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Winnipeg’s Divya Mehra wins 2022 Sobey Art Award

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Divya Mehra’s Afterlife of Colonialism at the National Gallery of Canada includes a rendition of the Taj Mahal as a bouncy castle.BWALLACE/National Gallery of Canada

Divya Mehra, a Winnipeg artist whose research helped return a sacred sculpture to India, is the winner of the 2022 Sobey Art Award. Mehra, whose work comments on colonial cultural relationships and includes a version of the Taj Mahal rendered as a bouncy castle, was presented with the $100,000 prize in a ceremony in Ottawa Wednesday.

The four other shortlisted regional finalists – Halifax artist Tyshan Wright; Krystle Silverfox, a Vancouver artist who recently moved to Dawson City, Yukon; Montreal artist Stanley Février and Azza El Siddique representing Ontario – will all receive $25,000.

The Sobey Award, one of the largest art prizes in Canada, was founded in 2002 and is funded by the Sobey Art Foundation. It recognizes an emerging career with the finalists drawn from five regions across the country. It is organized by the National Gallery and judged by an independent jury of Canadian curators along with one international juror.

Divya Mehra was named the winner of the Sobey Award, one of the largest art prizes in Canada, at a ceremony in Ottawa on Wednesday.Handout

For the current exhibition of the shortlisted work at the National Gallery, Mehra was represented by her version of the Taj Mahal as well as works concerning the return of colonial treasures to India. In 2020, when Mehra was working at the MacKenzie Art Gallery in Regina, she uncovered a small, misidentified sculpture in the gallery’s storage and, researching its origins, found out it was a figure of the goddess Annapurna hacked off a shrine on the Ganges River in 1913.

Her research led to the return of Annapurna to India in 2021; her artwork at the National Gallery includes a large photo mural showing the MacKenzie Gallery’s storage, where she has replaced the figure with a small bag of sand, purposefully antiqued. That is a reference to the movie Raiders of the Lost Ark, in which Indiana Jones steals an idol and replaces it with a bag of sand of the same weight. In an installation on a similar theme, she writes to King Charles III suggesting he return the Koh-i-Noor diamond, taken by the British from a 13-year-old maharajah in 1849.

“The 2022 Sobey Art Award jury found Divya Mehra’s work resoundingly timely and sophisticated in addressing systems of cultural representation, production, and authority,” jury chair Jonathan Shaughnessy said in a statement. “Her approach is defined by its sharp wit, disarmingly playful allure, and attentiveness to language and aesthetics. Her most recent explorations turn towards issues of repatriation, ownership, and modes of cultural consumption that fundamentally implicate both institutions and their publics.”

Mehra was born in Winnipeg, and studied at the University of Manitoba before completing a Masters in Fine Art at Columbia University in New York.

“It’s an honour to be recognized and celebrated for your work in this way,” she said in a statement.

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

The Canadian Press. All rights reserved.

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