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Why would anyone want to write for G/O Media?

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It sometimes seems like the only time you read about G/O Media is when they’re laying off staff or losing editors.

Private equity firm Great Hill Partners bought the former Gawker Media sites (which include Deadspin, Gizmodo, The Onion, Jalopnik, and Jezebel) in early April 2019 and created G/O Media as the company to run them. New CEO Jim Spanfeller said soon after that they did not plan on laying off any employees. They laid off 25 employees a week later.

The infamous mass exodus of Deadspin staffers over “stick to sports” mandates took place that October. In January, the GMG Union announced a vote of no confidence in Spanfeller and demanded that ownership replace him, which they didn’t. In April 2020, they laid off 14 more staffers.

In November 2021, Gawker reported that around 75% of the Jezebel staff had resigned over that year due to a “hostile work environment.” That was soon followed by a similar report on The Root, where 15 of the 16 full-time staffers had left since that April.

In January 2022, seven editorial staffers left Chicago-based A.V. Club after refusing a mandatory relocation to Los Angeles that was not accompanied by a salary increase to account for the cost of living change.

The GMG Union, which represents staffers at G/O Media publications, went on strike in March 2022 after their contract expired. A few days later, they announced a new agreement with the company, in which “G/O Media agreed to raise salary minimums, severance, and parental leave; maintain our healthcare while requiring it to be trans-inclusive; and ensure annual increases for our Unit members.”

It appeared as though it might be a fresh start for the company and its workers. However, we were reminded of G/O’s existence last Wednesday when The Onion Union shared that the company had laid off 13 employees.

“Management made no effort to work with the union to find a less cruel alternative arrangement before springing these layoffs on employees with just a few hours and in some cases minutes of notice,” read the statement.

Those layoffs reportedly included four international editorial staff members specific to Quartz and the company is planning to hire U.S.-based Quartz staff this year.

Criticism over the decision was widely directed at Spanfeller.

Soon after, interim Deadspin editor-in-chief Julie DiCaro shared on Bluesky that she had stepped down from that role (but remained with the company), adding that “editorial decisions should not be made based on traffic goals and pageviews.”

DiCaro marks the third Deadspin EIC to step away from the role in the past four years. Jim Rich came in to try to relaunch Deadspin in 2020 after the mass exodus of the previous staff. However, he quickly shifted roles to G/O editorial director, paving the way for Eric Barrow to take over in June 2020. Rich left G/O in 2021, reportedly over conflict with Great Hill Partners. Barrow lasted in the role until December 2022 when he left the company abruptly. DiCaro, a senior writer and editor with Deadspin, took over at interim EIC this past January, presumably while the company searched for a full-time replacement. However, DiCaro was still in that interim role in June 2023 before stepping back into her original role.

There was one major editorial hiring at G/O, however. Merrill Brown was tapped as the new executive director, filling the role that had been vacant since Rich left in 2021. Per the announcement, he would report directly to Spanfeller and oversee editorial output at all G/O properties.

The company seemed intent on filling that Deadspin EIC role full-time in January when they initially posted the Deadspin Editor-in-Chief position on job sites. Not only that, but they also listed EIC role openings at The Root, Gizmodo, Jalopnik, and Quartz. While they appear to have filled that role at Gizmodo and Jalopnik, most of those listings have been reposted since as it seems as though they have yet to find their candidate of choice. As far as Awful Announcing has been able to tell, DiCaro was not replaced by a full-time hire as of yet.

In reaching out to multiple current and former employees and writers at G/O Media, we found most people reluctant to discuss the situation. Many of them referred us to the union, which has not responded. However, in speaking with one high-level G/O editorial staffer, we did learn that there’s a feeling it’s hard to do good work when you’ve “got two 70-year-old white men telling us what people want to read.”

That appears to be reflected in G/O’s traffic numbers. Deadspin, for example, used to hover in the 14-17 million monthly unique visitor range back in 2019, per ComScore. By February 2020, that was down to around 717,000 visitors when the site was no longer publishing content because of the staff exodus. In 2021, Deadspin’s first calendar year with a new staff in place,  traffic climbed back to a monthly average audience of 3.16 million readers per Comscore. However that positive trajectory stalled out (at least according to Comscore) as 2022 showed the site’s number regress back to 2.4 million readers and thus far in 2023 is averaging a little under 2.3 million monthly readers in 2023.

Adding to the frustrations of staffers has been the addition of wire service content to the site’s offerings that begs the question how much traffic is even coming courtesy of the staff. Deadspin has been supplementing its employee coverage with articles from Field Level Media, which provides syndicated sports content to its clients. According to one person we spoke with, the generic posts are “drowning the RSS feed and causing people to stop reading the site.”

According to a G/O Media source, Field Level Media content was meant to supplement Deadspin editorial staff content, not replace it.

A recent check of Deadspin even showed Field Level Media content competing directly with Deadspin staff content on the site. The article on the left is from the syndicated service while the article on the right is from a managing editor.

That strategy might work well for management but appears to be at odds with the expectations the union had when they settled their strike in 2022. Per one editorial source, G/O’s executives want their sites to meet rigorous traffic goals in line with much larger sports websites while also cutting staff and burying their work under syndicated content and slideshows. Some of the audience loss, staffers believe, is due to those demands on slideshow production and an increasing ad load.

“We know what our readers want to read, and we’re being prohibited from doing that by all these demands,” said the editorial staffer. “The constant push for more production is making it impossible for people to do any kind of investigative work. They literally track stories per head.”

Given all of the grief that G/O Media has received, especially from those who ran those prior to the Great Hill Partners sale, you have to wonder what’s in it for the editors and writers who still depend on this management to take care of them and put them in a position to succeed.

“We all need our jobs,” said the G/O Media staffer. “None of us are in a position to quit just for principle’s sake.”

Given the state of online sports media, that’s a depressing fact of life a lot of writers in the industry can empathize with.

 

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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