Jesse Schwarz could’ve bought a Lamborghini. He could’ve placed a winning bid on Jimi Hendrix’s guitar. He could’ve paid off a mortgage.
But instead, on a recent Monday morning, the 32-year-old entrepreneur logged onto a platform called NBA Top Shot and, with a few friends, spent $208k on a video clip of LeBron James dunking.
Schwarz doesn’t get the broadcast rights to the clip, or even a physical copy of it: He owns a few lines of code that prove he’s the owner of a unique digital asset.
“My family thought I was crazy,” he tells The Hustle. “But I’ve never been the kind of person who invests in traditional things.”
His purchase is one of several bafflingly expensive digital collectibles sold in recent weeks, including:
These assets, called non-fungible tokens (NFTs), have courted an explosion in interest that we haven’t seen since — well, GameStop.
Zachary Crockett / The Hustle
NFTs have caught the attention of tech investors (Mark Cuban), the high-brow art world (Christie’s auction house), and major corporations (Nike) alike. And everyone from Lindsey Lohan to the rock band Kings of Leon is flooding the market with high-priced virtual creations of their own.
But what exactly is an NFT? What makes them so valuable? And what might the future hold for these digital assets?
Non-fungible tokens (NFTs), defined
Let’s start by breaking down the 2 key words here:
A non-fungible asset is something unique that isn’t readily interchangeable. Think of a rare sports card, an antique car, or a piece of land. This differs from a fungible asset like cash (a $5 bill is always worth $5, no matter who owns it, or what condition it’s in).
A token is a type of virtual currency that lives on a blockchain and represents a specific asset, like a piece of digital artwork.
So, in simple terms, an NFT is a documentation of ownership of a one-of-a-kind digital asset.
Zachary Crockett / The Hustle
An NFT can represent any kind of digital asset: a piece of artwork, an audio file, a video clip, a plot of virtual land.
The NFT isn’t actually the piece of artwork itself; it’s a piece of code on a digital ledger (blockchain) that points to where the artwork lives — usually on a server somewhere else.
Still confused?
Picture a Hot Wheels car.
In the physical world, you go out and buy a Hot Wheels collectible at a store, or an online marketplace like eBay. You pay cash — more for a rare one, less for a common one — and in return, you receive a tangible object made of metal and plastic.
Here’s what that (simplified) process would look like in NFT form:
Zachary Crockett / The Hustle
Why go through all this trouble to create some digital asset when you could just buy a real Hot Wheels car? What’s the value-add here?
Physical collectibles face a few challenges:
It can be hard and/or time-consuming to verify authenticity: An original can be faked, forged, or replicated.
It can be hard to trace an object’s ownership history: There’s often no public record of a collectible’s lifetime journey.
Historically, the legitimacy of digital assets has been even trickier to validate since the internet is amok with copies of copies of copies.
NFT evangelists say that blockchain technology solves these issues.
By publishing a work on the blockchain, the artist is creating an immutable, verifiable public record of its authenticity.
Take CryptoPunks, one of the first NFTs, created back in 2017.
Only 10k CryptoPunks were minted — each one a simple character with a set of unique traits. For any given punk, you can view a full transaction history of bids, offers, sales, and ownership records.
We can see that the most coveted punk, #6965, originally sold for $1.1k and switched hands a few times over the years before fetching the princely sum of 800 ETH a few weeks ago (~$1.5m at the time).
Cheers to whoever bought this thing in 2018 for $3k and sold it 2.5 years later for a 511x return. Note: the price reflects how much Ethereum was worth at the time of purchase. (Zachary Crockett / The Hustle)
That someone shelled out $1.5m for a piece of code designating them the owner of a pixelated ape wearing a fedora seems to defy any semblance of rational market behavior.
After all, the image above can easily be captured with a screenshot, downloaded, or recreated by any Redditor with access to Microsoft Paint.
So what makes this thing — or any NFT, for that matter — valuable?
Why NFTs are booming
It may seem like NFTs came out of nowhere, but they’re an innovation that has been in the works for several years:
2017: NFTs first garnered widespread public attention with CryptoKitties, a game in which users breed and trade digital cats.
2018: A mini hype cycle led to VC-led investments, and platforms were created to buy, sell, and mint NFTs (like SuperRare, OpenSea, Rarible, and Nifty Gateway).
2019: Big brands like Formula 1 and Nike entered the space.
2020: The market for NFTs tripled in size, to $250m+.
But in the first few months of 2021, we’ve seen an NFT explosion.
In February alone, the 10 most popular NFT collectibles saw a 400% average MoM rise, totaling nearly $400m in sales volume.
Zachary Crockett / The Hustle
This can largely be attributed to one platform: Dapper Labs’ NBA Top Shot, which launched in October of 2020 with the basketball league’s backing.
On Top Shot, users can purchase digital packs that contain NFTs called “moments” — short video clips of NBA highlights, like a memorable dunk or steal. Like physical trading cards, some moments are common (1k+ copies) and some are extremely rare (1 of 1).
Caty Tedman, the head of partnerships and marketing for Dapper Labs, tells The Hustle that the platform now has 511k registered users and $301m+ in sales only 5 months into operation.
Experts The Hustle spoke with say the rapid rise of NFTs like Top Shot is a perfect storm of a few larger trends:
COVID-19 has made us more plugged into virtual spaces: More people working from home = more time interacting in virtual spaces = more openness to the value of virtual goods and services.
A boom in cryptocurrency (and a larger acceptance of the ethos of decentralization) has generated interest in other digital assets.
Major institutions (like Christie’s auction house) have lent NFTs credibility and prestige by jumping aboard.
Non-fungible goods often thrive during times of economic turmoil: Rare coins, for instance, saw price spikes during the Great Depression, the stock market collapse of 1987, and the 2008 recession.
“People are realizing, ‘Wow, I can do all these things — meetings, happy hours, whatever — virtually,’” says Hrish Lotlikar, CEO of an AR-based metaverse called SuperWorld. “That gives way to, ‘Wow, I can buy assets virtually too. I don’t need physical money.’”
On SuperWorld, you can buy NFTs in the form of virtual real estate. East 66th St. in NYC could be yours for just 500 ETH, or ~$822k! (via SuperWorld)
SuperWorld is part of another burgeoning space in the NFT world: virtual real estate.
On the platform, Earth is split up into 64B parcels of land — each an NFT with a set of unique coordinates — which can be bought by users and monetized with virtual ads.
Similar worlds, like Decentraland, have seen massive growth in recent years. At launch in 2017, parcels would go for $100 a pop; today, they can fetch up to $80k. Last month, an anonymous buyer shelled out $1.5m for a 9-block virtual estate on the gaming platform Axie Infinity.
“Buying land today in virtual worlds feels a lot like buying land in Manhattan back in 1750,” writes Janine Yorio, head of real estate at the online investment platform Republic. “It is also insulated from the COVID-induced volatility of the real-world real estate industry.”
But the question of “value” remains.
Objectively, a video clip of LeBron James dunking isn’t worth $208k. A cartoon cat isn’t worth $100k+. A selfie of Lindsey Lohan isn’t worth $59k.
Of course, the same can be said of any physical collectible.
An original 1960s Hot Wheels car is made up of a few pennies’ worth of metal and plastic, but it might sell for upwards of $50k on the market. A painting — some wood and pigmented oil — can fetch millions.
Zachary Crockett / The Hustle
Like most things in the world, the value of an NFT comes from extrinsic, not intrinsic, factors, including:
Authenticity: Physical collectibles have all kinds of authentication mechanisms, and none are particularly efficient (even acclaimed art appraisers have been duped by forgeries). By contrast, the originality of an NFT is cemented on the blockchain.
Scarcity: Many NFTs are one-of-a-kind or limited. For instance, only 10k CryptoPunks were released. Of those, only 24 are “apes.” And among the apes, just 1 dons a fedora.
Transferability: It can be resold to nearly anyone around the world, meaning it has a broader pool of potential buyers.
Immutability: The code and metadata of the NFT can’t be changed, lending it permanence.
Utility: Some NFTs can serve functional purposes, generate revenue, or be exchanged for physical assets.
Many NFT collectors see a future for the tokens in increased “real world” integration.
With Top Shot, for instance, we may see NBA players offering court-side seats and meet-and-greets in exchange for certain moments.
Inside of the virtual world Decentraland, Decentral Games is building a virtual casino where people can play poker tournaments. Buying (and wearing) certain NFT clothing items — say a digital $1k jacket — will get you a seat at certain high-roller tables.
But ultimately, an NFT is only worth what someone else will pay for it.
And that makes the future a bit uncertain
In the wake of several high-profile NFT sales from well-established artists, a glut of lesser-known artworks have flooded the market.
Some critics have raised doubts that NFTs are just a fad driven by hype, similar to 2017’s initial coin offering (ICO) bubble. Others have stated that the massive influx of buyers and sellers will eventually taper off, and only truly rare, desirable NFTs will retain value.
Schwarz with his LeBron James NBA Top Shot moment (Jesse Schwarz for The Hustle)
Schwarz — the Trends member who dropped $208k on the LeBron James video — remains optimistic.
“A lot of people tell me, ‘I can watch the same clip on YouTube for free,’” he says. “Anyone can watch it. But there’s only one original verified by the blockchain, and that scarcity is what makes it valuable in the long-term.”
His NFT is one of only 49 moments from Top Shot’s co-called “Cosmic” set, and it’s the only LeBron James clip in the series.
“It set a record for the most expensive sports NFT, but in my opinion it was the best value buy on the whole market,” he adds.
TOKYO (AP) — Japanese technology group SoftBank swung back to profitability in the July-September quarter, boosted by positive results in its Vision Fund investments.
Tokyo-based SoftBank Group Corp. reported Tuesday a fiscal second quarter profit of nearly 1.18 trillion yen ($7.7 billion), compared with a 931 billion yen loss in the year-earlier period.
Quarterly sales edged up about 6% to nearly 1.77 trillion yen ($11.5 billion).
SoftBank credited income from royalties and licensing related to its holdings in Arm, a computer chip-designing company, whose business spans smartphones, data centers, networking equipment, automotive, consumer electronic devices, and AI applications.
The results were also helped by the absence of losses related to SoftBank’s investment in office-space sharing venture WeWork, which hit the previous fiscal year.
WeWork, which filed for Chapter 11 bankruptcy protection in 2023, emerged from Chapter 11 in June.
SoftBank has benefitted in recent months from rising share prices in some investment, such as U.S.-based e-commerce company Coupang, Chinese mobility provider DiDi Global and Bytedance, the Chinese developer of TikTok.
SoftBank’s financial results tend to swing wildly, partly because of its sprawling investment portfolio that includes search engine Yahoo, Chinese retailer Alibaba, and artificial intelligence company Nvidia.
SoftBank makes investments in a variety of companies that it groups together in a series of Vision Funds.
The company’s founder, Masayoshi Son, is a pioneer in technology investment in Japan. SoftBank Group does not give earnings forecasts.
Shopify Inc. executives brushed off concerns that incoming U.S. President Donald Trump will be a major detriment to many of the company’s merchants.
“There’s nothing in what we’ve heard from Trump, nor would there have been anything from (Democratic candidate) Kamala (Harris), which we think impacts the overall state of new business formation and entrepreneurship,” Shopify’s chief financial officer Jeff Hoffmeister told analysts on a call Tuesday.
“We still feel really good about all the merchants out there, all the entrepreneurs that want to start new businesses and that’s obviously not going to change with the administration.”
Hoffmeister’s comments come a week after Trump, a Republican businessman, trounced Harris in an election that will soon return him to the Oval Office.
On the campaign trail, he threatened to impose tariffs of 60 per cent on imports from China and roughly 10 per cent to 20 per cent on goods from all other countries.
If the president-elect makes good on the promise, many worry the cost of operating will soar for companies, including customers of Shopify, which sells e-commerce software to small businesses but also brands as big as Kylie Cosmetics and Victoria’s Secret.
These merchants may feel they have no choice but to pass on the increases to customers, perhaps sparking more inflation.
If Trump’s tariffs do come to fruition, Shopify’s president Harley Finkelstein pointed out China is “not a huge area” for Shopify.
However, “we can’t anticipate what every presidential administration is going to do,” he cautioned.
He likened the uncertainty facing the business community to the COVID-19 pandemic where Shopify had to help companies migrate online.
“Our job is no matter what comes the way of our merchants, we provide them with tools and service and support for them to navigate it really well,” he said.
Finkelstein was questioned about the forthcoming U.S. leadership change on a call meant to delve into Shopify’s latest earnings, which sent shares soaring 27 per cent to $158.63 shortly after Tuesday’s market open.
The Ottawa-based company, which keeps its books in U.S. dollars, reported US$828 million in net income for its third quarter, up from US$718 million in the same quarter last year, as its revenue rose 26 per cent.
Revenue for the period ended Sept. 30 totalled US$2.16 billion, up from US$1.71 billion a year earlier.
Subscription solutions revenue reached US$610 million, up from US$486 million in the same quarter last year.
Merchant solutions revenue amounted to US$1.55 billion, up from US$1.23 billion.
Shopify’s net income excluding the impact of equity investments totalled US$344 million for the quarter, up from US$173 million in the same quarter last year.
Daniel Chan, a TD Cowen analyst, said the results show Shopify has a leadership position in the e-commerce world and “a continued ability to gain market share.”
In its outlook for its fourth quarter of 2024, the company said it expects revenue to grow at a mid-to-high-twenties percentage rate on a year-over-year basis.
“Q4 guidance suggests Shopify will finish the year strong, with better-than-expected revenue growth and operating margin,” Chan pointed out in a note to investors.
This report by The Canadian Press was first published Nov. 12, 2024.
TORONTO – RioCan Real Estate Investment Trust says it has cut almost 10 per cent of its staff as it deals with a slowdown in the condo market and overall pushes for greater efficiency.
The company says the cuts, which amount to around 60 employees based on its last annual filing, will mean about $9 million in restructuring charges and should translate to about $8 million in annualized cash savings.
The job cuts come as RioCan and others scale back condo development plans as the market softens, but chief executive Jonathan Gitlin says the reductions were from a companywide efficiency effort.
RioCan says it doesn’t plan to start any new construction of mixed-use properties this year and well into 2025 as it adjusts to the shifting market demand.
The company reported a net income of $96.9 million in the third quarter, up from a loss of $73.5 million last year, as it saw a $159 million boost from a favourable change in the fair value of investment properties.
RioCan reported what it says is a record-breaking 97.8 per cent occupancy rate in the quarter including retail committed occupancy of 98.6 per cent.
This report by The Canadian Press was first published Nov. 12, 2024.
