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Young Afghan woman opens art gallery to create jobs, and hope, in pandemic – TheChronicleHerald.ca

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By Orooj Hakimi

KABUL (Reuters) – In a small art gallery in the Afghan capital, Marzia Panahi watches as one of the young artists she has just employed applies paint to a framed felt canvas propped up against a easel.

Panahi, 21, set up the Namad Gallery at the height of the coronavirus pandemic in September.

Her aim was to revive the use of felt in art, to showcase her war-torn country’s creativity and to try to create jobs for young people hit hard by the pandemic and the economic crisis it has caused.

“When COVID-19 cases increased in Afghanistan, I saw how unemployment was getting higher, and when we realized how deadly poverty can be…I put together a team of young people so that we could at least be useful to ourselves and those around us, and become entrepreneurs,” she said.

The international relations student’s company now employs 10 people, including three artists, and sells paintings to local art lovers for between $100 and $200 each.

Afghanistan, where more than 60% of the population is below the age of 25, has struggled with high youth unemployment.

The pandemic has exacerbated its economic problems, with the World Bank predicting that more than 70% of the population will slip beneath the poverty line in 2020.

In addition to generating jobs, Panahi said she wanted to find a way of reintroducing felt to traditional arts and crafts in Afghanistan. Historically it had been produced to make carpets, she said, but in recent years its use had declined.

“Because people have turned to a more modern life and are no longer buyers of felt products, we wanted to make it possible to re-use felt in a variety of ways,” she explained.

Faiqa Sultani, a 27-year old artist, said she had initially felt depressed due to the lockdown and lack of opportunities, but since joining Namad her mood had improved.

“When I paint, it is a kind of expression of my feelings on canvas, paper, or felt that I enjoy,” she said.

“Painting on felt means that we can revive the old traditions and show people that we can use our Afghan resources and make our lives more beautiful.”

(Reporting by Orooj Hakimi and Hameed Farzad; Writing by Charlotte Greenfield; Editing by Mike Collett-White)

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate – Cracked.com

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40 Random Bits of Trivia About Artists and the Artsy Art That They Articulate  Cracked.com



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John Little, whose paintings showed the raw side of Montreal, dies at 96 – CBC.ca

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John Little, whose paintings showed the raw side of Montreal, dies at 96  CBC.ca



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A misspelled memorial to the Brontë sisters gets its dots back at last

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LONDON (AP) — With a few daubs of a paintbrush, the Brontë sisters have got their dots back.

More than eight decades after it was installed, a memorial to the three 19th-century sibling novelists in London’s Westminster Abbey was amended Thursday to restore the diaereses – the two dots over the e in their surname.

The dots — which indicate that the name is pronounced “brontay” rather than “bront” — were omitted when the stone tablet commemorating Charlotte, Emily and Anne was erected in the abbey’s Poets’ Corner in October 1939, just after the outbreak of World War II.

They were restored after Brontë historian Sharon Wright, editor of the Brontë Society Gazette, raised the issue with Dean of Westminster David Hoyle. The abbey asked its stonemason to tap in the dots and its conservator to paint them.

“There’s no paper record for anyone complaining about this or mentioning this, so I just wanted to put it right, really,” Wright said. “These three Yorkshire women deserve their place here, but they also deserve to have their name spelled correctly.”

It’s believed the writers’ Irish father Patrick changed the spelling of his surname from Brunty or Prunty when he went to university in England.

Raised on the wild Yorkshire moors, all three sisters died before they were 40, leaving enduring novels including Charlotte’s “Jane Eyre,” Emily’s “Wuthering Heights” and Anne’s “The Tenant of Wildfell Hall.”

Rebecca Yorke, director of the Brontë Society, welcomed the restoration.

“As the Brontës and their work are loved and respected all over the world, it’s entirely appropriate that their name is spelled correctly on their memorial,” she said.

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