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Local art galleries get creative to emerge from 'hibernation' – OrilliaMatters

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This week’s big news, of course, is that we have been sent back to the grey zone … with some modifications. So, small retail businesses are allowed to be open at 25 per cent capacity. This means your local art galleries are open!

Hibernation Arts at 17 Peter St. S. in the Orillia Arts District is one of those local art galleries, and this week I wanted to shed some light on it, and on the owner, Molly Farquharson.

Molly “retired” to Orillia about six years ago, after an eventful working life teaching English all over the United States, Japan, and Turkey. She also operated a café in Turkey! The stories from these times could fill a book, I have no doubt.

Molly had visited her sister in Orillia for years, so picking Orillia as her retirement home base made a lot of sense. She is also a fibre artist, and she knew about Orillia’s vibrant arts scene, and wanted to be part of it. In her art, Molly uses thread, yarn, buttons, and found items for their colours and texture.

Molly showed her work at several galleries in Orillia before opening Hibernation Arts in 2018. Why Hibernation Arts?

“I called the gallery Hibernation Arts because, after being out of Canadian winters for so long, the first couple of winters made me say, ‘Not going out today. Or next week. Or next month.’ Fortunately, I am more used to it now,” she says.

Currently, quite a few artists are showing at Hibernation Arts: Jon Oelrichs, Nicole Rulff, Tammy Henry, Cheryl Sartor, Terry McIntosh, Karen Hollinger, Gayle Schofield, Catherine Cadieux, Barbara Schmidt, and of course Molly herself.

There are also three group shows at the moment: Orillia Fine Arts Association, Zephyr Art Club, and the studio’s own group show in lieu of a guest artist (which will resume next month).

“The support of the artists has been crucial in keeping the gallery going, since the gallery does not qualify for government loans or grants,” says Farquharson. “In the past, Hibernation Arts hosted poetry readings and local music concerts and hopefully those will resume sooner than later. I also hope to host workshops and classes, once it is safe to do so.”

In the meantime, the gallery is open Tuesday to Saturday, from 11 a.m. to 4 p.m. It is a cozy spot to enjoy a chat and view (and purchase) some beautiful works of art, locally and hand made, with care.

Molly adds, “The people in the Arts District hope to do the Art Walks again this summer (and hopefully the slogan is Meet Me Downtown to include other businesses). Last summer’s Art Walks were a wonderful opportunity for people to get out safely to enjoy the vibrant art scene.”

Don’t wait until summer, do stop by Hibernation Arts and the other galleries in the Arts District today!

Speaking of galleries, Peter Street Fine Arts Gallery and Studio at 23 Peter St. S., has a guest artist for the month of March, Tammy Robinson. Tammy uses oil paint and sand to infuse her large landscape work with rich colour and textures. Her work is on display for the whole month, so drop by and check it out!

In other arts news, the Orillia Opera House is partnering with The Oakville Centre and Ontario Presents to help keep music alive until everyone can safely gather once again. The trio is presenting five virtual concerts for your enjoyment, starting on Friday, March 5.

Each concert features a wonderful Canadian musician and is presented at a nominal cost. Friday, March 5, The Spoons will put on a great show for anyone who buys a $15 ticket. The concerts following are: Royal Wood on March 12, Men Behind the Music: The Beatles, on March 20, Molly Johnson on April 17, and finally, Whitehorse on May 8. All concerts start at 8 p.m.

Tickets prices range from $10 to $20 per household. Tickets can be scooped up here; the presale code is Orillia. Enjoy these wonderful events from the safety of your living room, and help keep the music alive!

In other fun virtual events, Lakehead University’s Office of Community Engagement and Lifelong Learning (yes that is a mouthful), is partnering with Mariposa Arts Theatre (MAT) and presenting Tea with the Dames!

As part of this hilarious event, you can watch some of the best dames around today, Maggie Smith, Judi Dench, Eileen Atkins and Joan Plowright, in a wonderful British documentary, Tea with the Dames, before Sunday, March 14 at 4 p.m., when you will be zoomed in to a discussion and cuppa with some of MAT’s own dames and gents, talking about this amusing and quirky film.

You will also help celebrate one of Orillia’s own dames, Sue Mulcahy, on her 100th birthday, in this enjoyable afternoon. For $20 tickets and more information, click here.

Creative Nomad Studios (CNS) is fully embracing the virtual world we are all living in currently, and has several events online each week, while hitting pause on other, in-person events they were hoping to produce in March and April. If you bought a ticket for those events already, don’t worry, tickets will be honoured when it is safe and allowable to have in-person events again.

In the meantime, CNS is presenting Colour Theory for Artists Part 2 on Thurs. March 4 at 2:30 p.m., on YouTube. This is a free workshop, so don’t hesitate to jump in live, or enjoy later at your leisure, through this link.

On March 5 at 7 p.m. CNS presents another virtual paint night with Steph Whalen, Lone Pine. This workshop is only $10 plus materials, and you will have a beautiful and unique work of art at the end of the night! Click here to sign up for this workshop, and if you need supplies, there is a link there to purchase through curbside pick up at CNS.

Lastly, CNS presents Let’s Try Water Soluble Inks, a free workshop live on YouTube March 4 at 1 p.m. Check it out here, live or later. Way to go CNS, for working with what you have and presenting a great variety of fun and interactive workshops!

Finally, another shout out to the Orillia Public Library (OPL). Not only have they been presenting great virtual programming, pivoted quickly to do curbside pick up, supported our seniors, and been a great source of tech support, they are also addressing problems of systemic racism in our culture and in their history.

Check out this statement that OPL put out on Mar. 2:

“The Orillia Public Library recognizes that libraries are rooted in a history of colonialism, anti-Black racism, and white supremacy. While we have always strived to be welcoming and inclusive, we’re now examining our role within a system that creates and perpetuates inequality in our community. OPL will prioritize anti-racism work in our 2021-2024 Strategic Plan by working with Orillia’s BIPOC community to identify gaps and eliminate racial and social equity barriers in library programs, services, policies and practices. We look forward to better serving our entire community and we’re ready to put in the work to do so.”

Kudos to you, OPL!

And kudos, so much, to all of our small businesses, live music, culture, art, and more, who are suffering right now. We support you.

Send your arts news to annaproctor111@gmail.com by Tuesdays at noon to be included in this column.

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Calvin Lucyshyn: Vancouver Island Art Dealer Faces Fraud Charges After Police Seize Millions in Artwork

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In a case that has sent shockwaves through the Vancouver Island art community, a local art dealer has been charged with one count of fraud over $5,000. Calvin Lucyshyn, the former operator of the now-closed Winchester Galleries in Oak Bay, faces the charge after police seized hundreds of artworks, valued in the tens of millions of dollars, from various storage sites in the Greater Victoria area.

Alleged Fraud Scheme

Police allege that Lucyshyn had been taking valuable art from members of the public under the guise of appraising or consigning the pieces for sale, only to cut off all communication with the owners. This investigation began in April 2022, when police received a complaint from an individual who had provided four paintings to Lucyshyn, including three works by renowned British Columbia artist Emily Carr, and had not received any updates on their sale.

Further investigation by the Saanich Police Department revealed that this was not an isolated incident. Detectives found other alleged victims who had similar experiences with Winchester Galleries, leading police to execute search warrants at three separate storage locations across Greater Victoria.

Massive Seizure of Artworks

In what has become one of the largest art fraud investigations in recent Canadian history, authorities seized approximately 1,100 pieces of art, including more than 600 pieces from a storage site in Saanich, over 300 in Langford, and more than 100 in Oak Bay. Some of the more valuable pieces, according to police, were estimated to be worth $85,000 each.

Lucyshyn was arrested on April 21, 2022, but was later released from custody. In May 2024, a fraud charge was formally laid against him.

Artwork Returned, but Some Remain Unclaimed

In a statement released on Monday, the Saanich Police Department confirmed that 1,050 of the seized artworks have been returned to their rightful owners. However, several pieces remain unclaimed, and police continue their efforts to track down the owners of these works.

Court Proceedings Ongoing

The criminal charge against Lucyshyn has not yet been tested in court, and he has publicly stated his intention to defend himself against any pending allegations. His next court appearance is scheduled for September 10, 2024.

Impact on the Local Art Community

The news of Lucyshyn’s alleged fraud has deeply affected Vancouver Island’s art community, particularly collectors, galleries, and artists who may have been impacted by the gallery’s operations. With high-value pieces from artists like Emily Carr involved, the case underscores the vulnerabilities that can exist in art transactions.

For many art collectors, the investigation has raised concerns about the potential for fraud in the art world, particularly when it comes to dealing with private galleries and dealers. The seizure of such a vast collection of artworks has also led to questions about the management and oversight of valuable art pieces, as well as the importance of transparency and trust in the industry.

As the case continues to unfold in court, it will likely serve as a cautionary tale for collectors and galleries alike, highlighting the need for due diligence in the sale and appraisal of high-value artworks.

While much of the seized artwork has been returned, the full scale of the alleged fraud is still being unraveled. Lucyshyn’s upcoming court appearances will be closely watched, not only by the legal community but also by the wider art world, as it navigates the fallout from one of Canada’s most significant art fraud cases in recent memory.

Art collectors and individuals who believe they may have been affected by this case are encouraged to contact the Saanich Police Department to inquire about any unclaimed pieces. Additionally, the case serves as a reminder for anyone involved in high-value art transactions to work with reputable dealers and to keep thorough documentation of all transactions.

As with any investment, whether in art or other ventures, it is crucial to be cautious and informed. Art fraud can devastate personal collections and finances, but by taking steps to verify authenticity, provenance, and the reputation of dealers, collectors can help safeguard their valuable pieces.

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Ukrainian sells art in Essex while stuck in a warzone – BBC.com

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Ukrainian sells art in Essex while stuck in a warzone  BBC.com

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Somerset House Fire: Courtauld Gallery Reopens, Rest of Landmark Closed

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The Courtauld Gallery at Somerset House has reopened its doors to the public after a fire swept through the historic building in central London. While the gallery has resumed operations, the rest of the iconic site remains closed “until further notice.”

On Saturday, approximately 125 firefighters were called to the scene to battle the blaze, which sent smoke billowing across the city. Fortunately, the fire occurred in a part of the building not housing valuable artworks, and no injuries were reported. Authorities are still investigating the cause of the fire.

Despite the disruption, art lovers queued outside the gallery before it reopened at 10:00 BST on Sunday. One visitor expressed his relief, saying, “I was sad to see the fire, but I’m relieved the art is safe.”

The Clark family, visiting London from Washington state, USA, had a unique perspective on the incident. While sightseeing on the London Eye, they watched as firefighters tackled the flames. Paul Clark, accompanied by his wife Jiorgia and their four children, shared their concern for the safety of the artwork inside Somerset House. “It was sad to see,” Mr. Clark told the BBC. As a fan of Vincent Van Gogh, he was particularly relieved to learn that the painter’s famous Self-Portrait with Bandaged Ear had not been affected by the fire.

Blaze in the West Wing

The fire broke out around midday on Saturday in the west wing of Somerset House, a section of the building primarily used for offices and storage. Jonathan Reekie, director of Somerset House Trust, assured the public that “no valuable artefacts or artworks” were located in that part of the building. By Sunday, fire engines were still stationed outside as investigations into the fire’s origin continued.

About Somerset House

Located on the Strand in central London, Somerset House is a prominent arts venue with a rich history dating back to the Georgian era. Built on the site of a former Tudor palace, the complex is known for its iconic courtyard and is home to the Courtauld Gallery. The gallery houses a prestigious collection from the Samuel Courtauld Trust, showcasing masterpieces from the Middle Ages to the 20th century. Among the notable works are pieces by impressionist legends such as Edouard Manet, Claude Monet, Paul Cézanne, and Vincent Van Gogh.

Somerset House regularly hosts cultural exhibitions and public events, including its popular winter ice skating sessions in the courtyard. However, for now, the venue remains partially closed as authorities ensure the safety of the site following the fire.

Art lovers and the Somerset House community can take solace in knowing that the invaluable collection remains unharmed, and the Courtauld Gallery continues to welcome visitors, offering a reprieve amid the disruption.

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