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West Island gallery gives the street a taste of its art and artists – CTV News Montreal



Small businesses have had to pivot their operations since the COVID-19 pandemic changed everything about the way they do things.

Viva Vida Art Space in Pointe-Claire Village in Montreal’s West Island is spilling its creative juices on the streets for all to see.

Denise Buisman-Pilger brought her easel onto the sidewalk recently to paint a Korean vista, and loves being able to show passers-by her process.

“When I’m working outside, you can see the work progress and the amount of time and effort that goes into a painting, whereas if you just see it online as most people are shopping now, you don’t see that,” she said.

The painting is part of a curbside exhibition open on weekends.

“As an art gallery, a small business art gallery, it’s sort of already difficult to get people to come in and then with COVID and all these restrictions and protocols, it became even more difficult,” said gallery owner Nedia El Khouri.

The pandemic hit the art world hard, so El Khouri had to pivot.

She started with a drive-by vernissage, and then a sidewalk exhibition, often with the artist present.

“It’s been such an amazing opportunity for the gallery to bring the art outside and for actual collectors to come in and see me work and see the work outside in a safe environment where everybody’s more comfortable,” said Buisman-Pilger.

Even some who may not have checked out an art gallery in the past, are comfortable to visit the outdoor version.

“I’ve had people come into the gallery that generally might have been too shy to come in so definitely an accessibility to the art that wouldn’t have been there, maybe the silver lining to this COVID,” said El Khouri.

The Viva Vida Art Gallery will host curbside exhibitions until the end of September. 

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Estevan is to see a new carved art project attracting attention to contemporary soldiers



Beloved chainsaw sculpture artist Darren Jones has been back in the Energy City bringing more art into the community.

Some of his local historical art pieces, such as the Soldiers’ Tree and Forever in the Clouds monuments, are well known not only in the province but also attracted attention from all across the country. Other creations such as tributes to Estevan’s industries and sports along with other private projects Jones completed became locals’ favourite sites.

This time he came to fulfill another valuable project, that is meant to bring light to the contemporary soldiers coming back from missions and living among us, often carrying emptiness and trauma inside.

Lester Hinzman, a man behind the ideas for the Soldiers’ Tree, Forever in the Clouds and now this piece, said that to him this monument is about love.

“Soldiers’ Tree is a story of war. Forever in the Clouds is the story of a terrible accident. And this is a story of love,” said Hinzman.

He went on to explain that the soldiers today fight for others and the Canadian values in peacekeeping missions, and they need help returning to normal life after they come back. But often they can’t ask for it, struggling with it in the silence of their own lives. So Hinzman wanted to do something to tell their story, as he saw what it takes for a man to come back from war first hand.

“This man fought for his country and his belief system,” said Hinzman explaining his idea of the project.

Hinzman came up with an idea to attract more attention to contemporary soldiers and the trauma they deal with a while ago. Then the wheels started turning and things started coming together like a puzzle. Jones came to Estevan to work on this and a few other projects about a month ago, and going by Hinzman’s idea and passion, he developed the idea and created a unique monument that tells a story of love, trauma and ignorance at the same time.

“I’m doing a returning soldier memorial to show appreciation for what they do,” Jones said. “They need assistance and we need to bring some awareness to veterans and returning soldiers and problems that they have. And we need to take care of them.”

Through his art, Jones wanted to show the real feeling behind Hinzman’s idea. He wanted to make something bigger than just a memorial.

“I’m doing the returning soldier and there is an Afghan child giving him a hug for giving him a book because we don’t make war, we should be peacekeepers. That’s the first part that you are going to see, a returning soldier getting appreciation from people he helped when he was overseas.

“But I also wanted to bring to attention to that the fellow sitting in the very front on the bench that you can sit with. He is the one that’s already returned and that’s been forgotten,” Jones explained.

Thus, the new monument consists of two parts. There is a soldier with a prostatic leg that is planned to be made out of steel hugging the Afghan child with a book in his hands, which represents the service and feats of Canadian soldiers. In front of them, there is a smaller monument of another contemporary soldier, who came back from a mission and ended up on the street, alone and forgotten, with a little help board in his hands. The bench next to the monument will allow people to sit next to the forgotten soldier and look closer at him, reminding them that it’s everybody’s part to remember and help the soldiers who’ve been protecting others paying a very high price.

Jones added that he’ll make the top part look like a real-life scene, and the bottom will be an actual monument, bringing the big idea down to earth and raising awareness about a serious problem that exists in the society.

“We need to support them and they don’t get the support. There is a lot of them that have problems dealing with the horror of it all, and the nightmares that they get. Sometimes they can’t tell the nightmare from reality. And they drink or (use drugs), which doesn’t help. It’s the way to escape it for a while, but they need help,” said Hinzman.

Jones used a picture of an Estevan man, who served in Canadian troops and was a part of one of the Canadian peacekeeping missions, as a prototype for the contemporary military working uniform.

The idea of the monument was inspired by a quatrain poem Hinzman wrote, which will be a part of the carved statue.

“The scars run deep, not all you see,

But like a root it’s still a part of the tree.

The pain is there, it’s part of life

It’s our duty to help with the strife,” Hinzman’s poem reads.

Hinzman explained that the monument represents what contemporary soldiers do and also different levels of trauma soldiers deal with.

“You can see the loss of a leg, but you can’t see the pain that’s in his heart and his soul. And like the root, it’s still part of that tree, and you don’t see it, but it’s an intercut part of that tree … And the pain is there every day. And it’s our job to help with that,” Hinzman said.

Jones added that the forgotten soldier monument at the base of the composition represents that inner trauma.

“There is going to be an underlying theme between the tree and the soldiers, and the memorial,” Jones said.

Even though Jones had some pictures that he is using as an idea, he is trying to keep both soldiers’ faces pretty generic as they represent many returning soldiers and their stories.

“I want it to really touch some people’s hearts. And maybe that’s going to inspire someone to stand up and do something for them,” Jones said.

For the monument, Jones used a dry, 108-year-old black poplar that was leaning over the road in the Estevan area. When the carving work is done, Jones will stain and colour the wood, making a transition between the real-life and the monument parts of the composition.

At the time of the interview, it wasn’t decided where the monument will be located after it’s completed. Follow the Mercury for more updates on the progress on the monument and its future.

And while Jones spent about a month in Estevan so far, the work on the soldier monument has been going pretty slow. Jones said that first, the emotion and passion behind the monument has to be captured and performed properly.

“I’m not rushing this one, but it’s coming out beautifully,” Jones said.

But the popular in this area artist also had several other projects to accomplish. Jones brought the refurbished benches back to Estevan Soldiers’ Tree site and together with some community members placed themn where they belong by the courthouse. He also worked on private projects in Hitchcock, Manor and Estevan.

“Since I got here I’ve done well over a hundred feet (30 metres) of curved sculpture. I worked every single day. I’ve carved a tattoo. I’ve carved a memorial bench for a lady in Manor for her husband that passed. It’s actually a tribute to their farm from trees that were on the farm,” Jones said.

Another person asked him for a totem pole, and he made a statue with wildlife, a lot of which was inspired by local animals he saw while driving around the area. There is also a bench at the bottom, making it functional. Jones also carved an eagle and a crocodile for other community members.

Once Jones is done with projects in the area, he will head back to Alberta, but he said he is going to be back again as he has really warm feelings for Estevan and the people here.

Source: – Estevan Mercury

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A new way to connect to Winnipeg's world of art – CTV News Winnipeg



The Winnipeg Arts Council is rolling out a new app that helps bring the city’s art right to your phone.

Over the last several months, the Winnipeg Arts Council has been working on making Winnipeg’s art world more accessible and fun. Tamara Rae Biebrich, senior public art project manager for the Winnipeg Arts Council, said there are usually guided walking and bike tours through the summer, but due to the COVID-19 pandemic, things had to change.

(‘Metis Land Use’ by Tiffany Shaw-Collinge at Markham Station. Photo by Anna Mawdsley)

“We thought this is really the right time to create a mobile app so that people can have a self-guided experience, so that they have a safer social distance way to explore the city and to kind of make sense of the strange times we are living in,” says Biebrich.

The Winnipeg Public Art Works app features art and murals all over the city. Biebrich says along with maps, there are also interactive elements, including trivia questions, fun facts about each piece, and even clips from the artists talking about their work.

Each art piece that is included in the project has been commissioned by the City of Winnipeg’s Public Art program.


(“Bokeh” by Takashi Iwasaki and Nadi Design in Kildonan Park. Photo by D Works Media)

“We have been working with artists and city administration and community members for the last 15 years, creating art work throughout our city,” Biebrich said. “So, we included all of those pieces that are owned by the City of Winnipeg and are part of the city’s collection.”

You can find the app by searching for Winnipeg Public Art Works in the App Store or Google Play.


(Monument by Michel de Broin. Photo by Michel de Broin)

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Creative minds for reimagined times; PG Art Scene lives on –



By Ethan Ready

PG Art Scene

Sep 29, 2020 4:09 PM

PRINCE GEORGE – The arts are alive and well in the Northern Capital according to the Executive Director of the Community Arts Council of Prince George and District.

“In an odd way, demand for art and culture, and hands-on participatory in arts and culture, has never been this high,” stated Sean Farrell, Executive Director fo the Community Arts Council.

Farrell says they’re seeing people buying tickets to events that they never had any intention in attending, but are wanting to support local.

“I think a big goal for Prince George’s thriving arts and culture and entertainment community is to preserve this year,” said Farrell. “There’s a real effort right now, let’s get through to the other side and make sure what we had going into the pandemic and the shutdown gets through to the other side. It’s really interesting to see how many organizations like ours are reimagining how they can do things.”

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