hand-built sculptural elements juxtaposed with today’s screen culture.
“David and Jorden Doody work collaboratively to create their sculptural installations, which often are difficult to decode or get a hint of what the narrative might be. Their sculptural practice’s basic premise is to contrast the three-dimensional space we inhabit with the virtual reality apprehended on a screen,” gallery curator Lubos Culen said.
Both UBC Okanagan alumni, David and Jorden graduated with a Bachelor of Fine Arts in 2008. David went on to receive his Master of Fine Arts degree from Montreal’s Concordia University in 2017 and is now a sessional lecturer at UBCO, teaching drawing, painting, sculpture, and, most recently, mural art.
Jorden is currently pursuing her MFA at UBCO and has her work on display in the solo exhibition, I Must be Streaming, at the Kelowna Art Gallery.
Together, they commit to experimenting and improvising to create more accessible works by examining the contextual underpinning of various interesting juxtapositions of sculptural elements, Culen says.
Along with the Doodys’ Electric Sleep, the gallery will show The Repeatable Image: Printmaking at UBCO, which consists of prints created by current fine arts students in UBCO’s Department of Creative Studies.
Produced by traditional and modern methods, including relief prints, intaglio, lithography, and screenprinting, the prints cover various subject matter from questions surrounding the landscape and environmental stewardship, to the human condition, to formal abstract structures.
“Some have used ultraviolet light screenprinting, which uses non-toxic materials to produce highly detailed prints,” said Culen.
Both exhibitions open at the gallery Thursday, Oct. 8 and run to Dec. 22. Please note that there will be no opening reception due to COVID-19 health and safety regulations.
The VPAG is also now receiving applications to its annual members’ exhibition, Exposed!
“Members are at the core of the Vernon Public Art Gallery and Exposed!, our annual member’s exhibition, is one way that we can say thank you for their ongoing support,” executive director Dauna Kennedy said. “ Some are established artists, and for others, it will be their first opportunity to display their work publicly. All works are available for sale, so it is a great opportunity to find a special Christmas gift while supporting local art.”
Exposed! opens Nov. 5 and continues to Dec. 22. Those who wish to submit artwork must be current VPAG members. The deadline for submissions is Oct. 28. Applications are available through the Vernon Public Art Gallery website.
Stony Plain: 'Punching above [its] weight when it comes to public art' – CBC.ca
Judy Bennett gazes fondly at her favourite mural in her hometown of Stony Plain, Alta.
“To me it’s just downright grass roots. This is the way things happened. Around a kitchen table, talked about things that needed to be done and how they could do it together,” said the town councillor.
The mural by James Mackay was commissioned in 2012 by cooperatives like banks, grocery stores and insurance companies in the community to mark the 100th anniversary of co-ops.
The mural is one of nearly 40 dotting the town 40 kilometres west of Edmonton. The works not only draw tourists but are also a point of civic pride.
You can see more from the town of Stony Plain on Our Edmonton on Saturday at 10 a.m., Sunday at noon and Monday at 11 a.m. on CBC TV and CBC GEM.
Bennett says since the first mural was unveiled around 30 years ago, they have come to adorn dry cleaning shops, hair salons, the post office and the arena.
The murals depict the town’s past and colourful characters like local NHL goalie great Glenn Hall, long-serving country physician Dr. Richard Oatway, and teenage translator and telephone operator Ottilia Zucht, who could speak five languages.
In a normal year, tourists can hop aboard a horse-drawn wagon with long-time tour guide Greg Hanna. In a pandemic year, Bennett encourages people to walk or drive the mural route using a map available on the town’s website.
“We wanted these murals to be outside, so they were always accessible and what a great idea that was, especially during the pandemic,” Bennett said.
Mayor William Choy stands in front of the newest mural in the pedestrian tunnel below the CN rail line just off the skateboard park at 4401 49th Avenue.
The bright colours, messages of hope and pineapples wearing sunglasses make the mural “awesome,” Choy says.
“That’s a living, breathing wall, allowing residents to express themselves in a productive and friendly manner,” he says.
This summer, the town partnered with artists Daphne Côté and AJA Louden, short for Adrian Joseph Alexander, to host a public art project featuring an introduction to graffiti-style art.
“The murals allow us to showcase the history and past of Stony Plain but also allows us to move forward such as the projects here,” Choy says. “A new generation of art and thinking.”
Louden, an Edmonton-based contemporary urban muralist, worked with about a dozen skateboard and scooter kids and other residents who showed up to learn.
“I think we brought about 50 or 60 cans of spray paint,” Louden recalls.
“My favourite part was watching that eureka moment, when people finally figure out a new trick with the spray can or realize that they could,” he says.
“They maybe didn’t see themselves as an artist before this and they’ve started to find a medium that felt fun and felt new. That’s really exciting.”
Louden hopes to return next summer for more sessions at the skateboard park.
“I’ve always been impressed with communities like Stony Plain for punching above their weight when it comes to public art, lots of cool murals that celebrate the heritage of the town.”
Art and cultural venues get £75m boost from Culture Recovery Fund – Yahoo Canada Sports
Arts venues and cultural organisations have received a £75m ($57m) injection from the government’s Culture Recovery Fund.
<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="The culture secretary has announced grants of up to £3m in a bid to save 35 of the country’s cultural icons, with £52m (70%) of funding awarded outside of London. ” data-reactid=”24″>The culture secretary has announced grants of up to £3m in a bid to save 35 of the country’s cultural icons, with £52m (70%) of funding awarded outside of London.
It is the largest boost from the £1.57bn Culture Recovery Fund to date.
Recipients of the grants include iconic venues such as Shakespeare’s Globe, Sadler’s Wells, the Old Vic, the Birmingham Repertory Theatre, the Design Museum and the Sheffield Crucible.
London’s Shakespeare’s Globe will receive £2,985,707 to support start-up costs for a planned reopening in spring 2021, while The Old Vic will receive £3m from the fund.
The funding also aims to provide jobs across the country and support the wider community.
Culture Secretary Oliver Dowden said: “As part of our unprecedented £1.57bn rescue fund, today we’re saving British cultural icons with large grants of up to £3m – from Shakespeare’s Globe to the Sheffield Crucible.
“These places and organisations are irreplaceable parts of our heritage and what make us the cultural superpower we are. This vital funding will secure their future and protect jobs right away.”
<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="READ MORE: COVID-hit UK arts groups welcome government cash infusion” data-reactid=”31″>READ MORE: COVID-hit UK arts groups welcome government cash infusion
This is the fourth round of funding announced by the Department for Digital, Culture, Media and Sport (DCMS). Independent cinemas, heritage institutions and cultural organisations were awarded grants of up to £1m in previous rounds.
The DCMS said more than £500m of support has now been allocated from the Culture Recovery Fund to British cultural institutions. The grants are designed to help them survive until April 2021.
Sir Nicholas Serota, chairman of Arts Council England, said the funding has “provided a lifeline” to allow arts and cultural organisations to continue.
“This latest funding, which are the largest grants to date, will support some of the country’s most loved and admired cultural spaces – from great regional theatres and museums to historic venues in the capital – which are critical to the development of a new generation of talent and in providing work for freelance creatives,” he said.
<p class="canvas-atom canvas-text Mb(1.0em) Mb(0)–sm Mt(0.8em)–sm" type="text" content="Watch: Oliver Dowden defends UK government’s record on arts funding” data-reactid=”36″>Watch: Oliver Dowden defends UK government’s record on arts funding
St. John's major focus of fall exhibition at Confederation Centre Art Gallery in Charlottetown – TheChronicleHerald.ca
CHARLOTTETOWN, P.E.I. — Mimi Stockland always considered herself to be a creative person.
But, it wasn’t until she moved to St. John’s, N.L., five year ago that Stockland truly felt things take off.
Now, her work is on display for all to see.
Stockland is one of the featured artists whose works are part of the new fall exhibition at the Confederation Centre Art Gallery in Charlottetown. The exhibition, Give Me Shelter, profiles the work of 13 emerging St. John’s artists, all of it curated by Pan Wendt, the centre’s art gallery curator.
“It was a whole new world. I had a vague idea … but something just clicked,” Stockland said in an interview at the Confederation Centre Art Gallery on Thursday. “Five years ago I permanently moved to Newfoundland with the goal of joining the artistic community. I’ve always wanted to be an artist. I always liked making things.”
Stockland found the East Coast artistic community not only welcoming but encouraging, support she did not feel while working as an artist in Montreal, Que., where she was based beforehand.
“My humour really just clicked with East Coast humour. I was understood; my jokes landed better.”
Stockland graduated from textile school in 2015 and decided to start putting her work out in the professional world and see what happened. She also established a professional art practice in St. John’s.
Her work in the fall exhibition at the centre is based on a mix of things she has created over the past five years, all displayed in a collage.
Pepa Chan, another St. John’s-based artist whose work is part of the exhibition, chose to focus on relationships and trauma.
“It’s about making ourselves vulnerable when we are relating to others,” said Chan, who is originally from Buenos Aires, Argentina. “It’s about intimacy and the risk we take when we are connecting with others.”
Chan calls her exhibit, Brush. An televised image of someone having their long hair brushed plays in the background. But, there is also an image of a brush with burning matches in place of the normal bristles.
Chan said that’s meant to signify that brushing can be cathartic to some people but symbolize trauma for others.
“There’s abandonment in my family and violence,” she said. “I lose a lot of hair and that’s related to stress and anxiety. I’m basically using hair brushing and losing hair as metaphors for all of those things.”
Wendt said Give Me Shelter is an exhibition that reflects the fact St. John’s is a cosmopolitan city.
“It really gives you a sense of the scene in St. John’s,” Wendt said. “You go there and you really feel that even though, when you go there, you get a real sense of (the city’s) heritage and its past. Give Me Shelter is a … place the artists feel very at home.”
Following are the fall exhibitions at the Confederation Centre Art Gallery:
- St. John’s-based Mi’kmaw painter Nelson White’s portrait series Tukien (Awaken) celebrates Indigenous artists and activists.
- Give Me Shelter features the work of 13 artists from St. John’s, N.L. They are Nicholas Aiden, Greg Bennett, Pepa Chan, Hazel Eckert, Jose Gonzalez, Ashley Hemmings, John McDonald, Jason Penney, Emily Pittman, Daniel Rumbolt, Mimi Stockland, April White and Olivia Wong.
- Alexis Bellavance: ops, a video installation looking at the constant and regular breathing of the sea and sky by the Montreal-based artist.
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