UPDATE MONDAY, JULY 18, 4:30 P.M.:
The Vernon Public Art Gallery will have to wait another month for direction on its Behind the Mask project.
Gallery staff and board made a passioned plea to Vernon council Monday, July 18, asking that the project go ahead as presented and, as board president Andrew Powell pointed out, approved twice by council.
“This project has been vetted and all kinds of approvals have been given,” said Powell, stating that the city approved funds, Greater Vernon Advisory Council gave its nod for the project as did Canada Council, which provided more than $53,000.
The Downtown Vernon Association has also promised funds for the project.
Any reconsideration of the project, said Powell, would hurt the gallery financially as well as its and the city’s reputations.
Council voted in June to return the project to the art gallery to start a public consultation project after residents were vocally opposed to it via social media comments and an online petition which drew thousands of names in opposition. There was also an online petition showing support.
The gallery presented its consultation findings (see Original Story, below), conducted solely with patrons visiting the gallery in person, and that drew a comment from Coun. Scott Anderson, who said he struggled to understand why no online feedback was allowed.
Coun. Kari Gares questioned if the survey was in some way skewed.
Coun. Akbal Mund stated that more than 2.25 per cent of people would have visited the gallery if they were against the project.
Because the gallery appeared before council as a delegation, Quiring told representatives it is council’s policy to not make decisions on delegations on the day they present.
“There’s a lot of information that has been discussed and brought up today and we will look forward to a report from staff. That’s the intent of the policy and this (project) is a good reason,” he said. “We have to come up some ideas.”
Staff will present its findings and recommendations to council for the next regular meeting, Monday, Aug. 15.
Vernon residents had their say over the Behind the Mask public art project with Vernon Art Gallery.
Of the 313 locals who completed the survey, 49.2 per cent say they strongly approve of the exhibition of mask and 215 individuals say the project has initiated more conversations around mental health.
However, the project still has opposition.
Participants in the survey had the chance to offer suggestions to aleviate any concerns. In the response from 182 people, recommendations were made to shorten the installations duration, create fewer murals than currently planned, choose different locations, and adding QR codes at the murals to offer more information on the series.
The gallery heard those concerns and drew up a modified proposal to go before Vernon council today (July 18).
The modified proposal includes decreasing the timeline from five to three years, relocating some of the murals, adding QR codes to offer more context to the public, and the reduce the number of murals despite approval for 13.
What Makes Kazimir Malevich’s Black Square (1915) Not Just Art, But Important Art
Who created the first work of abstract art has long been a fraught question indeed. Better, perhaps, to ask who first said of a work of art that a kid could have made it. A strong contender in that division is the Russian artist Véra Pestel, whom history remembers as having reacted to Kazimir Malevich‘s 1915 painting Black Square with the words “Anyone can do this! Even a child can do this!” Yes, writes novelist Tatyana Tolstaya a century later in the New Yorker, “any child could have performed this simple task, although perhaps children lack the patience to fill such a large section with the same color.” And in any case, time having taken its toll, Malevich’s square doesn’t look quite as black as it used to.
Nor was the square ever quite so square as we imagine it. “Its sides aren’t parallel or equal in length, and the shape isn’t quite centered on the canvas,” says the narrator of the animated TED-Ed lesson above. Instead, Malevich placed the form slightly off-kilter, giving it the appearance of movement, and the white surrounding it a living, vibrating quality.”
Fair enough, but is it art? If you’d asked Malevich himself, he might have said it surpassed art. In 1913, he “realized that even the most cutting-edge artists were still just painting objects from everyday life, but he was irresistibly drawn to what he called ‘the desert,’ where nothing is real except feeling.” Hence his invention of the style known as Suprematism, “a departure from the world of objects so extreme, it went beyond abstraction.”
Malevich made bold claims for Suprematism in general and Black Square in particular. “Up until now there were no attempts at painting as such, without any attribute of real life,” he wrote. “Painting was the aesthetic side of a thing, but never was original and an end in itself.” As Tolstaya puts it, he “once and for all drew an uncrossable line that demarcated the chasm between old art and new art, between a man and his shadow, between a rose and a casket, between life and death, between God and the Devil. In his own words, he reduced everything to the ‘zero of form.’” She calls this zero’s emergence in such a stark form “one of the most frightening events in art in all of its history of existence.” If so, here we have an argument for not letting young children see Black Square and enduring the consequent nightmares — even if they could have painted it themselves.
New Spider-Man Art Features Web Slinger in Various Activities
Being Spider-Man is about so much more than webbing up bad guys. Spider-Man is the neighborhood guy. He gives back to the community. He protects the community. There’s swinging, there’s fighting, there’s dangling, and sure, sometimes he has to traverse the multiverse and see all his alternative versions.
In a new print series from artist Oliver Barrett though, we focus on the simple stuff. Spider-Man just being Spider-Man. Seven prints, available individually or as a series, each showing Spider-Man at his ground-level best. The pieces are from a collaboration Barrett did with Restoration Games/Unmatched and are being released via Bottleneck Gallery and Acme Archives on October 3.
Each piece is a hand-numbered, 10 x 10 inch giclée in various edition sizes and they’ll be available individually (for $30 each) or as a set (for $200) on the Bottleneck Gallery site at noon ET October 3. Check out all the images in our slideshow.
Kelsey Grammer Curates an Exquisite Art Collection New ‘Frasier’ Reboot Posters
Dr. Frasier Crane has always been an admirer of the finer things in life, and artwork is no different, which is why it feels fitting that, in preparation for his return to our screens, television’s most renowned psychiatrist poses alongside striking pieces of art in new posters designed to promote the launch of Paramount+’s upcoming reboot series, Frasier. The series follows Frasier Crane (Kelsey Grammer) as he enters the next chapter of his life. Viewers will see him return to Boston which will come with its own set of challenges, relationships, and even dreams. Frasier has finally re-entered the building.
While the first of two newly-released posters show Grammer next to a striking collection of statues, the second poster emphasizes the start of the new chapter in his life. In addition to Grammer, the new series stars Jack Cutmore-Scott as Frasier’s son Freddy; Nicholas Lyndhurst as Frasier’s old college buddy turned university professor Alan; Toks Olagundoye as Olivia, Alan’s colleague and head of the university’s psychology department; Jess Salgueiro as Freddy’s roommate Eve; and Anders Keith as Frasier’s nephew David.
The new iteration of Frasier comes from writers Chris Harris (How I Met Your Mother) and Joe Cristalli (Life in Pieces), who executive produce with Grammer, Tom Russo and Jordan McMahon. The series is produced by CBS Studios, in association with Grammer’s Grammnet NH Productions. The first two episodes of the new series are directed by legendary director and television creator James Burrows, who is best known for his work as co-creator, executive producer, and director of the critically acclaimed series Cheers, as well as the original Frasier series, Will & Grace and Dear John. The series is distributed by Paramount Global Content Distribution outside of the Paramount+ markets.
The Legacy of Frasier Crane
The original series, which aired from 1993 to 2004, had an impressive 11-season run and earned numerous awards and honors. It was a major success at the Primetime Emmy Awards, winning an incredible 37 Emmys throughout its time on the air. This accomplishment set a historic record for the most Emmys ever won by a TV show at that point in time. The awards covered a wide range of categories, including recognition for Outstanding Comedy Series, Lead Actor (Grammer), Supporting Actor (David Hyde Pierce in the role of Niles Crane), and Supporting Actress (Bebe Neuwirth as Lilith Sternin), among others.
The upcoming series will premiere in the U.S. and Canada on Thursday, October 12, with two episodes, and on Friday, October 13, in all other international markets where Paramount+ is available. New episodes will then drop weekly on Thursdays, exclusively on Paramount+ in the U.S. and Canada, and on Fridays, internationally. In addition, the CBS Television Network will broadcast a special airing of the first two episodes back to back on Tuesday, October 17, beginning at 9:15 p.m. ET/PT. Until then, check out the new posters below:
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