It’s not easy making art in an occupied city, says Max Kilderov.
The painter and street artist lives in Nova Kakhovka, a southern Ukrainian city that’s been under Russian occupation since the start of the war.
Russian soldiers are stationed everywhere, he said, and residents must abide by a strict curfew. Very little is coming in and out of the city, and art supplies are hard to come by. He’s already used up all the canvasses he had on hand before the invading troops rolled in earlier this month.
So when he came across an abandoned and burnt-out Russian tank, inspiration struck.
“It’s very hard to make art in an occupied city when you don’t have canvasses,” Kilderov told As It Happens guest host Gillian Findlay. “In [a] city where you can’t get canvas, burned tanks [are the] best canvas.”
Staying occupied under occupation
With the help of some other residents, Kilderov turned the broken symbol of occupation into a work of art, spray painting it with the swirling white pattern that is one of his signature looks.
He says it was partly an act of resistance — transforming something ugly into something beautiful — and partly a way of staving off the monotony of occupation.
“All my life before the war was just painting,” he said. “After the war starts, I keep creating and making some good things [for] the people because people [are] really going crazy in the city because of [the] humanitarian catastrophe.”
The tank is adorned with Kilderov’s signature swirls. (Max Kilderov/kilderov.com)
Kilderov says his hometown has been occupied since Day 1 of the Russian invasion. And unlike many other Ukrainian cities, there are no Ukrainian troops on the ground.
But there are plenty of Russian soldiers.
“They come into our shops sometimes to buy beer and cigarettes or something, but we don’t have any interaction,” he said.
“I don’t try to talk to them, but I hear from my friends some stories when they come to the Russian soldiers and say, ‘Guys, go home. That’s not your war. You didn’t see … any Nazis, any fascists. And your mothers are waiting for your return.’ And the Russian soldiers don’t answer anything.”
Still, Ukrainians are resisting however they can, he said. Some have banded together to ensure that the most vulnerable among them get access to what limited supplies are available.
And earlier this month, thousands of people in Nova Kakhovka and other occupied cities took to the streets in protest, coming under fire by Russian troops.
“That was really powerful. That was [a] really inspirational protest,” Kilderov said.
Kilderov is a Ukrainian street artist living in a Russian-occupied city. (Maxim Kilderov/Instagram)
He says things have calmed down since those early days and he hasn’t seen much conflict between residents and Russian soldiers recently.
He says he was a little scared to work on the tank for fear of reprisal by Russian troops, but at the end of the day, he’s an artist, and he must make art.
“That’s my way to communicate. That’s my way to show what’s inside me,” he said.
“I’m not provoking Russians, because I understand I’m [under] occupation. I need to minimize risks. I don’t make Molotov [cocktails] or something, and I don’t do any illegal things, you know, not including [the] tank. And by the way, is this illegal? That’s just a burned tank. Come on.”
Written by Sheena Goodyear. Interview produced by Chris Harbord.
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
