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Will Google's AI Plans Destroy the Media? – New York Magazine

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Photo-Illustration: Intelligencer; Photo: Getty Images

Early this year, Google teased a fundamental change to its core product, the search engine through which much of the world accesses the web. Soon, the company said, Google would start using AI to “distill complex information and multiple perspectives into easy-to-digest formats.” By May, the company had a real product to share.

For Google, it was an obvious and incremental feature update combining two of the company’s products: a text generator plugged into a search engine, basically. Searchers ask a question, and Google tries to answer it with short, article-style “snapshots.”

For publishers, however — of news, how-to content, reviews, recommendations, reference material, and a range of other content one might describe as existing to “distill complex information and multiple perspectives into easy-to-digest formats” — it looked like nothing less than an existential crisis. Google was getting into content, automating the work of its partners, and dramatically altering the terms of its informal deal with publishers that has sustained digital media for years: You make content; we send traffic; everyone sells ads. If this wasn’t a threat to journalism directly, it was certainly a threat to the journalism business. Google, it seemed, was eager to cut the publishers out.

It’s early, still, and AI search won’t threaten much of anything if it fundamentally doesn’t work, or if users don’t like it, which we’ll know soon enough. But it doesn’t have to be perfect, or even great, to dramatically alter the online economy. A stickier question is whether Google, possessed of a new capability to inflict massive harm on digital publishers and the web in general — and meanwhile battling very different firms for AI dominance — will decide, in the coming months, that it is in its own business interest to do so.

In its current form, Google’s Search Generative Experience will answer a question about the debt ceiling with a lengthy attempt to summarize the news.

Up top, searchers get a 272-word summary of the news with a bit of background. Its citations, which are hidden behind a small button in the upper-right portion of the screen, include a consulting firm, a think tank, and a slew of news organizations, including the New York Times, The Wall Street Journal, and NBC. Conventional search results are well beyond the bottom of the screen; on this issue, the information was accurate, though it’s still pretty easy to get tripped up.

Media executives are sounding the alarm. “Our content is being harvested and scraped and otherwise ingested to train AI engines,” said News Corp. CEO Robert Thomson at the INMA World Congress of News Media last week. “These are super-snippets containing all the effort and insight of great journalism but designed so the reader will never visit a journalism website, thus fatally undermining that journalism.” He added, “Content mining is an extractive industry.” Brian Morrissey, the former editor of the media trade publication Digiday, outlined publishing’s Google predicament at The Rebooting, predicting the decline of the web page in general:

As Google eliminated all credible competition, search became a mostly reliable distribution channel. The bargain was always for publishers to play by Google’s rules, then make money from ads that very often ran through Google’s ad stack and let them wet their beak. It was a roundabout way of paying tribute to the king. Nobody likes taxes, but if someone controls the distribution, you pay up …

That’s breaking. Google’s demo of its new AI-fueled search engine heralds a new phase of search that will throw the page’s central role in publishing strategies into question.

“From Google’s demos, what’s clear is less traffic will go to publishers,” he said. Less traffic means less of everything that keeps modern media companies afloat: advertising revenue, subscription conversions, e-commerce revenue.

“At the risk of overstating the potential consequences,” wrote Matt Novak at Forbes, Google’s search overhaul “will be like dropping a nuclear bomb on an online publishing industry that’s already struggling to survive.”

Google stressed that this was an experimental feature and that, for now, it would be limited to testers who opted in. Certain categories of queries would not trigger the snapshots, the company said — sensitive medical questions, for example — and each answer can be checked, sort of, by clicking a button that reveals linked citations for each sentence. Classic results would still be present, though less visible.

Still, the change would represent a fundamental shift in what Google does, how users interact with it, and how it interacts with the web around it. For billions of people, Google is the default interface for the rest of the online world. It’s the portal through which all other sites are accessed. It’s the box — on your phone or your computer or your tablet — with which you interact so often you take it for granted. It’s a de facto governing authority for the parts of the internet that aren’t hidden away inside social platforms and apps and has unparalleled sway over what gets seen online and by how many people. If implemented at all, by virtue of Google’s size, it would have a significant effect on traffic for pretty much any digital publisher.

This is a facet of the larger AI story — which is to say it’s about automation. But it’s also a story of a large platform deciding to compete more aggressively in the marketplace it controls. With snapshots, Google is pushing into some of the most lucrative parts of the content business over which it already exerts enormous influence. That the sorts of content it seems to be automating first are explainers, guides, and product rankings is no coincidence — these are styles of content that publishers currently produce with Google traffic in mind. If Google hired tens of thousands of contractors to produce “snapshots” and product recommendations for popular searches, it would be easy enough to conceptualize and very bad news for a number of Google-dependent online industries; that it’s doing so with “generative AI” suggests that what was holding it back from attempting to replicate or replace some of the most trafficked sites on the web wasn’t some lofty notion of how Google should function as a market or an ecosystem, some sense of stewardship over “the web” as a concept, but cost.

A lot of dark predictions about AI are counterintuitively sort of naïve, imagining the technology as a distinct and novel entity with its own motives or as a phenomenon that will be evenly experienced across the economy. Google, here, teases a more familiar story, utterly devoid of novelty: Large firm seeks efficiencies and uses machines to achieve them.

The doomsayers have a point, in other words: If Google commits to summarizing more and more of the content it used to serve, the companies that make it are in for an even worse time than they’re already having. The vast majority of publishers are individually insignificant to Google and have no collective power to speak of. With apologies to Mr. Thomson, News Corp. properties, with their search-engine-optimization teams and content strategies, are already scrounging for traffic from the margins of Google’s user experience. As any SEO professional will tell you, it wouldn’t take something so dramatic as an “AI-search makeover” to lose a significant chunk of your inbound readership from Google. Small mysterious updates to its search algorithms have pitted publishers against the company’s machine-learning systems for years.

In publishing, however, there is also a tendency to overestimate the forecasting abilities, and general competence, of larger and more successful technology companies. Google, one of the largest tech companies in the world, has a lot to gain and lose by altering search, which generated $162 billion of Google’s $224 billion in advertising revenue in 2022. It has skin in the game. Will Google users be happy with a machine-improvised Wikipedia article at the top of their search results? Will it change their relationship to the sponsored links at the heart of Google’s business? Will they take product recommendations seriously from a Google bot? Will Google’s AI testing phase result in doubling down on content automation or quietly rolling it back? Will that be because users don’t care for it, or because they do, but it’s in a way that threatens Google’s business? Their predicament is the AI dilemma in not-so-miniature: a confrontation with the essential weirdness of generating synthetic information.

Replacing outbound links to the web with machine-synthesized summaries of the web is both an obvious use case for generative AI and a direct threat to the economy in which a range of content — including journalism — is currently produced. But its success depends on a few assumptions: that the summaries are good or, far more important, that people think they’re good and trust them; that, in the long term, there remains sufficient scrape-able content to summarize; that the web ecosystem Google will be exploiting won’t be itself overrun with AI-generated content, leading to a death spiral of content credibility and relevance; that stepping deeper into the content business makes any sense for Google, the leadership of which might be acting out of fear of missing out on the next big thing, at the company’s peril. Some of these issues are less speculative than others. For decades now, the entire web has been optimizing itself for Google, modifying and producing content with search traffic in mind; Google, which was built around the idea of surfacing and organizing the world’s information, has instead created the mother of all spam problems, which it struggles daily to solve.

But from the user perspective, Google as an AI-powered answer engine is also uncharacteristically aligned: It casts present-day Google Search as something broken that needs to be fixed — which, well, maybe it is. Rather than contending with a cluttered interface and a gauntlet of advertising to get to a credible link, the company has teased something clean, clear, and refocused on results. The company’s AI-search demos have doubled as scathing critiques of the mess that search has become and of a business model that depends on interruption, diversion, and extra engagement. Maybe this pristine alternative vision is indeed what we end up with, in which case the web as we knew it is shoved off the page, a decades-old online civilization of websites reduced to training data for slick chatbots.

Or maybe, after a brief detour, Google’s true identity as an advertising business reassumes control and once again draws it, and its users, back into the lucrative mess, where they will continue to tap and click their way through interfaces that are designed as much to monetize them as to assist them in anything resembling a “search.” For Google, it might be better to have a web to exploit than to have no web at all.

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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