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What Islanders can expect at this year's Art in the Open – CBC.ca

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An annual summer festival in Charlottetown is moving forward this year, despite the long list of cancelled events. 

Art in the Open is returning to downtown Charlottetown Aug. 29 with some changes. 

“It’s going to be an exciting year,” said Amanda Shore, one of the organizers for this year’s festival.

“Big, bold, ambitious art installations that can be viewed from a distance, that people can experience at multiple different levels.”

The free event — celebrating its 10th anniversary this year — features exhibits and installations from local artists at various locations in Victoria Park, The Confederation Centre for the Arts, Victoria Row, Rochford Square and Connaught Square. 

This year we’ve sort of had to redefine the way that we work as a festival.— Amanda Shore, Art in the Open

In order to meet the public health and safety requirements, a number of changes have been put in place.

“We’ve been in close contact with the province and the city at sort of all levels of the departments to be making sure that we’re prioritizing the health and safety of the public,” said Shore.

Shifted geography

This year, there will not be any exhibits or art installations in the woods of Victoria Park. Shore said the festival is prioritizing areas that are well-lit with wider sidewalks for pedestrians. 

Islanders can also expect to see installations featured along the waterfront this year. 

A futuristic sculpture featured at Art in the Open in 2016. (Art in the Open/Facebook)

Another addition will be the use of storefronts as a number of businesses have offered their spaces to the festival.

Shore said store owners whose shops have closed their doors are allowing the festival to use their stores as pop ups for the arts festival. 

While the festival is having to adapt to changes, artists have been making swift adjustments as well. A number of artists living outside of the Atlantic bubble have been working on their installations remotely. 

“This year we’ve sort of had to redefine the way that we work as a festival, and a number of artists are creating installations remotely and our production team is creating them on our behalf,” Shore said.

March of the Crows

For Islanders eagerly waiting for the annual March of the Crows, the decision on whether it will go ahead is yet to be announced. The March of the Crows has become one of the big events for the festival, with a free costume making workshop for the parade. 

Amanda Shore, one of the organizer’s for this year’s festival, says there will be some ‘crow programming,’ whether the March of the Crows goes ahead or not. (Andy Reddin)

Shore said Islanders can expect some form of “crow programming” but the official announcement is still to come.

Shore said she is hoping some of the changes the pandemic has caused may actually make people more interested in coming out for the event.

“I think we’ve seen over the course of quarantine people engaging in new artistic practices,” Shore said.

“Everyone sort of leaning into their creative hobbies, so yeah, I really hope people feel that same spirit when they go out to Art in the Open.”

Art in the Open will run Aug. 29 from 4 p.m. until midnight. 

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com



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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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