From Leonardo da Vinci’s Salvator Mundi to Andy Warhol’s Four Marilyns, it amounts to an art collection that could grace any gallery in the world.
But rather than being the highlights of a blockbuster exhibition at a major gallery, these are just some of the 300, and counting, pieces known to have been recently owned by Russian nationals under western sanctions that have been entered into a searchable database set up by Ukraine’s National Agency on Corruption Prevention (NACP).
The agency’s “war and sanctions portal” lists paintings and sculptures thought to have been bought and sold in recent years by the Russian super-rich accused by the west and Kyiv of aiding and abetting Vladimir Putin’s war in Ukraine.
The purpose of the tool, the agency said, was to “make it easier for virtuous art market participants to carry out sanctions checks and make it difficult for Russian oligarchs to sell such assets”.
Western economic sanctions imposed on hundreds of Russian individuals are designed to restrict the ability of those who are profiting from or fuelling the war to move their fortunes around the world.
Artworks can be relatively easily sold across national borders without alerting the authorities, with the subjective nature of the value allowing prices to be easily inflated or deflated.
The antiquities, art and cultural object market is said to have had a global value of $65.1bn in 2021, according to the Financial Action Task Force, an intergovernmental laundering watchdog that published a report in February to advise on regulatory best practice.
The NACP said Russian oligarchs were still all too easily able to “hide and launder their money through art objects” despite the sanctions imposed on them.
“Painting, sculptures, artistic jewellery – this is exactly what is used as a loophole to circumvent sanctions,” the agency said. “The ‘war and art’ section will contribute to the work on preventing the circumvention of sanctions, finding artistic assets of sanctioned Russians with the aim of their further freezing, confiscation and future transfer to Ukraine.”
Among the collectors named on the portal is the former Chelsea football club owner Roman Abramovich, who is said to have acquired a number of well-known pieces over the years, including a Francis Bacon triptych from 1976, Alberto Giacometti’s Woman of Venice I and eight albums from the series The 10 Characters by the American conceptual artist Ilya Kabakov. The works bought are said to have an estimated value of $163.9m (£128m).
The portal discloses that Leonardo’s Salvator Mundi, dating from about 1500, was acquired by the billionaire Dmitry Rybolovlev, although it has since been sold on, while Mikhail Fridman, a close ally of Putin’s and a co-founder of the Russian multinational Alfa Group, acquired Warhol’s Marilyn Monroe tribute in 2013.
The inclusion of famous works by artists as varied as Claude Monet, Damien Hirst and Auguste Rodin highlights the extraordinary wealth accumulated by those said to be supporting the Russian leadership.
The portal invites submissions on the potential ownership by sanctions-hit Russians of other pieces of valuable art through an online form, with the agency recognising that the “process of updating information is quite complicated, because there is no official data on the direct owners of art objects, formally it can be their relatives, or the owner can change several times in short periods of time”.
“Currently, the section contains information on more than 300 art objects,” the agency said. “Among their owners are Russian billionaire Viatcheslav Kantor, model Daria Zhukova, rapper Timur Yunusov (Timati) and other individuals who are under sanctions for directly supporting Russia’s war against Ukraine.”
The estimated value of the works identified is $1.3bn. In some cases, the art has been sold on to people who are not on a sanctions list but their past Russian ownership has been included in an attempt to discourage such assets being used to launder fortunes.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
