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Watching the Watchdogs: Israel’s legacy of media deception stumbles – Al Jazeera English

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In the last two weeks, the Israeli government put on a masterclass on how to use the Western media to spread fake news and propaganda and to justify anti-Palestinian actions taken by the United States and its allies. It worked – but only in part.

On January 26, in a landmark preliminary ruling on South Africa’s genocide charge against Israel, the International Court of Justice (ICJ) found it “plausible” that Israel is committing acts that violate the Genocide Convention; and demanded that it take “immediate and effective measures to enable the provision of urgently needed basic services and humanitarian assistance to address the adverse conditions of life faced by Palestinians in the Gaza Strip.”

Israel ignored this, and within hours, launched a deception campaign to weaken UNRWA, the UN’s main humanitarian agency for Palestinian refugees, to inflict further suffering and death on nearly two million displaced, injured, sick and starving Palestinians in the Strip.

Israel passed on to Western media a “dossier” alleging that about a dozen UNRWA staff in Gaza have been working for Hamas and even participated in the group’s October 7 attack on Israel.

After the compliant media immediately relayed these unsubstantiated allegations to the world without bothering to do any independent verification, the US and other countries suspended vital funding to UNRWA. Meanwhile, prominent politicians started calling for it to be “shut down” as Israel has long sought in its efforts to reverse the recognition of Palestinians it displaced as “refugees”, and invalidate their right of return to the lands in Israel stolen from them.

None of this was new or extraordinary.

Mainstream media organisations in the West, from the New York Times and the Wall Street Journal to CNN and NBC, have long helped Israel spread its propaganda and achieve its political aims.

For the past century, these  organisations and their counterparts in Europe routinely disseminated Israeli narratives without questioning their veracity, while ignoring, downplaying or misrepresenting Palestinian perspectives. Their efforts helped Israel win the war on narratives and continue its settler-colonial assault on Palestinians with near total impunity.

Well, until recently – because the ugly tradition of Israel successfully laundering its lies and propaganda through Western legacy media is now being exposed and challenged, and appears to be starting to dissipate in the information era dominated by new media.

Indeed, since October 7, a flurry of independent investigations into events in Israel-Palestine and Western media reports about them exposed how Israel has been using legacy media organisations in the West to deceive the world, silence Palestinians and their allies, undermine international law, obscure its systemic human rights violations and further its settler-colonial agenda.

The initial Western media coverage of the terror allegations against UNWRA was perhaps the best example of this phenomenon.

Israel suddenly came up with an “explosive” dossier on alleged links between Hamas and UNRWA staff because it wanted to divert attention from the ICJ ruling on its own genocidal acts, and instead raise doubts about the crucial UN agency’s credibility.

Thanks in large part to the Western media’s uncritical reporting, Israel’s plan succeeded, at least partially, as it triggered significant funding cuts and a congressional hearing in the US on “ UNRWA Exposed: Examining the Agency’s Mission and Failures”.

Members of Congress accused UNRWA of having “longstanding connections to terrorism and promotion of antisemitism” seemingly based on nothing other than Israeli claims circulated in the media. They also introduced a bill titled the “UNRWA Elimination Act” calling for the complete disbanding of the humanitarian agency and transfer of all its responsibilities to the UN High Commissioner for Refugees (UNHCR).

But independent reports and investigations quickly revealed major holes in the Israeli narrative that mainstream media had eagerly adopted and disseminated.

As Western journalists outside the mainstream, Global South media like Al Jazeera, activists and scholars started to ask questions about the claims against UNRWA, Israel’s  story started to unravel.

Unable to provide any hard evidence on UNRWA staff involvement in the October 7 attacks, the intelligence agency that distributed the “dossier” said its information came from “interrogations of Palestinian prisoners”. The revelation further raised suspicions among journalists and scholars who follow the conflict, as Israel is known to use torture to extract false confessions from Palestinian prisoners. Realising the global community is questioning their story, Israel’s intelligence agents simply changed it and started to say they obtained the information through surveillance.

As numerous countries stood up for UNRWA, and Israel faced scrutiny about its allegations against the US agency, and shared its shaky “intelligence documents” with even more journalists.

An analysis of the dossier by Britain’s Sky News revealed that these documents claim only six, not 12 as initially suggested, UNRWA staff entered Israel on October 7. It noted that “the Israeli intelligence documents make several claims that Sky News has not seen proof of and many of the claims, even if true, do not directly implicate UNRWA”.

After also analysing the documents, Britain’s Channel 4 reached a similar conclusion and said the six-page-long dossier “provides no evidence to support the explosive claim that UN staff were involved in terror attacks on Israel”.

The terror accusations against UNRWA were perhaps the most striking example of exposing major Western media for uncritically circulating Israeli fabrications and propaganda since October 7. But it was hardly the only one.

The Israeli claims about “terror tunnels” and “Hamas command centres” under Gaza hospitals, which were repeated by most Western media without any scrutiny or attempt at verification were also proved to be baseless by several open source investigations, in-depth reporting by local journalists on the ground and extensive video evidence.

In February, Al Araby TV filmed what Israel claimed was a “Hamas tunnel” it discovered under Sheikh Hamad Hospital in northern Gaza, which proved to be nothing but a water well.

Earlier, in December, an explosive New York Times report on  Hamas’s weaponisation of sexual violence during the October 7 attack was criticised for its weak sources and sloppy reporting. The paper of record eventually had to pull a podcast episode it had prepared on the subject.

Speaking of the Times’ sexual violence report and podcast, The Intercept investigative site said,“the critics have highlighted major discrepancies in the accounts presented in the Times, subsequent public comments from the family of a major subject of the article denouncing it, and comments from a key witness seeming to contradict a claim attributed to him in the article.”

The Electronic Intifada published several articles and podcasts with more details of the New York Times’ investigation of its mass rape story, mostly confirming the lack of credible evidence or eye-witnesses in the stories that Israeli institutions, including the armed forces, shared with the global media.

The progressive investigative website Mondoweiss explained in a report, entitled “We deserve the truth about what happened on October 7”, that “researchers cross-referencing claims against the list of terror victims maintained by Israel’s own Social Security Administration have shown that several horrifying stories first responders and [Israeli military] members initially told reporters do not reflect actual people or deaths”.

 Britain’s Guardian published an extensive report on how “CNN is facing a backlash from its own staff over editorial policies they say have led to a regurgitation of Israeli propaganda and the censoring of Palestinian perspectives in the network’s coverage of the war in Gaza”.

 The Oct7factcheck project – an exhaustive collection of claims, where they originated, who propagated them, and whether the evidence confirms or refutes them put together by the Tech for Palestine initiative – has also published the results of independent investigations into a dozen or so of the most dramatic Israeli accusations and reports about the Hamas attack, which were uncritically repeated by most of Western media, debunking most of them as untrue and lacking evidence.

They show, for example, that some of the evidence Israel submitted to the ICJ hearing – evidence republished by mainstream Western media without question – was false.

“Over the last four months, claims about October 7 have influenced the public narrative,” they noted. “Stories of atrocity, sometimes cobbled together from unreliable eyewitnesses, sometimes fabricated entirely, have made their way to heads of state and been used to justify Israel’s military violence.”

As new evidence reveals that stories that Israel offers the media about Palestinians and Hamas are fabricated, unsubstantiated, or exaggerated,  international journalists tend to spend more time checking the veracity of Israel’s propaganda offerings — and more time doing their job of reporting the facts and the truth.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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