Why the Western media lied about Israel’s Jenin siege - Al Jazeera English | Canada News Media
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Why the Western media lied about Israel’s Jenin siege – Al Jazeera English

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Many Western journalists are prepared and willing to lie to defend Israel, no matter what it does.

They will never admit it, but they do – again and again.

They lied often while the militant leaders of an apartheid state ordered a brigade of troops to attack the 14,000 Palestinian children, women and men who live and are routinely killed in the Jenin refugee camp.

The preceding paragraph includes three words that most Western editors are loath to use in a headline to describe Israel’s ruinous modus operandi: “militant”, “apartheid” and “attack”.

So, they prefer, instead, to lie. I will get to “militant” and “apartheid” later. Let me begin with “attack”.

Earlier this week, as many as 2,000 Israeli soldiers used armoured vehicles, drones, rockets and helicopter gunships to terrorise and traumatise Palestinians in the occupied West Bank for two horrendous days. 

Not so, according to headline writers at The New York Times and CNN. Israel didn’t “attack” Jenin; it “launched” an “operation”. 

“Operation” is such a benign, almost harmless word, isn’t it? 

It suggests several things. First, an “operation” implies that the people being “operated” on have consented to the “operation”. Second, the salutary intent of any “operation” is to repair what is broken. Finally, once an “operation” is complete, another “operation” is usually unnecessary. 

None of that happened in Jenin. At least 12 Palestinians, including children, were killed. Scores more were hurt and damaged in mind and spirit. Homes were ransacked, businesses destroyed. Refugees had to find refuge somewhere else in the refugee camp. And Israel promised to resume its attacks whenever it wants to

Still, headline writers at the Times and CNN chose “operation” over the truth.

Why?

As George Orwell wrote in 1946, “the great enemy of clear language is insincerity”.

Most Western journalists will, by personal and institutional default, opt for insincerity anytime they are obliged to write about Israel since it is the safe and expected thing to do. This isn’t a subconscious bias. It’s a deliberate, overt choice.

Hence, the “good guys” never “attack” Palestinians. They “operate” on them. How sweet.

Orwell explained that euphemisms are employed “when certain topics are raised” to make sure “the concrete melts into the abstract”. 

The concrete facts and graphic images that convey the horror that Palestinians in Jenin have endured and will continue to endure are obscured into meaningless abstraction whenever Western journalists camouflage the lethal and disfiguring human consequences of Israel’s aggression behind their reliable stock of euphemisms.

A predictable corollary to this habitual phenomenon was the emphasis that many Western editors placed on the historic nature and scope of Israel’s “operation” in Jenin, rather than on the names, ages and histories of the Palestinians killed and maimed by the attack or the stories of their worried and grieving families.

On cue, Western news organisations produced a steady diet of approving headlines like this: “Israel’s biggest military operation in West Bank in years enters second day”.

Congratulations, Israel.

Indeed, for a headline writer at the popular website The Daily Beast, Israeli soldiers didn’t “kill” Palestinians during what amounted to a quickie “raid”. Palestinians died and were wounded – “allegedly”.

Here’s the website’s carefully calibrated headline: “Israeli Raid on Refugee Camp Leaves Nine Dead, Palestinians Say”.

Like “operation”, “leaves” is a palatable, neutral word devoid of any sinister goal. The implication is that Israel’s heavily armed soldiers meant no harm. Really, they didn’t. 

A “raid” minimises Israel’s attack on mostly unarmed Palestinians who were forced to “flee” from a besieged camp that can’t be escaped.

The use of “say” also bears a hint of scepticism. Can the Palestinians be trusted to provide an accurate accounting? Is the figure inflated? This doubt was echoed in the body of the story.

“The troops also allegedly left others wounded,” The Daily Beast’s cautious correspondent wrote.

The widespread hesitancy to call an attack an “attack” evaporated instantly after a Palestinian reportedly rammed a pick-up truck into a Tel Aviv bus stop shelter, injuring nine Israelis.

In the Times’s editorial calculus, an invasion into an imprisoned refugee camp by 2,000 Israeli soldiers with a legion of armoured vehicles and helicopters in tow, killing a dozen Palestinians, does not constitute an “attack”, but a lone Palestinian driving a truck into pedestrians in Tel Aviv does.

Got it.

The near-universal consensus among Western editors was that the “aim” of Israel’s “operation” was not to terrorise and traumatise Palestinians into submission but to erase any resistance by “purging Palestinian armed groups in the West Bank city”.

Absent, of course, was any consideration, let alone acknowledgment, that the attack on Jenin was further evidence of the policy of apartheid pursued by a succession of Israeli governments designed, as documented by several human rights organisations, to impose ethnic supremacy in occupied Palestine and to crush Palestinians into ghettos with grinding, inhuman efficiency.

“It is part of a progressive tactic at play [by Israel] to isolate and confine Jenin from the rest of Palestine, ghettoise it further the way they did with Gaza over the past decades,” Ines Abdel Razek, Executive Director of the Palestine Institute for Public Diplomacy, told Al Jazeera.

In many Western newsrooms, “apartheid” is a verboten word that can never be invoked to help explain Israel’s long, systemic persecution of Palestinians in the occupied West Bank, Gaza and Jerusalem.

When Israel was done teaching Palestinians another blunt lesson, editors at Canada’s national newspaper, The Globe and Mail, provided it with agreeable cover. “Israel withdraws troops from West Bank militant stronghold and warns two-day raid is not a one-off,” the newspaper wrote in a recent headline.

In other words, if Palestinians don’t behave, Israel will be back, unleashing drones and helicopter gunships to kill and wound human beings who don’t inhabit homes, but a “militant stronghold”. 

One could argue that Israel is a well-established “militant stronghold”, filled, as it is, with racist cabinet ministers who deny the existence of Palestinians and applaud when hundreds of marauding Israeli settlers torch Palestinian homes and attack Palestinian olive farmers.

Even as determined Palestinians in Jenin try to rebuild amid the loss and devastation wrought by Israel, CNN couldn’t resist one final libel. “Angry Palestinians mourn 12 killed in Israeli military operation in Jenin,” a June 6 headline read.

Ah, the perpetually “angry” Palestinian trope. Sadness, grief and resolve are, in the myopic minds of Western editors, the preserve of Israelis, not Palestinians.

That is a lie, too.

The ignorance, callousness, and arrogance of much of the Western media were on familiar display this week, proving, once more, that the salvation and liberation of Palestine will be won by Palestinians alone. 

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

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Sutherland House Experts Book Publishing Launches To Empower Quiet Experts

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Sutherland House Experts is Empowering Quiet Experts through
Compelling Nonfiction in a Changing Ideas Landscape

TORONTO, ON — Almost one year after its launch, Sutherland House Experts is reshaping the publishing industry with its innovative co-publishing model for “quiet experts.” This approach, where expert authors share both costs and profits with the publisher, is bridging the gap between expertise and public discourse. Helping to drive this transformation is Neil Seeman, a renowned author, educator, and entrepreneur.

“The book publishing world is evolving rapidly,” publisher Neil Seeman explains. “There’s a growing hunger for expert voices in public dialogue, but traditional channels often fall short. Sutherland House Experts provides a platform for ‘quiet experts’ to share their knowledge with the broader book-reading audience.”

The company’s roster boasts respected thought leaders whose books are already gaining major traction:

• V. Kumar Murty, a world-renowned mathematician, and past Fields Institute director, just published “The Science of Human Possibilities” under the new press. The book has been declared a 2024 “must-read” by The Next Big Ideas Club and is receiving widespread media attention across North America.

• Eldon Sprickerhoff, co-founder of cybersecurity firm eSentire, is seeing strong pre-orders for his upcoming book, “Committed: Startup Survival Tips and Uncommon Sense for First-Time Tech Founders.”

• Dr. Tony Sanfilippo, a respected cardiologist and professor of medicine at Queen’s University, is generating significant media interest with his forthcoming book, “The Doctors We Need: Imagining a New Path for Physician Recruitment, Training, and Support.”

Seeman, whose recent and acclaimed book, “Accelerated Minds,” explores the entrepreneurial mindset, brings a unique perspective to publishing. His experience as a Senior Fellow at the University of Toronto’s Institute of Health Policy, Management and Evaluation, and academic affiliations with The Fields Institute and Massey College, give him deep insight into the challenges faced by people he calls “quiet experts.”

“Our goal is to empower quiet, expert authors to become entrepreneurs of actionable ideas the world needs to hear,” Seeman states. “We are blending scholarly insight with market savvy to create accessible, impactful narratives for a global readership. Quiet experts are people with decades of experience in one or more fields who seek to translate their insights into compelling non-fiction for the world,” says Seeman.

This fall, Seeman is taking his insights to the classroom. He will teach the new course, “The Writer as Entrepreneur,” at the University of Toronto, offering aspiring authors practical tools to navigate the evolving book publishing landscape. To enroll in this new weekly night course starting Tuesday, October 1st, visit:
https://learn.utoronto.ca/programs-courses/courses/4121-writer-entrepreneur

“The entrepreneurial ideas industry is changing rapidly,” Seeman notes. “Authors need new skills to thrive in this dynamic environment. My course and our publishing model provide those tools.”

About Neil Seeman:
Neil Seeman is co-founder and publisher of Sutherland House Experts, an author, educator, entrepreneur, and mental health advocate. He holds appointments at the University of Toronto, The Fields Institute, and Massey College. His work spans entrepreneurship, public health, and innovative publishing models.

Follow Neil Seeman:
https://www.neilseeman.com/
https://www.linkedin.com/in/seeman/

Follow Sutherland House Experts:

https://sutherlandhouseexperts.com/
https://www.instagram.com/sutherlandhouseexperts/

Media Inquiries:
Sasha Stoltz | Sasha@sashastoltzpublicity.com | 416.579.4804
https://www.sashastoltzpublicity.com

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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