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Vernon art gallery paints optimistic picture – Vernon Morning Star – Vernon Morning Star

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Work continues to be done behind the scenes to advance the Greater Vernon Cultural Centre, but this fall, the curtains will rise on the public campaign bringing the $39.5-million project back into the limelight.

Vernon Public Art Gallery executive director Dauna Kennedy represents one user group that would call the new centre on the Vernon Block (3103 30th Street) home. She said VPAG has been looking forward to the new facility since talks of a new gallery started in 1986.

VPAG was rehomed to its 31st Avenue home in 1995 and expanded to more than 6,000 square feet by 2004. The spot under the downtown parkade was only meant to be temporary, Kennedy said, and a new state-of-the-art facility can’t come soon enough.

“We had a big exhibition last year where that wall had $60,000 of art on it and the wall flooded. Thank God the art was OK but those are the kinds of situations we’re dealing with,” she said. “This was never built as an art gallery.”

The gallery has outgrown its space and with ongoing issues of leaks and flooding, Kennedy said it’s a challenge to uphold its mandate to bring engaging art to the community.

“We’ve limited what we’ve brought in to the permanent collection. We don’t want any of it to be at risk,” Kennedy said. “We take care of it the best we can given the situation we have, but we really want to be able to provide a proper home and provide the proper care.”

Acknowledging current staff’s ongoing efforts to preserve the collection, Kennedy said a priority is to get temperature and humidity controls to ensure preservation.

“Once we do that and once we get to a Category A gallery, it really opens the doors to us,” she said. “We have a lot of people that would like to donate to us but won’t currently because they know our facility. They’re holding back donations until we’re in a place where we can properly house it.”

Kennedy said proper storage areas and dedicated classroom space are also a must-have in the new space.

“Right now, we’re dealing with temporary space where we have to bring things in and out, while that works for some uses but when it’s art, it’s messy. We need dedicated classrooms to provide different programming for youths and adults.”

In October 2018, voters supported the borrowing of up to $25 million for the construction of the new centre that would house the gallery and the Greater Vernon Museum and 200-seat performance space in a referendum.

Since then, most of the work so far has been done behind the scenes by stakeholders, user groups and the Regional District of North Okanagan.

The RDNO awaits news of the Investing in Canada Infrastructure Program, a grant funded by the federal and provincial government, and user groups continue to work with private donors to fund the project.

Now, Kennedy said she’s excited to get the public capital campaign rolling this fall to raise between $4 and 6-million.

An estimated $500,000 in direct economic benefit is expected to stem from the centre once operational and welcoming around 60,000 visitors each year. But that trickle-down effect is far-reaching.

The RDNO expects $2 million a year in total economic benefit as the centre attracts longer tourist visits, expands programming and education opportunities, adds employment options and complements other attractions such as the Okanagan Rail Trail.

“The Cultural Centre will bring to the community a creative vibrancy to our downtown,” Kennedy said. “It is going to be a hub, whether they want to come explore art, history or the performing arts, or whether they want to come and have a social opportunity in a new way in a beautiful setting.

“There will be a little bit of something for everyone and it is going to be the go-to place that people want to explore.”

READ MORE: City to donate $5K to Vernon Elks

READ MORE: Square footage may be revisited for Vernon cultural centre


@caitleerach
Caitlin.clow@vernonmorningstar.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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