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Unlock kids' love of art on these colorful trips – National Geographic Traveler Magazine

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My daughter was a little over a year old when she first noticed a piece of art. On a family trip to the deCordova Sculpture Park and Museum in Lincoln, Massachusetts, my husband and I relished the woodland paths with elegant works by Paul Matisse and Andy Goldsworthy. Juniper the toddler, though, took a shine to a dripping, oozing fluorescent yellow blob by Aaron Curry called—rather aptly, I think—“Ugly Mess.” 

Juniper was transfixed, wandering around the steel sculpture for what seemed like hours. At first I felt impatient, but then I realized I was a witness to baby’s first appreciation of art. My daughter had an aha moment, which helped me see the piece with fresh eyes.

Sparking kids’ creativity and love for travel with art isn’t new. “From a very young age, children start looking extremely closely at the things around them with curiosity and attention,” says Olga Hubbard, a professor of arts education of the Teachers College at Columbia University. This makes museums and other cultural institutions focus on engaging the next generation of sculpture and painting fans with research-backed activities and challenging exhibits designed to appeal to developing brains.

These trips and tips can get your kids into art on your next vacation. They might ignite a renewed sense of wonder in the grown-ups as well. “Spaces like museums can invite adults to have the kind of attention that young children naturally have for the outside world,” says Hubbard.

Because kids naturally like to look—it’s just a matter of finding fresh things to see.

Step into a storybook 

The easiest way to introduce a child to an art museum might be through a familiar face, be it the googly eyed Very Hungry Caterpillar or a fairy tale villain. “Picture books are often a child’s first introduction to art,” says Courtney Waring, director of education at the Eric Carle Museum in Amherst, Massachusetts.

At the Carle, original works by the author/illustrator of Caterpillar are displayed along with revolving exhibits devoted to other kid-lit stars. Picture book pages are framed and hung on the walls, presented as priceless artifacts. Little ones can’t touch the originals, but they can paw through thousands of books in the nearby museum library.

(Is this Danish city the fairy tale capital of the world?)

“They immediately make connections between the art they see in books and the art they see in our galleries,” says Waring. Not only can this give children a deeper connection to their bookshelves at home, it also may encourage them to form “human connections across time and space,” says Hubbard.

Children see or sense that their favorite stories came from real people and places, and this goes beyond commercial attractions devoted to Harry Potter. In Kassel, Germany, where Jacob and Wilhelm Grimm gathered and published fairy tales in the 19th century, the contemporary museum Grimmwelt Kassel tells kids not only about classic stories (Little Red Riding Hood, Cinderella), but also about the language and history they contain.

In a Buckinghamshire village north of London, England, the Roald Dahl Museum and Story Centre pays tribute to the late writer of Charlie and the Chocolate Factory and The Fabulous Mr. Fox with exhibits and activities in his former home.

Museum professionals emphasize that provoking intense responses—a fit of giggles at a painting of a familiar Brothers Grimm fable, an awestruck gaze at a way-larger-than-life caterpillar cutout—can give parents insight into what kids intuitively find exciting, beautiful, or strange. Observe these moments, and later, at home, encourage your children to recall what made a big impression by revisiting the trip through photos or books.

Learn by playing around

The tactical, colorful aspects of art appeal to kids, often inspiring them to DIY their own masterpieces when they get home. Exploring their creativity helps children develop cognitively and physically.

Museums with please-touch exhibits and hands-on art projects “help kids make meaning,” says Sharon Shaffer, who served as the Director of the Smithsonian Institution’s Early Enrichment Center for 24 years. “Even if they don’t have the words, ask them questions to help further their thinking. Children see things that adults miss.”

(Check out the world’s most beautiful museums.)

At the Andy Warhol Museum in Pittsburgh, Pennsylvania, children can whack helium-filled metallic balloons in the artist’s iconic “Floating Clouds” installation or learn rudimentary filmmaking techniques via the “Screen Test Machine.” Some galleries (e.g. the Metropolitan Museum of Art in New York City, Ohio’s Dayton Art Institute) offer gallery guides and other tools for young patrons; as the pandemic ebbs, museums including the National Gallery of Art in Washington, D.C., will again host drop-in art workshops for kids.

Parents can make museum trips more engaging for children by pre-picking artworks and even bringing small bag of props. “If you’re visiting a painting that shows a tightrope walker, put down a piece of string on the ground and let them try to imagine being high above a circus,” says Shaffer. If you’re not sure what’s on view that might appeal to children, ask at the front desk.

“Families shouldn’t feel shy about taking up space, making a bit of noise, and enjoying a visit on their terms,” says Grace Attlee, who runs educational programs at the kid-friendly House of Illustration in London, set to open in a new space in 2022. “Contrary to popular belief, most museums and galleries want little people in them.”

While it’s my impulse to direct my daughter’s attention towards pieces that enchant me, experts agree that parents shouldn’t try to control their kid’s museum visit. Ask them open and probing questions, but don’t demand answers. Says Shaffer, “Nobody likes a quiz. Interactions with art are all about quality, not quantity, something we can forget as adults.”

Think outside the gallery

Kids these days are digital natives, so they may be interested in seeing art on different terms. Exhibits that harness video and sound can provoke wonder in younger children.

Meow Wolf, an interactive art space in Santa Fe, New Mexico, ushers families into a music-, mystery-, and art-filled former bowling alley where they crawl through washing machines, dance on lights, and try to solve puzzles. The collective that founded it also has newer installations in Denver and Las Vegas.

(How art museums are adapting to the COVID-19 pandemic.)

The touring Van Gogh Immersive show uses virtual reality to turn the Impressionist painter’s wild colors and heavy brushstrokes into a trippy, high-tech extravaganza. Next year, cities including London and Washington, D.C., will host a similar video and virtual reality attraction, Mexican Geniuses, which recasts and reimagines the art of Frida Kahlo and Diego Rivera.

These unconventional exhibits can reinforce the link in your kids brains between art and fun. “A lot of it is simply exposure,” says Shaffer. If your children aren’t around art, they can’t learn to enjoy it. “Whenever you go somewhere new, take advantage of what’s in the environment,” she says.

Appeal to their interests

Experts agree that playing to your child’s interests is another key to helping them enjoy art. My own kid loves the woods and mildly scary monsters. That’s why, this past summer, we ended up at the Coastal Maine Botanical Garden in Boothbay, with its rollicking display of large-scale wooden troll sculptures by Danish artist Thomas Dambo. “I make my art playful because I want it to speak to everybody,” he says. “I want to spread my message about taking care of nature.”

Dambo’s mediums—recycled wood and other “trash”—let him pack environmentalist ideas into delightful shapes. My toddler daughter isn’t old enough to get the point, though she did respond with joyful screams—and attempts to imitate the statues’ expressions—whenever she spotted a troll among the trees. In those moments, she was a dancer, an actor, and a patron of the arts.

It may be tempting to dismiss activities like troll hunting as child’s play, but Shaffer points out, these years of exploration are incredibly important. “Brain research has told us that 80 percent of the child’s personality, intellect, and skills develop in the first five years of life,” she says. “It’s the power of the brain to make sense of the world.”

Katy Kelleher is a Maine-based writer. Her work also appears in The Paris Review and Longreads. Follow her on Instagram or Twitter.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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