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New art by local students busing around the city – The Kingston Whig-Standard

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Monica Melendez, left, and Olivia DaSilva, two Creative Arts Focus Program students, along with their classmates check out their artwork now installed on the ceiling of Kingston Transit Bus 1951, showcasing the students’ depictions of places throughout the city on Thursday. (Julia McKay/The Whig-Standard)

Julia McKay / Julia McKay/The Whig-Standard

The newest bus in Kingston Transit’s fleet has just become a unique work of art.

The ceiling of Bus 1951 showcases the newly installed artwork of 28 students in the Limestone District School Board’s Creative Arts Focus Program.

In a style reminiscent of individual postcards, each piece of student art depicts a site or event throughout the city, from Confederation Basin to the airport, Loyalist Collegiate to the Skeleton Park Arts Festival.

So, while Bus 1951 will be moving throughout the city, the artwork will be able to be seen by a wide variety of the community and tourists.

“It’s amazing for (the students) to be able to see their art come to life and jump from the page into the bus,” Jeremy DaCosta, director of Kingston Transit, said. “This is one of the newest buses in our fleet and it will be in service between 12 and 15 years and we expect the artwork that’s been installed here to hopefully last the life of the bus. Passengers for 12 to 15 years are really going to enjoy the artwork the students from this year have created.”

Most of the students were surprised to hear that their work could last the life of the bus.

“It made me really happy to see that people would see and enjoy my art for 12 years and not just have it be seen offhand once or twice,” Olivia DaSilva, a Grade 12 student and artist of Confederation Basin scene, said.

For international student Monica Melendez, a Grade 10 student from Spain, the idea that she could return and show her work to her friends and family was really cool.

“It was quite amazing because last year I was in my country and I wouldn’t have expected to be here and doing something such as this,” Melendez, whose piece is of the Norman Rogers Airport, said. “Now I can come again and I have 10 to 12 years to come and show everyone my work.”

The students got their first look at the bus on Thursday morning, outside Loyalist Collegiate.

“I was really happy and surprised (to see my work in the bus) because I never thought that I’d have any artwork on a bus or for the city or anything,” DaSilva said. “This was a really great experience.”

“I didn’t expect, coming into this program, that I’d have something on public display for everyone,” Hal Vice Henderson, a Grade 12 student and the artist of the HARS Kingston scene, said. “The quality (of the installation) is really good, very glossy, which I didn’t expect.”

“It feels kinda weird, but I’m happy with it,” Keegan Harrett, a Grade 12 student and the artist of the Loyalist Collegiate scene, said. “I think it’s cool that people from all over the city will be able to see it and see it along with other people’s art as well. In a way, it’s different parts of Kingston but it’s also different artists and how they approach issues in the same project.”

At the moment, only 23 of the 28 pieces are on the bus, with five scenes still to be installed.

“It was fun creating the art because I wanted to make something lasting,” Eddie Calnan, a Grade 12 student, said. “The building that I chose to depict was the (Wolfe Island) ferry terminal that’s going to be torn down in the next couple of years, and that’s kinda sad for me, living on the island and going to that terminal every day. It actually didn’t get put on the bus yet, but I hope that it does and then it’ll last a couple more years than it would have.”

The ongoing collaboration between the local art program and Kingston Transit has seen students’ art grace the cover of the riders guide, on posters promoting the free student transit pass program, on the wraps on the outside of a number of buses and in shelters throughout the city.

“It’s been all about doing something different and unique and creative year to year,” DaCosta said. “It was about working with Karen (Peperkorn) and her class to figure out what type of artwork they wanted to do and the best spot to have that showcased. I’m always impressed with the quality of the artwork that these young people create. If you look at the pieces, they look so realistic, and the different styles they’ve created, it’s professional artwork and we’re so proud at Kingston Transit to be able to display it on their behalf.”

jmckay@postmedia.com

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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