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When everything is digital, why we long for media we can hold in our hands – CBC.ca

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Struan Sutherland is a self-described “movie guy.”

He started collecting movies on VHS as a teenager. Now, as an adult, he collects DVDs — and estimates that he owns about 500 of them. He’d own quite a few more, he says, except that he sells or gives away some movies he no longer likes.

“I’ve always liked the idea of owning the movies I like; the ones that I want to watch over and over again,” said Sutherland, 40, from his home in Halifax.

“Things come and go from streaming, so it’s nicer to just own the movies that you sort of identify most with.”

It’s a feeling increasingly shared by consumers and collectors across Canada. After years of digitizing everything, people are rediscovering the value of physical assets. DVDs, vinyl records and film cameras are all experiencing a renaissance. Even cassette tapes are making a comeback.

Last year, for the second year in a row, vinyl albums outsold CD albums in the in the U.S., Rolling Stone reported in January (and the manufacturers are struggling to keep pace with the growth). In terms of photography, Kodak said in 2022 that it “can’t keep up” with the demand for film.

Struan Sutherland poses with his DVD collection in Halifax on Tuesday. He estimates he has about 500 DVDs in his personal collection. (Struan Sutherland)

And while DVD sales have been in decline for a decade, Richard Lachman, an associate professor in the RTA School of Media at Toronto Metropolitan University, notes that they’re now declining “more slowly.”

There are a number of factors that could be contributing to the resurgence of physical media, from disenchantment with streaming services to longing for a physical (as opposed to virtual) object, said Lachman.

“More people are spending a lot more time consuming media at home. And they’re building rooms, or are collecting in some way. And DVDs are physical objects. They look nice in a room,” Lachman said.

“The physicality of it is part of the joy you’re getting from the fandom.”

‘I’m the algorithm’

In an old limestone building in Kingston, Ont., tucked between a brew pub and a hotel parking garage, is a DVD rental store that has managed to survive while so many others across the country haven’t.

Chain stores Blockbuster and Rogers Video shuttered in the mid-2010s, for instance, as customers moved to streaming and video-on-demand services. And in its 2022 report on Canada’s DVD, game and video rental market, industry research company IBISWorld noted that profits have decreased 11.8 per cent since 2017.

“The industry is in a state of severe and prolonged decline,” the report said.

But Classic Video boasts more than 50,000 DVDs and Blu-rays, and a loyal customer base that has been strolling into the shop just off the downtown waterfront for more than 35 years.

WATCH | A treasure trove of DVDs: 

The enduring appeal of the rented DVD

8 hours ago

Duration 2:13

Tom Ivison, owner of Classic Video in Kingston, Ont., explains that even though business has been tough, customers continue to come in to find titles they can’t get on streaming services.

While he admits it’s been a challenge, owner Tom Ivison says he believes Classic Video has stayed in business because of the inventory that his customers can’t find on streaming services. For instance, he says, the most popular sections (after new releases, of course), are the British section and the horror section. 

“There’s a lot of product here not available online. And there aren’t many other avenues to access that programming, and that definitely brings in people,” Ivison said.

Classic Video is nestled between a brew pub and a hotel parking garage. The store boasts more than 50,000 DVDs and Blu-rays. (Natalie Stechyson/CBC)

Standing at the store’s front desk, which he calls the nucleus of the shop, Ivison says there’s something else his shop offers that streaming doesn’t: a human being.

“In a weird way, I’m the algorithm here at the store,” he said.

“Using a streaming service, it’s more data collection in terms of what someone may watch. I have to know my customers and have a sense of what they may want to watch or not want to watch. That’s important.”

Ivison says the basement of Classic Video is where they keep some of their most popular collections. (Natalie Stechyson/CBC)

Lachman noted that we’re currently in a “much more chaotic” streaming marketplace than even just a few years ago. Between Netflix, Apple TV+, Crave, Hulu and Disney+ (just to name a few), there’s more choice, more costs and more complexity.

“You might have two seasons on one streaming platform, two seasons on another streaming platform, and then they disappear in a year when the rights agreements change,” Lachman said.

“So if you’re a fan of that series, you buy it.”

Vinyl can barely keep up with demand

As for vinyl, demand for records has been growing in double-digits for more than a decade, the Associated Press reported last year. As a result, dozens of record-pressing factories have been built to try to meet demand in North America — and it’s still not enough.

Now, as a younger generation buys turntables, some recording artists like Adele, Ariana Grande, Taylor Swift and Harry Styles have been moving to vinyl. Some have even accused Adele of causing the vinyl manufacturing delays when she released her album 30 to vinyl in 2021, although industry experts noted at the time that the problems plaguing the pressing industry were not new.

In Toronto, Jeff Barber, the owner of music shop Sonic Boom, notes that while the resurgence of vinyl isn’t necessarily new, the pandemic took it to another level. 

“We started selling more and more turntables, speakers, and in line with that, a heck of a lot more records,” Barber said.

Since then, the store’s clientele has become much more diverse, he said, with a lot of younger female customers buying records. Now, it’s common to have 15-year olds coming in to buy everything from old re-issues to new releases, Barber said.

Customers shop in Sonic Boom record store in Toronto on Wednesday. Owner Jeff Barber credits nostalgia (for the older buyers) and perhaps a technological backlash (for the younger buyers) for vinyl’s popularity. (Bryce Kushnier/Sonic Boom)

To illustrate that eclectic mix, the store’s top sellers last year included American rappers Tyler, the Creator and Kendrick Lamar, Fleetwood Mac’s classic 1977 album Rumours, and of course, Taylor Swift.

He credits nostalgia (for the older buyers) and perhaps a technological backlash (for the younger buyers) for vinyl’s popularity. And it’s not just vinyl, he said, but CDs are popular again, too, and it doesn’t stop there.

“We can barely keep cassettes in stock,” Barber said. “They sell like crazy.”

LISTEN | Inside Montreal’s ‘The Death of Vinyl’ record store:

Daybreak Montreal7:44Making Montreal: How ‘The Death of Vinyl’ is bringing record collecting back

It’s time for another edition of our new arts and culture series, Making Montreal. Daybreak’s Rebecca Ugolini visited The Death of Vinyl record shop on Saint-Laurent Boulevard, near Little Italy.

He notes that some of his younger customers just want physical mementos of the artists they enjoy — something they can buy, hold in their hands, and collect. Records, CDs and cassette tapes fit that bill.

And while it’s fun to listen to music, it’s not necessarily fun to stream it, Barber added. But going home and putting a record on the turntable is not only fun, he said, it’s also ritualistic.

“There’s something about the process that engages you with the music more.”

#FilmCamera

Perhaps ironically, a large driver of the interest in another form of physical media comes from social media. #FilmCamera has 731.9 million views on TikTok, and #35mm has 785 million views.

Many of the videos posted compare photos taken on an iPhone with photos taken on film, with the latter showing more stylistic, nostalgic-looking shots. One video with more than two million views simply compares two shots taken off the side of a boat.

Another six-second video with more than 441,600 views shows a young, female photographer taking a picture of film using her film camera.

Lackman says it’s a combination of nostalgia and style that’s driving film’s popularity with a younger generation. On Instagram, where there are 12.4 million #FilmCamera posts; people post images of everything from ice cream stands and moody beaches to their pets and parties.

“Film is more fun,” one young user wrote on Instagram in a post where she is promoting a pair of sunglasses.

Using film also just gives a sense of being really into something; of going the extra mile, Lachman said.

“Digital photography is so effortless, so easy, so surrounding you, that being able to pause and take time for something becomes something that gives pleasure. It gives joy.”

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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