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An entrepreneur’s last attempt at regaining productivity: Ditching social media in 2021 – The Next Web

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Do I consume social media or is it slowly consuming me? This blurred line has garnered increased attention due to recent documentaries like The Social Dilemma, which popularized deeply unsettling questions about the impact of social media on our mental health, politics, even free will. 

Yet many of us have our reasons for staying in the game. I’m sure there are some prolific entrepreneurs and writers who have no problem managing their social media usage, but that’s not my experience. I find these platforms consistently distract from my most important work. It’s a huge cost that I just can’t ignore anymore. 

I’ve attempted on several occasions to rise above the addiction, placing heavy restrictions on my daily usage. Good intentions only got me so far. Somehow I’ve always been pulled back into social media’s gravity, using it the way it demands to be used (i.e. obsessively). 

That is, until a few weeks ago. I have finally decided that social media steals too much of my time and attention to warrant continued investment. For 2021, I’ve chosen a more clear-cut approach to handling social media: network-cutting. 

The opportunity cost of social media

On a sunny day in the late 2000s, Mom snapped my photo and uploaded it to her computer. There I was, a freshman, grinning and backlit in front of her blinds. Not candid or stylish — just a grainy placeholder photo to help me complete my Myspace profile. Months later, I adopted Facebook as well, and within a couple of years, I had signed up for Twitter, Instagram, and LinkedIn. 

Unlike most hobbies and habits I picked up in high school, this one stuck. The longer I was on social media, the more weekly time I invested in each platform. I recorded photos from backpacking trips, learned about important causes, shared my own articles and short stories, and networked to the tune of tens of thousands of dollars for my copywriting business — all thanks to social media. 

But the benefits did not come without their costs. 

The most obvious cost was my time. According to Statista, the average daily social media usage was 144 minutes in 2019. Assuming I’m fairly average — a safe assumption — that means I spent almost 900 hours browsing social media websites in one calendar year. Since high school, that adds up to several months of my life in accumulated scrolling, liking, posting, friend requesting, and meme sharing.

Credit: Statista
Daily social media usage worldwide 2012-2019.

But on its own, sunk time doesn’t directly equate to a lack of value. What I gained for all that time on social media — and whether I could have gotten greater value for my time elsewhere — is harder to quantify. 

I think the most apt analogy I’ve heard is that social media is like cognitive junk food. These sites emphasize headlines and hot takes rather than depth and nuance.

Like fast food, social media plays on my weaknesses by maintaining a close enough appearance to substance — so much so that sometimes I can ignore the difference.

The problem is, I don’t want a mere passable substitute for tackling big ideas, understanding the news, and connecting with friends. Just give me the real thing. Give me depth, substance, and real connection.

And what about creators who only use social media to spread and publish ideas? Instant publishing offers many clear benefits — but it also offers a dangerous shortcut for anyone who desires to produce work that lasts.

Author and economist Tim Harford put the opportunity cost of his social media usage in exact numbers: “My Twitter habit is more of a problem. I have 145,000 followers, gently persuaded over 10 years and 40,000 tweets to follow me — that’s about 10 books’ worth, or 20 years of weekly columns. This alone was a reminder of just what an effort Twitter could be.” 

How I got here

I’ve never taken more than a single month off social media since my freshman year of high school. And even those few breaks wouldn’t have happened without first discovering the work of Cal Newport, author and professor of computer science at Georgetown. 

Newport writes at the intersection of professional development and technology. From late 2018 through 2019, I read three of his books in rapid succession, with one idea rising above the rest: deep work. Here’s a definition from his website:

The Deep Work Hypothesis: The ability to concentrate without distraction on a demanding task (what I call ‘deep work’) is becoming more rare at the same time that it’s becoming more valuable in the knowledge sector. As a result, those individuals and organizations who put in the hard work to cultivate this skill will thrive.

Newport’s Deep Work Hypothesis caused me to reconsider how I organize my day, what I value in work and leisure, and my relationship to social media.

As a copywriter, deep work is how I make my living. Unbroken, focused attention is what pays the bills and moves my business forward. The more time I dedicate to the craft and business of writing, the better I become and the more work I produce. When something gets in the way of writing, it interferes directly with my earning and career potential. 

And nothing pulls me away from writing faster than Twitter, Facebook, or even LinkedIn. What began as an innocent high school hobby now steals so much of my time and attention. I knowingly bleed productivity every week. 

The alternative

Maintaining a social media presence — especially for writers and entrepreneurs — often feels non-negotiable. The choice isn’t whether you use social media, but how

In the opening page of Invested, Charles Schwab writes, “The world of business, like the rest of life, is full of wonderful temptations, and making a choice about where you are going to devote your energy is often as much about dismissing things as it is about choosing something. A singular sense of purpose gives you focus and clarity.” 

Cutting social networks from my life for the next year is my attempt to achieve a new level of focus — perhaps one that becomes an advantage. What will a return to focus mean for me this year? Maybe I’ll publish more articles in more reputable magazines than any year before — or earn a book contract. Maybe I’ll finish work early every day and have more time to read, exercise, or call up a friend. 

Think about when was the last time you texted someone, “How are you?” Without the crutch of feeling like I know friends from updates from social media, I’ll have to be more proactive. I’ll have to ask. For now, I have many aspirations and I’m optimistic about what a year without social media could mean personally and professionally. 

Of course, there’s a possibility that things go counter to my plan. Maybe a year without social media will change the way I see it. Maybe the benefits will become clearer to me and I’ll re-log on to each platform with enthusiasm at the start of 2022. 

If I’m honest, I doubt that’ll be the case. I believe the internet is a better place to learn, write, and grow a business when I’m not competing for trivial achievements like a fresh new badge about a single retweet or like. 

I have a hunch that I’ll never choose to go back to social media. Or maybe it’s a prayer. Either way, I’m out. 

Published March 8, 2021 — 09:27 UTC

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What to stream this weekend: ‘Civil War,’ Snow Patrol, ‘How to Die Alone,’ ‘Tulsa King’ and ‘Uglies’

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Hallmark launching a streaming service with two new original series, and Bill Skarsgård out for revenge in “Boy Kills World” are some of the new television, films, music and games headed to a device near you.

Also among the streaming offerings worth your time as selected by The Associated Press’ entertainment journalists: Alex Garland’s “Civil War” starring Kirsten Dunst, Natasha Rothwell’s heartfelt comedy for Hulu called “How to Die Alone” and Sylvester Stallone’s second season of “Tulsa King” debuts.

NEW MOVIES TO STREAM SEPT. 9-15

Alex Garland’s “Civil War” is finally making its debut on MAX on Friday. The film stars Kirsten Dunst as a veteran photojournalist covering a violent war that’s divided America; She reluctantly allows an aspiring photographer, played by Cailee Spaeny, to tag along as she, an editor (Stephen McKinley Henderson) and a reporter (Wagner Moura) make the dangerous journey to Washington, D.C., to interview the president (Nick Offerman), a blustery, rising despot who has given himself a third term, taken to attacking his citizens and shut himself off from the press. In my review, I called it a bellowing and haunting experience; Smart and thought-provoking with great performances. It’s well worth a watch.

— Joey King stars in Netflix’s adaptation of Scott Westerfeld’s “Uglies,” about a future society in which everyone is required to have beautifying cosmetic surgery at age 16. Streaming on Friday, McG directed the film, in which King’s character inadvertently finds herself in the midst of an uprising against the status quo. “Outer Banks” star Chase Stokes plays King’s best friend.

— Bill Skarsgård is out for revenge against the woman (Famke Janssen) who killed his family in “Boy Kills World,” coming to Hulu on Friday. Moritz Mohr directed the ultra-violent film, of which Variety critic Owen Gleiberman wrote: “It’s a depraved vision, yet I got caught up in its kick-ass revenge-horror pizzazz, its disreputable commitment to what it was doing.”

AP Film Writer Lindsey Bahr

NEW MUSIC TO STREAM SEPT. 9-15

— The year was 2006. Snow Patrol, the Northern Irish-Scottish alternative rock band, released an album, “Eyes Open,” producing the biggest hit of their career: “Chasing Cars.” A lot has happened in the time since — three, soon to be four quality full-length albums, to be exact. On Friday, the band will release “The Forest Is the Path,” their first new album in seven years. Anthemic pop-rock is the name of the game across songs of love and loss, like “All,”“The Beginning” and “This Is the Sound Of Your Voice.”

— For fans of raucous guitar music, Jordan Peele’s 2022 sci-fi thriller, “NOPE,” provided a surprising, if tiny, thrill. One of the leads, Emerald “Em” Haywood portrayed by Keke Palmer, rocks a Jesus Lizard shirt. (Also featured through the film: Rage Against the Machine, Wipers, Mr Bungle, Butthole Surfers and Earth band shirts.) The Austin noise rock band are a less than obvious pick, having been signed to the legendary Touch and Go Records and having stopped releasing new albums in 1998. That changes on Friday the 13th, when “Rack” arrives. And for those curious: The Jesus Lizard’s intensity never went away.

AP Music Writer Maria Sherman

NEW SHOWS TO STREAM SEPT. 9-15

— Hallmark launched a streaming service called Hallmark+ on Tuesday with two new original series, the scripted drama “The Chicken Sisters” and unscripted series “Celebrations with Lacey Chabert.” If you’re a Hallmark holiday movies fan, you know Chabert. She’s starred in more than 30 of their films and many are holiday themed. Off camera, Chabert has a passion for throwing parties and entertaining. In “Celebrations,” deserving people are surprised with a bash in their honor — planned with Chabert’s help. “The Chicken Sisters” stars Schuyler Fisk, Wendie Malick and Lea Thompson in a show about employees at rival chicken restaurants in a small town. The eight-episode series is based on a novel of the same name.

Natasha Rothwell of “Insecure” and “The White Lotus” fame created and stars in a new heartfelt comedy for Hulu called “How to Die Alone.” She plays Mel, a broke, go-along-to-get-along, single, airport employee who, after a near-death experience, makes the conscious decision to take risks and pursue her dreams. Rothwell has been working on the series for the past eight years and described it to The AP as “the most vulnerable piece of art I’ve ever put into the world.” Like Mel, Rothwell had to learn to bet on herself to make the show she wanted to make. “In the Venn diagram of me and Mel, there’s significant overlap,” said Rothwell. It premieres Friday on Hulu.

— Shailene Woodley, DeWanda Wise and Betty Gilpin star in a new drama for Starz called “Three Women,” about entrepreneur Sloane, homemaker Lina and student Maggie who are each stepping into their power and making life-changing decisions. They’re interviewed by a writer named Gia (Woodley.) The series is based on a 2019 best-selling book of the same name by Lisa Taddeo. “Three Women” premieres Friday on Starz.

— Sylvester Stallone’s second season of “Tulsa King” debuts Sunday on Paramount+. Stallone plays Dwight Manfredi, a mafia boss who was recently released from prison after serving 25 years. He’s sent to Tulsa to set up a new crime syndicate. The series is created by Taylor Sheridan of “Yellowstone” fame.

Alicia Rancilio

NEW VIDEO GAMES TO PLAY

— One thing about the title of Focus Entertainment’s Warhammer 40,000: Space Marine 2 — you know exactly what you’re in for. You are Demetrian Titus, a genetically enhanced brute sent into battle against the Tyranids, an insectoid species with an insatiable craving for human flesh. You have a rocket-powered suit of armor and an arsenal of ridiculous weapons like the “Chainsword,” the “Thunderhammer” and the “Melta Rifle,” so what could go wrong? Besides the squishy single-player mode, there are cooperative missions and six-vs.-six free-for-alls. You can suit up now on PlayStation 5, Xbox X/S or PC.

— Likewise, Wild Bastards isn’t exactly the kind of title that’s going to attract fans of, say, Animal Crossing. It’s another sci-fi shooter, but the protagonists are a gang of 13 varmints — aliens and androids included — who are on the run from the law. Each outlaw has a distinctive set of weapons and special powers: Sarge, for example, is a robot with horse genes, while Billy the Squid is … well, you get the idea. Australian studio Blue Manchu developed the 2019 cult hit Void Bastards, and this Wild-West-in-space spinoff has the same snarky humor and vibrant, neon-drenched cartoon look. Saddle up on PlayStation 5, Xbox X/S, Nintendo Switch or PC.

Lou Kesten

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Trump could cash out his DJT stock within weeks. Here’s what happens if he sells

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Former President Donald Trump is on the brink of a significant financial decision that could have far-reaching implications for both his personal wealth and the future of his fledgling social media company, Trump Media & Technology Group (TMTG). As the lockup period on his shares in TMTG, which owns Truth Social, nears its end, Trump could soon be free to sell his substantial stake in the company. However, the potential payday, which makes up a large portion of his net worth, comes with considerable risks for Trump and his supporters.

Trump’s stake in TMTG comprises nearly 59% of the company, amounting to 114,750,000 shares. As of now, this holding is valued at approximately $2.6 billion. These shares are currently under a lockup agreement, a common feature of initial public offerings (IPOs), designed to prevent company insiders from immediately selling their shares and potentially destabilizing the stock. The lockup, which began after TMTG’s merger with a special purpose acquisition company (SPAC), is set to expire on September 25, though it could end earlier if certain conditions are met.

Should Trump decide to sell his shares after the lockup expires, the market could respond in unpredictable ways. The sale of a substantial number of shares by a major stakeholder like Trump could flood the market, potentially driving down the stock price. Daniel Bradley, a finance professor at the University of South Florida, suggests that the market might react negatively to such a large sale, particularly if there aren’t enough buyers to absorb the supply. This could lead to a sharp decline in the stock’s value, impacting both Trump’s personal wealth and the company’s market standing.

Moreover, Trump’s involvement in Truth Social has been a key driver of investor interest. The platform, marketed as a free speech alternative to mainstream social media, has attracted a loyal user base largely due to Trump’s presence. If Trump were to sell his stake, it might signal a lack of confidence in the company, potentially shaking investor confidence and further depressing the stock price.

Trump’s decision is also influenced by his ongoing legal battles, which have already cost him over $100 million in legal fees. Selling his shares could provide a significant financial boost, helping him cover these mounting expenses. However, this move could also have political ramifications, especially as he continues his bid for the Republican nomination in the 2024 presidential race.

Trump Media’s success is closely tied to Trump’s political fortunes. The company’s stock has shown volatility in response to developments in the presidential race, with Trump’s chances of winning having a direct impact on the stock’s value. If Trump sells his stake, it could be interpreted as a lack of confidence in his own political future, potentially undermining both his campaign and the company’s prospects.

Truth Social, the flagship product of TMTG, has faced challenges in generating traffic and advertising revenue, especially compared to established social media giants like X (formerly Twitter) and Facebook. Despite this, the company’s valuation has remained high, fueled by investor speculation on Trump’s political future. If Trump remains in the race and manages to secure the presidency, the value of his shares could increase. Conversely, any missteps on the campaign trail could have the opposite effect, further destabilizing the stock.

As the lockup period comes to an end, Trump faces a critical decision that could shape the future of both his personal finances and Truth Social. Whether he chooses to hold onto his shares or cash out, the outcome will likely have significant consequences for the company, its investors, and Trump’s political aspirations.

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Arizona man accused of social media threats to Trump is arrested

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Cochise County, AZ — Law enforcement officials in Arizona have apprehended Ronald Lee Syvrud, a 66-year-old resident of Cochise County, after a manhunt was launched following alleged death threats he made against former President Donald Trump. The threats reportedly surfaced in social media posts over the past two weeks, as Trump visited the US-Mexico border in Cochise County on Thursday.

Syvrud, who hails from Benson, Arizona, located about 50 miles southeast of Tucson, was captured by the Cochise County Sheriff’s Office on Thursday afternoon. The Sheriff’s Office confirmed his arrest, stating, “This subject has been taken into custody without incident.”

In addition to the alleged threats against Trump, Syvrud is wanted for multiple offences, including failure to register as a sex offender. He also faces several warrants in both Wisconsin and Arizona, including charges for driving under the influence and a felony hit-and-run.

The timing of the arrest coincided with Trump’s visit to Cochise County, where he toured the US-Mexico border. During his visit, Trump addressed the ongoing border issues and criticized his political rival, Democratic presidential nominee Kamala Harris, for what he described as lax immigration policies. When asked by reporters about the ongoing manhunt for Syvrud, Trump responded, “No, I have not heard that, but I am not that surprised and the reason is because I want to do things that are very bad for the bad guys.”

This incident marks the latest in a series of threats against political figures during the current election cycle. Just earlier this month, a 66-year-old Virginia man was arrested on suspicion of making death threats against Vice President Kamala Harris and other public officials.

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