Why Matthew Yglesias Left Vox - The Atlantic | Canada News Media
Connect with us

Media

Why Matthew Yglesias Left Vox – The Atlantic

Published

 on


GETTY / THE ATLANTIC

The journalist Matthew Yglesias, a co-founder of Vox, announced today that he is leaving that publication for the paid-newsletter platform Substack, so that he can enjoy more editorial independence.

The move may prove a good fit for Yglesias, who began his career as a highly successful independent blogger before blogging at The Atlantic and then elsewhere. But his absence as a staffer (a Vox spokesperson noted that he will continue to host a podcast, The Weeds) will make the publication he co-founded less ideologically diverse at a moment when negative polarization makes that attribute important to the country.

Like Andrew Sullivan, who joined Substack after parting ways with New York magazine, and Glenn Greenwald, who joined Substack after resigning from The Intercept, which he co-founded, Yglesias felt that he could no longer speak his mind without riling his colleagues. His managers wanted him to maintain a “restrained, institutional, statesmanlike voice,” he told me in a phone interview, in part because he was a co-founder of Vox. But as a relative moderate at the publication, he felt at times that it was important to challenge what he called the “dominant sensibility” in the “young-college-graduate bubble” that now sets the tone at many digital-media organizations.

“There was an inherent tension between my status as a co-founder of the site and my desire to be a fiercely independent and at times contentious voice,” he wrote in his first post on Substack, adding on Twitter, “I’m looking forward to really telling everyone what’s on my mind to an even greater extent than I do now.”

In our interview, Yglesias explained why pushing back against the “dominant sensibility” in digital journalism is important to him. He said he believes that certain voguish positions are substantively wrong—for instance, abolishing or defunding police—and that such arguments, as well as rhetorical fights over terms like Latinx, alienate many people from progressive politics and the Democratic Party.

“There’s been endless talk since the election about House Democrats being mad at the ‘Squad,’ and others saying, ‘What do you want, for activists to just not exist? For there to be no left-wing members of Congress?’” Yglesias told me. “But there’s a dynamic where there’s media people who really elevated the profile of [Alexandria Ocasio-Cortez] and a couple of other members way above their actual numerical standing.”

Many outlets, he argued, are missing something important. “The people making the media are young college graduates in big cities, and that kind of politics makes a lot of sense to them,” he said. “And we keep seeing that older people, and working-class people of all races and ethnicities, just don’t share that entire worldview. It’s important to me to be in a position to step outside that dynamic … That was challenging as someone who was a founder of a media outlet but not a manager of it.”

One trend that exacerbated that challenge: colleagues in media treating the expression of allegedly problematic ideas as if they were a human-resources issue. Earlier this year, for instance, after Yglesias signed a group letter published in Harper’s magazine objecting to cancel culture, one of his colleagues, Emily VanDerWerff, told Vox editors that his signature made her feel “less safe at Vox.”

Yglesias had been personally kind and supportive of her work, she wrote, but as a trans woman, she felt the letter should not have been signed by anyone at Vox, because she believed that it contained “many dog whistles toward anti-trans positions,” and that several of its signatories are anti-trans. The letter’s authors reject those characterizations.

I asked Yglesias if that matter in any way motivated his departure. “Something we’ve seen in a lot of organizations is increasing sensitivity about language and what people say,” he told me. “It’s a damaging trend in the media in particular because it is an industry that’s about ideas, and if you treat disagreement as a source of harm or personal safety, then it’s very challenging to do good work.”

The issue, Yglesias believes, is not limited to Vox. “We saw that in the way the New York Times people characterized their opposition to Tom Cotton’s op-ed,” he said, and “we saw it in what Emily VanDerWerff wrote about me––and Vox to its credit has not [been] managed in that way exactly, but it is definitely the mentality of a lot of people working in journalism today, and it makes me feel like it’s a good time to have an independent platform.’

The New York Times’ Opinion editor, James Bennet (a former editor in chief of The Atlantic), was forced out over the publication of the Cotton op-ed. The Times Opinion staffer Bari Weiss left the newspaper soon afterward, alleging in her resignation letter that “if a person’s ideology is in keeping with the new orthodoxy, they and their work remain unscrutinized. Everyone else lives in fear of the digital thunderdome.” The two had been charged, in part, with offering Times readers a greater diversity of opinions. Whether the Opinion section will still carry out that mission remains uncertain.

Several years ago, I wrote about an experiment that the Harvard social scientist Cass Sunstein conducted in two different communities in Colorado: left-leaning Boulder and right-leaning Colorado Springs. Residents in each community were gathered into small groups to discuss their views on three controversial topics: climate change, same-sex marriage, and affirmative action. Afterward, participants were asked to report on the opinions of their discussion group as well as their own views on the subjects. In both communities, gathering into groups composed of mostly like-minded people to discuss controversial subjects made individuals more settled and extreme in their views.

“Liberals, in Boulder, became distinctly more liberal on all three issues. Conservatives, in Colorado Springs, become distinctly more conservative on all three issues,” Sunstein wrote of his experiment. “Deliberation much decreased diversity among liberals; it also much decreased diversity among conservatives. After deliberation, members of nearly all groups showed, in their post-deliberation statements, far more uniformity than they did before deliberation.”

Compelling evidence points to a big cost associated with ideological bubbles, I argued: They make us more confident that we know everything, more set and extreme in our views, more prone to groupthink, more vulnerable to fallacies, and less circumspect.

For that reason, ideological outliers within an organization are valuable, especially in journalism. Early in my career, I covered the trend toward epistemic closure in conservative media, including talk radio, warning that it would have dire consequences. Even so, I didn’t imagine the role that epistemic closure would play in fueling the ascent of a president like Donald Trump or the alarmingly widespread acceptance of conspiracy theories like QAnon.

The New York Times, New York, The Intercept, Vox, Slate, The New Republic, and other outlets are today less ideologically diverse in their staff and less tolerant of contentious challenges to the dominant viewpoint of college-educated progressives than they have been in the recent past. I fear that in the short term, Americans will encounter less rigorous and more polarizing journalism. In the long term, a dearth of ideological diversity risks consequences we cannot fully anticipate.

Substack seems poised to grow because it offers some writers independence and financial benefits. It will arguably function as a corrective against growing intolerance of heterodoxy, even as it accelerates a trend toward ideological outliers parting ways with traditional publications, and makes those publications more monolithic. Mainstream media organizations should work to maintain ideological diversity during this shift, even if that causes tensions among the staff members least tolerant of ideas they don’t share.

We want to hear what you think about this article. Submit a letter to the editor or write to letters@theatlantic.com.


Conor Friedersdorf is a California-based staff writer at The Atlantic, where he focuses on politics and national affairs. He is the founding editor of The Best of Journalism, a newsletter devoted to exceptional nonfiction.

Let’s block ads! (Why?)



Source link

Continue Reading

Media

Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

Published

 on

Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

Continue Reading

Media

What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

Published

 on

 

Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

Source link

Continue Reading

Media

Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

Published

 on

Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

Source link

Continue Reading

Trending

Exit mobile version