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Western News – Art up-close and from a distance – Western News

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Artlab at Western has earned a reputation as a physical space where students, faculty and staff can share and showcase their thought-provoking works.

But until the pandemic necessitated it, they hadn’t ever considered translating the intimacy of a show into a long-distance experience.

Calling it a display of “separate togetherness,” exhibition co-organizer Ruth Skinner said this latest show is an opportunity for artists and students alike to express their experiences during COVID-19.

The show of works by faculty, staff and graduate students called “Distance makes the heart grow weak,” a reflection on shared solitude, can be viewed online through images and video.

“None of us are seeing as much art in person as we would like to right now,” said Skinner, acting manager of Artlab. “A lot of spaces had to shut down altogether. But since we could be in the space and no one was walking through it, we were able to do a little bit of everything.”

That included creating a video walkthrough, photographs, and printed and audio artists’ statements as well as a dynamic catalogue of the show, assembled by Shelley Kopp.

The catalogue is  a collection of art, photos, poems, and reflections, resembling an old-fashioned yearbook –  moments and thoughts unique to this particular period.

“We didn’t documentit as a traditional catalogue. The virtual and physical would enrich each other, rather than one just a shadow or a mirror of the other one,” Skinner said.

One installation, for example, shows video of two masked cyclists – each on opposite sides of a screen – as their silhouettes ripple outwards without ever touching.

Artist Dickson Bou, co-organizer of the exhibit, said his “Rolling for Feedback” piece, with Charlie Egleston and Peter Lebel, explores how the pandemic has affected our everyday lives: always riding in one spot and going nowhere, with no one.

In collaborative short film called “Extraordinary Measures,” Sasha Opeiko and Martin Stevens place a yellow, two-metre measuring stick between different objects in an ordinary home: a representation of distance and isolation and the invisible viral threat that might be present in the spaces in between.

Pandemic art-making and teaching during this “weird time” has meant no one has been able to walk down halls or knock on studio or office doors to share ideas and inspiration, Skinner said. But it has also been a time of optimism, one that shows there are other important ways of connecting with each other, she said.

Borrowing its title from a lyric in the song, “Lonely, Lonely” by Feist, the show features the work of 46 faculty, staff and graduate students of the visual arts department, as well as local artists and poets.

Wolf, 2020, and Pregnant Sheep, 2020, made of stoneware, by Geordie Shepherd. The art is a commentary on the societal cost of herd immunity during COVID. Photo by Dickson Bou, Special to Western News

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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