Visual artists are often told ‘get thee to the Internet’ in order to be more visible and accessible to the public (i.e. sell more paintings). The task of starting up one’s own website is a daunting one at the best of times, however, because of the techno-learning curve. It also tends to go against many painters’ shyness about shameless self-promotion. Alas, the world is filled with such cruel ironies: buy my work but leave me alone.
COVID-19, being the public health curse that it is, also stubbed many artists’ toes by slamming the doors on all of their fave non-WWW places where paintings could physically be hung with little round pricetag stickers for art aficionados to peruse.
“The galleries were closed. We couldn’t have our art shows. We couldn’t even retrieve our artwork that was in galleries. We lost all our teaching gigs, our presentations, everything,” said St. Albert artist Doris Charest as she pondered the pandemic problem with her artist friends, with a not insubstantial degree of commiseration.
Hmm … what to do?
Enter Connor Finlayson, a New Zealand native in Canada. There, he started a website called Unicorn Factory as a one-stop webshop of savvy design, digital marketing and software freelancers.
Here, he heard the cries and saw Charest’s closed doors as a huge window of opportunity. That, plus it was basically the same concept as his previous effort. Think of a phone book but not the ones printed on paper.
“When I finished university, I wanted to start my first little business but I was struggling to make money off that business. The way that I was making money to pay rent and all that kind of stuff was by just helping small local businesses with their websites or their online marketing, but it was quite difficult at the start to find clients,” he related.
“What I realized was that there was no real place where local businesses could go and find locals to work with. I just decided to build this website and initially, it just had me on there and some of my friends: some of them were freelancing, others weren’t, but I figured it would be good to have more than two people on there. Over time, we just started having more and more businesses using it, and then it evolved into what it is now. We have about 500 people based in New Zealand on the website and we have thousands of businesses that use it on a regular basis.”
Using the ‘Unicorn’ model, the art marketplace called ArtByLocals.ca went live last week with a few dozen artists and a modest selection of works by each. There are art categories to search through and each artist gets their own profile, which can link to their own websites, if such a thing exists. It’s firmly based in Alberta and contains enough prominent Edmonton and St. Albert-area artists’ names to make its more precise home obvious, but ArtByLocals strives to encapsulate all of Alberta, nay Canada.
The concept isn’t necessarily new and others have certainly tried it before. A project called Alberta Artography (started up by a Jasper-based organization called IOTAD in 2008) had much the same philosophy, though it focused mostly on producing a comprehensive traveller’s guide to all artists’ studios across the province. With funding hiccups along the way to fight against, it still exists primarily as a Facebook page where new events and other notices get posted.
ArtByLocals doesn’t have to worry about funding: a membership doesn’t cost anything.
“At the moment, it’s free but we’re hoping that people subscribe. If you subscribe, what happens is you will be featured on the front page and then in the future, you’ll have access to different videos, special sponsorship when we do our advertising on Facebook or Instagram or elsewhere,” Charest noted.
“In the first week, the goal was just to get some artists to sign up,” Finlayson continued, “but soon what we’re going to be doing is we’ll be advertising it through different channels. I think that there will be a lot of people out there who are keen to support the local art thing.”
It also does solve that daunting prospect by paving the way for those shy artists to get digital. If they have websites already, ArtByLocals can link to them on each artist’s profile.
“If you’re a painter that doesn’t paint 200 works a year and creates only 10, it’s almost not worth it to have a website but something like this would be good for them because at least they’d have a place to send people to look at their artwork online,” Charest added.
“It caters to everybody, but I think that it’s like a little niche that it might help people too. We’re just hoping that local people help local artists and just shop local.”
LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.
More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.
The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.
They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.
“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”
It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.
Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”
Rebecca Yorke, director of the Brontë Society, welcomed the restoration.
“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.
